Anemones
By Sal Taylor Kydd
Located in Los Angeles, CA
Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; combining her poe...
Archival Pigment
A Flickering
By Sal Taylor Kydd
Located in Los Angeles, CA
A Flickering Archival pigment print Signed and dated by the artist 16 x 20 - edition of 10 20 x 30 - edition of 5 Flickering in the Midday Silver Beyond the pane a glimmer, ba...
Photogravure
And There I Find Myself Waiting
By Sal Taylor Kydd
Located in Los Angeles, CA
Archival pigment print Signed and dated by the artist 16 x 20 - edition of 10 20 x 30 - edition of 5 Flickering in the Midday Silver Beyond the pane a glimmer, barely perceived...
Photogravure
Grace
By Sal Taylor Kydd
Located in Los Angeles, CA
Archival pigment print Signed and dated by the artist 16 x 20 - edition of 10 20 x 30 - edition of 5 Flickering in the Midday Silver Beyond the pane a glimmer, barely perceived...
Photogravure
Trancendance
By Sal Taylor Kydd
Located in Los Angeles, CA
Edition of 10 Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; co...
Archival Pigment
Hope
By Sal Taylor Kydd
Located in Los Angeles, CA
Edition of 10 Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; co...
Archival Pigment
Fragility
By Sal Taylor Kydd
Located in Los Angeles, CA
Edition of 10 Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; co...
Archival Pigment
Homage
By Sal Taylor Kydd
Located in Los Angeles, CA
These images are available as hand-pulled polymer photogravures, made with bone black and warm sepia inks on Hahnemühle Copperplate paper. Edition of 109 7 x 9 photopolymer gravure Signed numbered and dated by the artist. The photographs and poem that evolved into this series of photographs and the accompanying book “Yesterday” were made during the summer of 2020. Although much of the country was in the midst of the Covid 19 pandemic, on this remote island off the coast of Maine, we still felt free from much of the toll that Covid was taking. Able to spend time outside, in nature, we had the illusion of safety, of normalcy almost, whilst at the same time being painfully aware of how the virus was increasingly touching everyone's lives. By then we all knew of people who had died, or become ill and we were managing the stress of futures shifting and plans that had been derailed, fearing what would come with the change of the seasons. That summer represented a pause in time, a moment where life could feel normal, when we were still holding on to a world of yesterdays. Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; combining her poetry with alternative processes of photography and object-making. Taylor Kydd’s fine art photographs have been exhibited throughout the country and internationally, including Barcelona, San Miguel De Allende, Portland, Boston and Los Angeles; and she has been featured in numerous publications, including Shots Magazine, Don’t Take Pictures Magazine, Lenscratch, Diffusion Annual and The Hand magazine. She has self-published a number of books combining her poetry with her photographs. Her books are in private and museum collections throughout the country including The Getty Museum, Bowdoin College, The Peabody Essex Museum and the Maine Women Writer’s Collection at the University of New England. Taylor Kydd’s latest book “Yesterday”, produced by Datz Press, is a limited edition book of poems and photographs that explores our sense of loss around the pandemic of 2020. Taylor Kydd is also a veteran workshop leader and educator and has led workshops and conducted portfolio reviews throughout the country and internationally with Maine Media, Santa Fe Workshops, Palm Beach Photography...
