Roy Strong

Matisse in Morocco: The Paintings and Drawings, 1912-1913. Jack Cowart, Pierre Schneider, John Elderfield, Albert Grigor'evich Kostenevich, Marina Bes...

First edition of Larry Clark’s iconic second book of photographs (following 1971’s Tulsa) documenting and immortalizing a debauched adolescent subculture. Self-published in 1983. Con...

Early 20th Century diorama of an 18 pound Gun Team Royal Artillery of the 1st World War (1914-1918) with the model depicting a scene of three soldiers riding on a team of horses pull...

AUTHOR: TOLKIEN, J. R. R. TITLE: The Hobbit or There and Back Again. PUBLISHER: London: George Allen & Unwin Ltd, 1937. DESCRIPTION: FIRST EDITION SECOND IMPRESSION AND THE FIRST...

Frida Kahlo The Brush Of Anguish By Zamora, Martha 1st Ed. 1990. Marilyn Sode Smith (Translator) Mexican author Martha Zamora captures the essence of one of Mexico's most prolific ...

"Je Suis Le Cahier" The Sketchbooks of Picasso hardcover book 1st Edition 1986 The Sketchbooks of Picasso "Je Suis Le Cahier". Pablo Picasso, "Picasso considered all of his works to be entries in his diary; he excluded nothing. The sketchbooks are generic chapters inextricable from his oeuvre. In Picasso's paintings the spontaneity of gesture is deceptive since the manner is which he leaves his tracks visible superficially suggests minimal preparation. Although most of Picasso's solutions appear to be immediately worked out on the canvas, this was far from the fact. Many paintings sprang fully formed as the fulfillment of preconscious models, but very often others were the product of the process of trial solution and discovery through drawing. There are eight sketchbooks for Les Demoiselles d'Avignon, five for the saltimbanques, four for the Luncheon on the Grass series, and two for The rape of the Sabines. In sketchbook No. 171, Picasso inscribed...

Sixty Years of Interior Design: The World of McMillen by Erica Brown. Hardcover, 1st edition. Binding is tight and and there is no visible wear.

Single volume survey of high-end Italian mid-century furniture design. Published in 1992 by Editori Laterza with introductory and biographical text in Italian by Irene de Guttry and ...

Symbolism Paperback Book 1995 by Michael Gibson, 1st edition 1st printing.A study of the Symbolist movement, which emerged in the mid to late 19th century and expired during World Wa...

Author: FLEMING, Ian. Title: You Only Live Twice - UNCORRECTED PROOF. Publisher: London: Jonathan Cape, 1964. FIRST EDITION, FIRST PRINTING, UNCORRECTED PROOF. 1 vol., perhaps limited to approximately 500 copies, neat ownership signature to page 3. Bound in the publisher's original pictorial printed wrappers. Condition: Slight slant to spine, general light...

AUTHOR: BARCLAY, Robert. TITLE: An Apology for the True Christian Divinity, as the Same Is Held Forth, and Preached by the People, Called, in Scorn, Quakers. PUBLISHER: [Aberdeen(...

The Etruscans Hardcover First Edition Oversized Collectible Book.May 4, 2001 by Mario Torelli (Author).The Etruscans have long been a rich source of research and intellectual inquiry as the most significant ethnic group who resided in ancient Etruria, current-day Tuscany and Umbria in Italy. A well-defined polity, the Etruscans were an advanced people whose presence on the Italian peninsula from the 8th to 4th century B.C. had an enormous impact on Roman culture, whose rise of power saw the collapse of Etruscan civilization. * Publisher ‏ : ‎ Rizzoli; First Edition (May 4, 2001) * Language ‏ : ‎ English * Hardcover ‏ : ‎ 672 pages * Dimensions ‏ : ‎9 x 2 x 12.25 inches This book is extensive in its scope; it traces the rise of the Etruscans at the end of the Bronze Age; examines the economic structure of the society; explores the emergence of a powerful aristocracy in the period from 750-650 B.C.; and considers the religious and cultural life of the group. This knowledge has largely been gleaned from a wealth of monuments and material culture which the Etruscans left behind including architecture (the various forms of which indicate familial structure and socio-economic standing, not to mention the larger social structure of Etruscan society) and applied arts, such as bronze objects for both ceremonial use and everyday life, which were produced by an artisan class for a wealthy and demanding aristocracy.Etruscan contributions to the history of art are also of immense importance and are explored in depth in this volume. Etruscan wall...