Ruth Aragón Art

From the series Observing Multiculturalism - Despite having already settled in his promised land, anxiety still rules all his thoughts, 2019 Contemporary Textile Artwork Minimalist, neutral colors Raw Mexican wool...

„Presence” 2018 Pair of twin handwoven textiles, linen yarn, acrylic textile paint, aluminum construction; textiles: 310 x 67 cm; aluminum construction: 255 x 65 x 55 cm. The object...

Contemporary Fiber Art, Needle Felted "Painting" with Hand Stitched Wrapped Edge Hangs on wall via french cleat Groot Foundation Honorable Mention Recipient 2025 "My work, both in...

This is part of a collection of ceramics, textiles, and drawings by Ak Jansen which comprise his first solo show in New York City. Born in the Netherlands, Jansen’s work occupies que...

Flora II explores the relationship between colour, form, and material through a carefully balanced composition of abstract shapes. Drawing inspiration from modernist abstraction and ...

"Shape Up (diptych)" is an original artwork by Eustace Mamba and measures 24”h x 18”w x 1”d (left panel), 48”h x 24”w x 2”d (right panel). The artists cuts, arranges, sews, and coll...

Flora I explores the relationship between colour, form, and material through a carefully balanced composition of abstract shapes. Drawing inspiration from modernist abstraction and o...

"How does my hair look?" is an original piece by Sarah Detweiler made from scrunchies, synthetic hair, and yarn. This piece measures 32" diameter. Detweiler has found catharsis and joy in recalling her own experiences as a child of the 80s and a teen of the 90s, during what seemed like a simpler time. Likewise, the "Memory Palace" collection offers a reprieve from the strange and complex reality of life in the 21st Century, for adults and children alike, inviting viewers to fall “down the rabbit hole” into a warped reimagination of vignettes from Detweiler’s youth. The exhibition title refers to a mnemonic memorization technique known as the “Method of Loci” through which information is retained and retrieved by conscious mental association with a specific physical location. In the context of Detweiler’s work, each painting, object, and installation functions as a “room” in the artist’s “memory palace,” with specific memories encapsulated therein. The visual representations of Detweiler’s memories are skewed from reality, like the memories themselves, from super-sized silly putty to hand-stitched static from the late-night glow of a television set. About Sarah Detweiler Sarah Detweiler is a Philadelphia area-based visual artist translating her experiences into figurative and narrative mixed media paintings. She has a BFA in Visual Communications from University of Delaware and a master's degree in Art Therapy from Pratt. Sarah is an award-winning artist who has shown her work in solo and group exhibitions in galleries across the country and virtually. She exhibits regularly at Paradigm Gallery in Philadelphia where she has had 2 sold out solo exhibitions. Her work has also been seen on television and film...

This is part of a new collection work that encompasses ceramics and textiles by Ak Jansen. Born in the Netherlands, Jansen’s work occupies queerness on both poetic and political term...

Hypomnema. A term that is composed of the ancient Greek preposition Hypo-Mneme and literally means “commemorative memory.” It is the meeting of several layers in an object, the memor...

"Lyric Space" Korean silk fabric and handmade ramie threads, maple floater frame. This contemporary silk textile piece is by Korean fiber artist, Shin You...

This is part of a collection of ceramics, textiles, and drawings by Ak Jansen which comprise his first solo show in New York City. Born in the Netherlands, Jansen’s work occupies que...