Photogravure
Offered
By Sal Taylor Kydd
Located in Los Angeles, CA
These images are available as hand-pulled polymer photogravures, made with bone black and warm sepia inks on Hahnemühle Copperplate paper. Edition of 109 7 x 9 photopolymer gravure Signed numbered and dated by the artist Framing options available The photographs and poem that evolved into this series of photographs and the accompanying book “Yesterday” were made during the summer of 2020. Although much of the country was in the midst of the Covid 19 pandemic, on this remote island off the coast of Maine, we still felt free from much of the toll that Covid was taking. Able to spend time outside, in nature, we had the illusion of safety, of normalcy almost, whilst at the same time being painfully aware of how the virus was increasingly touching everyone's lives. By then we all knew of people who had died, or become ill and we were managing the stress of futures shifting and plans that had been derailed, fearing what would come with the change of the seasons. That summer represented a pause in time, a moment where life could feel normal, when we were still holding on to a world of yesterdays. Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; combining her poetry with alternative processes of photography and object-making. Taylor Kydd’s fine art photographs have been exhibited throughout the country and internationally, including Barcelona, San Miguel De Allende, Portland, Boston and Los Angeles; and she has been featured in numerous publications, including Shots Magazine, Don’t Take Pictures Magazine, Lenscratch, Diffusion Annual and The Hand magazine. She has self-published a number of books combining her poetry with her photographs. Her books are in private and museum collections throughout the country including The Getty Museum, Bowdoin College, The Peabody Essex Museum and the Maine Women Writer’s Collection at the University of New England. Taylor Kydd’s latest book “Yesterday”, produced by Datz Press, is a limited edition book of poems and photographs that explores our sense of loss around the pandemic of 2020. Taylor Kydd is also a veteran workshop leader and educator and has led workshops and conducted portfolio reviews throughout the country and internationally with Maine Media, Santa Fe Workshops, Palm Beach Photography...
Photogravure
Leaves Dancing
By Sal Taylor Kydd
Located in Los Angeles, CA
Edition of 10 Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; co...
Archival Pigment
Entwined
By Sal Taylor Kydd
Located in Los Angeles, CA
Edition of 10 Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; co...
Archival Pigment
Droplet
By Sal Taylor Kydd
Located in Los Angeles, CA
Edition of 10 Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; co...
Archival Pigment
Braided
By Sal Taylor Kydd
Located in Los Angeles, CA
Archival pigment print Signed and dated by the artist 16 x 20 - edition of 10 20 x 30 - edition of 5 Flickering in the Midday Silver Beyond the pane a glimmer, barely perceived...
Photogravure
By Two
By Sal Taylor Kydd
Located in Los Angeles, CA
Archival pigment print Signed and dated by the artist 16 x 20 - edition of 10 20 x 30 - edition of 5 Flickering in the Midday Silver Beyond the pane a glimmer, barely perceived...
Photogravure
Through Leaves
By Sal Taylor Kydd
Located in Los Angeles, CA
These images are available as hand-pulled polymer photogravures, made with bone black and warm sepia inks on Hahnemühle Copperplate paper. Edition of 109 7 x 9 photopolymer gravure Signed numbered and dated by the artist Framing options available The photographs and poem that evolved into this series of photographs and the accompanying book “Yesterday” were made during the summer of 2020. Although much of the country was in the midst of the Covid 19 pandemic, on this remote island off the coast of Maine, we still felt free from much of the toll that Covid was taking. Able to spend time outside, in nature, we had the illusion of safety, of normalcy almost, whilst at the same time being painfully aware of how the virus was increasingly touching everyone's lives. By then we all knew of people who had died, or become ill and we were managing the stress of futures shifting and plans that had been derailed, fearing what would come with the change of the seasons. That summer represented a pause in time, a moment where life could feel normal, when we were still holding on to a world of yesterdays. Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; combining her poetry with alternative processes of photography and object-making. Taylor Kydd’s fine art photographs have been exhibited throughout the country and internationally, including Barcelona, San Miguel De Allende, Portland, Boston and Los Angeles; and she has been featured in numerous publications, including Shots Magazine, Don’t Take Pictures Magazine, Lenscratch, Diffusion Annual and The Hand magazine. She has self-published a number of books combining her poetry with her photographs. Her books are in private and museum collections throughout the country including The Getty Museum, Bowdoin College, The Peabody Essex Museum and the Maine Women Writer’s Collection at the University of New England. Taylor Kydd’s latest book “Yesterday”, produced by Datz Press, is a limited edition book of poems and photographs that explores our sense of loss around the pandemic of 2020. Taylor Kydd is also a veteran workshop leader and educator and has led workshops and conducted portfolio reviews throughout the country and internationally with Maine Media, Santa Fe Workshops, Palm Beach Photography...
