Rossana Orlandi

The “Surolù” art works - this is artistic identity chosen by Vanessa Semaino - arise from the artist 's need to represent women’s condition today, particularly in their emotional sta...

The “Surolù” art works - this is artistic identity chosen by Vanessa Semaino - arise from the artist 's need to represent women’s condition today, particularly in their emotional sta...

The “Surolù” art works - this is artistic identity chosen by Vanessa Semaino - arise from the artist 's need to represent women’s condition today, particularly in their emotional sta...

The “Surolù” art works - this is artistic identity chosen by Vanessa Semaino - arise from the artist 's need to represent women’s condition today, particularly in their emotional sta...

The “Surolù” art works - this is artistic identity chosen by Vanessa Semaino - arise from the artist 's need to represent women’s condition today, particularly in their emotional sta...

The “Surolù” art works - this is artistic identity chosen by Vanessa Semaino - arise from the artist 's need to represent women’s condition today, particularly in their emotional sta...

The “Surolù” art works - this is artistic identity chosen by Vanessa Semaino - arise from the artist 's need to represent women’s condition today, particularly in their emotional states that confer their unique identities. These precious ceramic sculptures, entirely handcrafted and decorated, represent female Moor’s heads. They were conceived as an expression of an introspective journey that relates Vanessa’s Sicilian origins and to her professional experience in the fashion stylistic field. The artist introduces, for the first time, the repeated use of sociological themes of current relevance through a visually immediate language, represented in her art works with a contemporary pop aesthetic. “Grimilde” is an artwork that addresses the dilemma of envy within the context of the seven deadly sins, through a representation that merges the wicked characters from fairy tales into a single figure. In it, there are recognizable references to Grimhilde, the witch from “Snow White”, the Queen of Hearts from “Alice in Wonderland,” and Cruella De Vil, all aimed at portraying envy in a world dominated by social media and the constant quest for approval and affirmation. The artwork is named after the evil queen from Snow White, and her figure is made evident by the turban that frames the face, emphasizing its features and wrinkled expression. The dress, with a black and white checkered pattern with red details, evokes that of the Queen of Hearts, as seen in the large red hearts decorating the crown, replacing the traditional acanthus leaves of typical Sicilian Moorish heads...

The “Surolù” art works - this is artistic identity chosen by Vanessa Semaino - arise from the artist 's need to represent women’s condition today, particularly in their emotional sta...