Rud Rasmussen Armchairs

Large armchair in elm and original patinated leather. Kaare Klint for Rud Rasmussen cabinet makes in the 1929. Made in Denmark.

KAARE KLINT & RUD RASMUSSENS SNEDKERIER SCANDINAVIAN MODERN A pair of early and rare Kaare Klint easy chairs, model 5313, mahogany legs and Nig...

Description: A black leather Safari Chair, designed by Kaare Klint in 1933 and produced by Rud Rasmussen during the 1950s.This leather "Safari" or " Campaign" chair was designed by D...

1940s Kaare Klint “The Red Chair” Armchair of beech. Seat and back upholstered with original patinated red/brown niger leather. Manufactured and marked by Rud Rasmussen. W:61 D:56 H:...

Iconic original safari chair by professor Kaare Klint. Designed 1927. This version dates to the 1960s and is executed in solid stained ash. Nice patina to the wood, and left unrestor...

Kaare Klint 'red chair' in walnut. Upholstered with Niger leather. Executed by Rud. Rasmussen, 1934-1938. Underside with manufacturer's paper label RUD. RASMUSSENS/SNEDKERIER/45 NØR...

Iconic Safari armchair (model KK 47000) designed by Kaare Klint in 1933 and manufactured by Rud Rasmussen, Denmark. Dark brown stained Ash wooden frame upholstered with grey / blue c...

Iconic Safari armchair (model KK 47000) designed by Kaare Klint in 1933 and manufactured by Rud Rasmussen, Denmark. Ash wooden frame upholstered with brown leather seat, back and los...

Armchair ‘The Red Chair’ Model 3758A designed by Kaare Klint for Rud. Rasmussen, Denmark, 1930s. Mahogany, leather upholstery, and brass. This example was produced after 1930. The design detailing of this magnificent chair...

Armchair model 3758 A in original red indian leather and mahogany base. Model designed in 1927 for the Danish Museum of Decorative Art, produced by Rud Rasmussen in the 1940’s. Signed with manufacturer’s label to underside: (Rud. Rasmussens Snedkerier). Kaare Klint is widely recognized as the father of Danish modern design. It is hard to overstate his influence. He developed an entirely new analytical approach to furniture design that his students at the Danish Academy of Art would emulate for years to come, yet was also inspired by historic designs from various cultures, modernizing and re-interpreting classic pieces for new generations. Literature: Kaare Klint, Harkær, pg. 28-30. Dansk Møbelkunst Gennem 40 Aar: 1927-1936, Jalk, pg. 169. Danish Chairs, Oda, pg. 22-23. Kaare Klint (1888-1954) is regarded as the founding father of Danish Modernim. As an architect, furniture designer and leading professor at the Department of Furniture Design at the Royal Danish Academy of Fine Arts, Copenhagen, Klint established the principles of modern Danish furniture by combining a profound appreciation of traditional construction techniques with a modernist emphasis on function and a rejection of ornaments. Klint’s design was always based on relentless research; he never compromised. Every piece had to fulfill its purpose, be completely clear in its construction with dimensions and proportions corresponding to the human body and display materials and craftsmanship of the highest quality. Logic, often using a mathematical system of measures, and a constructive way of thinking were the foundation of Klint’s philosophy of furniture design. Like many of his contemporaries, counting Le Corbusier and Walter Gropius, he advocated standardization and functional requirements and dismissed the use of all ornamentation. But Klint realized his vision in wood and leather, using traditional craftsmen and working methods and often finding inspiration in historical models. In this way, he charted the course for an alternative Nordic Functionalism that idealized the workshop and the collaboration between furniture architects and cabinetmakers as opposed to the factory. Kaare Klint’s first major work was a collaboration with his mentor, the architect Carl Petersen. In 1914 they were commissioned to design furniture and fixtures for Faaborg Art Museum. One of the highlights to emerge from this commission was the Faaborg chair, a light and elegant chair with clear references to classical furniture. The construction and proportions of an 18th century English Chippendale...

Lovely ‘Safari’ easy chair by Kaare Klint for Rud Rasmussen, Denmark 1950’s. This chair features a frame made out of oak and the original cognac leat...

Iconic, Danish modern, Safari chair by Kaare Klint for Rud Rasmussen in stained ash and cognac leather. The back tilts to adjust to your position. The leather shows a lovely patina, ...