Photogravure
Waiting for Tomorrow
By Sal Taylor Kydd
Located in Los Angeles, CA
These images are available as hand-pulled polymer photogravures, made with bone black and warm sepia inks on Hahnemühle Copperplate paper. Edition of 109 7 x 9 photopolymer gravure Signed numbered and dated by the artist Framing options available The photographs and poem that evolved into this series of photographs and the accompanying book “Yesterday” were made during the summer of 2020. Although much of the country was in the midst of the Covid 19 pandemic, on this remote island off the coast of Maine, we still felt free from much of the toll that Covid was taking. Able to spend time outside, in nature, we had the illusion of safety, of normalcy almost, whilst at the same time being painfully aware of how the virus was increasingly touching everyone's lives. By then we all knew of people who had died, or become ill and we were managing the stress of futures shifting and plans that had been derailed, fearing what would come with the change of the seasons. That summer represented a pause in time, a moment where life could feel normal, when we were still holding on to a world of yesterdays. Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; combining her poetry with alternative processes of photography and object-making. Taylor Kydd’s fine art photographs have been exhibited throughout the country and internationally, including Barcelona, San Miguel De Allende, Portland, Boston and Los Angeles; and she has been featured in numerous publications, including Shots Magazine, Don’t Take Pictures Magazine, Lenscratch, Diffusion Annual and The Hand magazine. She has self-published a number of books combining her poetry with her photographs. Her books are in private and museum collections throughout the country including The Getty Museum, Bowdoin College, The Peabody Essex Museum and the Maine Women Writer’s Collection at the University of New England. Taylor Kydd’s latest book “Yesterday”, produced by Datz Press, is a limited edition book of poems and photographs that explores our sense of loss around the pandemic of 2020. Taylor Kydd is also a veteran workshop leader and educator and has led workshops and conducted portfolio reviews throughout the country and internationally with Maine Media, Santa Fe Workshops, Palm Beach Photography...
Photogravure
Twilight
By Sal Taylor Kydd
Located in Los Angeles, CA
These images are available as hand-pulled polymer photogravures, made with bone black and warm sepia inks on Hahnemühle Copperplate paper. Edition of 109 7 x 9 photopolymer gravure Signed numbered and dated by the artist Framing options available The photographs and poem that evolved into this series of photographs and the accompanying book “Yesterday” were made during the summer of 2020. Although much of the country was in the midst of the Covid 19 pandemic, on this remote island off the coast of Maine, we still felt free from much of the toll that Covid was taking. Able to spend time outside, in nature, we had the illusion of safety, of normalcy almost, whilst at the same time being painfully aware of how the virus was increasingly touching everyone's lives. By then we all knew of people who had died, or become ill and we were managing the stress of futures shifting and plans that had been derailed, fearing what would come with the change of the seasons. That summer represented a pause in time, a moment where life could feel normal, when we were still holding on to a world of yesterdays. Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; combining her poetry with alternative processes of photography and object-making. Taylor Kydd’s fine art photographs have been exhibited throughout the country and internationally, including Barcelona, San Miguel De Allende, Portland, Boston and Los Angeles; and she has been featured in numerous publications, including Shots Magazine, Don’t Take Pictures Magazine, Lenscratch, Diffusion Annual and The Hand magazine. She has self-published a number of books combining her poetry with her photographs. Her books are in private and museum collections throughout the country including The Getty Museum, Bowdoin College, The Peabody Essex Museum and the Maine Women Writer’s Collection at the University of New England. Taylor Kydd’s latest book “Yesterday”, produced by Datz Press, is a limited edition book of poems and photographs that explores our sense of loss around the pandemic of 2020. Taylor Kydd is also a veteran workshop leader and educator and has led workshops and conducted portfolio reviews throughout the country and internationally with Maine Media, Santa Fe Workshops, Palm Beach Photography...
Photogravure
Mannequin
By Sal Taylor Kydd
Located in Los Angeles, CA
These images are available as hand-pulled polymer photogravures, made with bone black and warm sepia inks on Hahnemühle Copperplate paper. Edition of 109 7 x 9 photopolymer gravure Signed numbered and dated by the artist Framing options available The photographs and poem that evolved into this series of photographs and the accompanying book “Yesterday” were made during the summer of 2020. Although much of the country was in the midst of the Covid 19 pandemic, on this remote island off the coast of Maine, we still felt free from much of the toll that Covid was taking. Able to spend time outside, in nature, we had the illusion of safety, of normalcy almost, whilst at the same time being painfully aware of how the virus was increasingly touching everyone's lives. By then we all knew of people who had died, or become ill and we were managing the stress of futures shifting and plans that had been derailed, fearing what would come with the change of the seasons. That summer represented a pause in time, a moment where life could feel normal, when we were still holding on to a world of yesterdays. Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; combining her poetry with alternative processes of photography and object-making. Taylor Kydd’s fine art photographs have been exhibited throughout the country and internationally, including Barcelona, San Miguel De Allende, Portland, Boston and Los Angeles; and she has been featured in numerous publications, including Shots Magazine, Don’t Take Pictures Magazine, Lenscratch, Diffusion Annual and The Hand magazine. She has self-published a number of books combining her poetry with her photographs. Her books are in private and museum collections throughout the country including The Getty Museum, Bowdoin College, The Peabody Essex Museum and the Maine Women Writer’s Collection at the University of New England. Taylor Kydd’s latest book “Yesterday”, produced by Datz Press, is a limited edition book of poems and photographs that explores our sense of loss around the pandemic of 2020. Taylor Kydd is also a veteran workshop leader and educator and has led workshops and conducted portfolio reviews throughout the country and internationally with Maine Media, Santa Fe Workshops, Palm Beach Photography...
Photogravure
Maiden
By Sal Taylor Kydd
Located in Los Angeles, CA
These images are available as hand-pulled polymer photogravures, made with bone black and warm sepia inks on Hahnemühle Copperplate paper. Edition of 109 7 x 9 photopolymer gravure Signed numbered and dated by the artist Framing options available The photographs and poem that evolved into this series of photographs and the accompanying book “Yesterday” were made during the summer of 2020. Although much of the country was in the midst of the Covid 19 pandemic, on this remote island off the coast of Maine, we still felt free from much of the toll that Covid was taking. Able to spend time outside, in nature, we had the illusion of safety, of normalcy almost, whilst at the same time being painfully aware of how the virus was increasingly touching everyone's lives. By then we all knew of people who had died, or become ill and we were managing the stress of futures shifting and plans that had been derailed, fearing what would come with the change of the seasons. That summer represented a pause in time, a moment where life could feel normal, when we were still holding on to a world of yesterdays. Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; combining her poetry with alternative processes of photography and object-making. Taylor Kydd’s fine art photographs have been exhibited throughout the country and internationally, including Barcelona, San Miguel De Allende, Portland, Boston and Los Angeles; and she has been featured in numerous publications, including Shots Magazine, Don’t Take Pictures Magazine, Lenscratch, Diffusion Annual and The Hand magazine. She has self-published a number of books combining her poetry with her photographs. Her books are in private and museum collections throughout the country including The Getty Museum, Bowdoin College, The Peabody Essex Museum and the Maine Women Writer’s Collection at the University of New England. Taylor Kydd’s latest book “Yesterday”, produced by Datz Press, is a limited edition book of poems and photographs that explores our sense of loss around the pandemic of 2020. Taylor Kydd is also a veteran workshop leader and educator and has led workshops and conducted portfolio reviews throughout the country and internationally with Maine Media, Santa Fe Workshops, Palm Beach Photography...
Photogravure
Lola's World
By Sal Taylor Kydd
Located in Los Angeles, CA
These images are available as hand-pulled polymer photogravures, made with bone black and warm sepia inks on Hahnemühle Copperplate paper. Edition of 109 7 x 9 photopolymer gravure Signed numbered and dated by the artist. The photographs and poem that evolved into this series of photographs and the accompanying book “Yesterday” were made during the summer of 2020. Although much of the country was in the midst of the Covid 19 pandemic, on this remote island off the coast of Maine, we still felt free from much of the toll that Covid was taking. Able to spend time outside, in nature, we had the illusion of safety, of normalcy almost, whilst at the same time being painfully aware of how the virus was increasingly touching everyone's lives. By then we all knew of people who had died, or become ill and we were managing the stress of futures shifting and plans that had been derailed, fearing what would come with the change of the seasons. That summer represented a pause in time, a moment where life could feel normal, when we were still holding on to a world of yesterdays. Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; combining her poetry with alternative processes of photography and object-making. Taylor Kydd’s fine art photographs have been exhibited throughout the country and internationally, including Barcelona, San Miguel De Allende, Portland, Boston and Los Angeles; and she has been featured in numerous publications, including Shots Magazine, Don’t Take Pictures Magazine, Lenscratch, Diffusion Annual and The Hand magazine. She has self-published a number of books combining her poetry with her photographs. Her books are in private and museum collections throughout the country including The Getty Museum, Bowdoin College, The Peabody Essex Museum and the Maine Women Writer’s Collection at the University of New England. Taylor Kydd’s latest book “Yesterday”, produced by Datz Press, is a limited edition book of poems and photographs that explores our sense of loss around the pandemic of 2020. Taylor Kydd is also a veteran workshop leader and educator and has led workshops and conducted portfolio reviews throughout the country and internationally with Maine Media, Santa Fe Workshops, Palm Beach Photography...
Photogravure
$3,750
H 30 in W 60 in D 0.1 in
'Awakening' Master Edition Photographic Triptych. Yosemite Mountains Trees Light
By Sophia Milligan
Located in Penzance, GB
'Awakening' Archival photographic triptych. Unique Master Edition of 1. Unframed. _________________ Morning light illuminates the layered landscape of Yosemite National Park, Half D...
Archival Ink, Archival Paper, Giclée, Archival Pigment
$8,000
H 40 in W 60 in D 2 in
Pirarucu Fisherman, Jurua River, The Amazon Forest, Brazil
By Araquém Alcântara
Located in New York City, NY
Araquém Alcântara Pirarucu Fisherman, Jurua River, The Amazon Forest, Brazil, 2004 70 x 105 cm 27.5 x 41 inches Edition of 10 100 x 150cm 40 x 60 inches Edition of 10 120 x 180 cm...
Black and White, Archival Pigment
$2,650
H 40 in W 30 in D 0.1 in
"Kiss" Photography Print 40" x 30" inch Edition of 7 by Viktorija Pashuta
By Viktorija Pashuta
Located in Culver City, CA
"Kiss" Photography Print 40" x 30" inch Edition of 7 by Viktorija Pashuta Signed and numbered by the artist Comes with COA issued by the artist Limited edition of 7 is printed on Archival Matte Paper This artwork is printed on fine art Archival Matte Paper, also known as Moab Lasal Photo Matte. It features a smooth surface, heavy weight (230 g, 9.5-mil), neutral white, matte paper engineered for accurate color reproduction that provides high contrast and high-resolution output. This paper is acid-free and makes it perfect for photography artworks. . Shipping: This art print generally printed in 3 business days after the order is processed and the delivery takes 3-4 business days in USA about 10 business Internationally. The print will be shipped rolled in a tube. Print include 1" extra white border for framing. This is a unique fashion...
Archival Paper, Color
$2,250
H 24 in W 24 in D 0.1 in
“Nectar” Surreal Photography 24" x 24" inch Edition of 24 by Brian Ziff
By Brian Ziff
Located in Culver City, CA
“Nectar” Surreal Photography 24" x 24" inch Edition of 24 by Brian Ziff Giclee (Archival Ink) Print on Canson Platine Fibre Rag Signed and numbered by the artist Comes with COA signed by the artist From "Unbearable Lightness...
Archival Ink, Rag Paper, Giclée
$4,765
H 30 in W 60 in D 0.1 in
'Aspens, California' Unique Triptych. Black and White Trees Nature Wild Forest
By Sophia Milligan
Located in Penzance, GB
'Aspens, California' Master Edition (Unique artwork, 1 of 1). Archival photographic triptych . Hand signed and numbered. Unframed. _________________ Late afternoon light in Yosemit...
Archival Ink, Archival Paper, Giclée, Archival Pigment
Hommage a René Gruau II • # 3 of 9 • 42 cm x 29 cm
By Angelika Buettner
Located in Aramits, Nouvelle-Aquitaine
Hommage a René Gruau II • Paris, 2011 • Edition of 18 prints in 3 sizes. All prints are numbered and signed. Printed on Hahnemühle Archival Paper. Three different sizes are available...
Archival Paper, Archival Pigment, Digital Pigment
$18,500
H 48 in W 48 in D 1 in
"Modernismo M13" Photography (FRAMED) 48" x 48" in Ed. 2/12 by Giuliano Bekor
By Giuliano Bekor
Located in Culver City, CA
"Modernismo M13" Photography (FRAMED) 48" x 48" in Ed. 2/12 by Giuliano Bekor Print size 48x48 Inches Artwork finished size 50x50 Inches Limited edition 2 of 12 Artist proof 2 Sign...
Plexiglass, Archival Pigment
$3,416
H 33.12 in W 23.39 in
Hommage a René Gruau II • # 1 of 3 • 84 cm x 59 cm
By Angelika Buettner
Located in Aramits, Nouvelle-Aquitaine
Hommage a René Gruau II • Paris, 2011 • Edition of 18 prints in 3 sizes. All prints are numbered and signed. Printed on Hahnemühle Archival Paper. Three different sizes are available...
Archival Paper, Archival Pigment, Digital Pigment
Hommage a René Gruau I • # 2 of 6 • 42 cm x 59 cm
By Angelika Buettner
Located in Aramits, Nouvelle-Aquitaine
Homage a René Gruau I • Paris, 2011 • Edition of 18 prints in 3 sizes. All prints are numbered and signed. Printed on Hahnemühle Archival Paper. Three different sizes are available, ...
Archival Paper, Archival Pigment, Digital Pigment
$3,416
H 33.12 in W 23.39 in
Hommage a René Gruau III • # 1 of 3 • 84 cm x 59 cm
By Angelika Buettner
Located in Aramits, Nouvelle-Aquitaine
Hommage a René Gruau III • Paris, 2011 • Edition of 18 prints in 3 sizes. All prints are numbered and signed. Printed on Hahnemühle Archival Paper. Three different sizes are availabl...
Archival Paper, Archival Pigment, Digital Pigment
$2,619
H 23.39 in W 16.54 in
Hommage a René Gruau II • # 2 of 6 • 59 cm x 42 cm
By Angelika Buettner
Located in Aramits, Nouvelle-Aquitaine
Hommage a René Gruau II • Paris, 2011 • Edition of 18 prints in 3 sizes. All prints are numbered and signed. Printed on Hahnemühle Archival Paper. Three different sizes are available...
Archival Paper, Archival Pigment, Digital Pigment
$15,000
H 40 in W 40 in D 1 in
"M14" Photograph (FRAMED) 40" x 40" in Limited Edition of 20 by Giuliano Bekor
By Giuliano Bekor
Located in Culver City, CA
"M14" Photograph (FRAMED) 40" x 40" in Limited Edition of 20 by Giuliano Bekor This Artwork is printed on a highest resolution fine art archival Kodak pearl pigment paper, Print mou...
Plexiglass, Archival Pigment
Palos Park 69/200
By Paul Kozal
Located in Phoenix, AZ
sepia toned silver gelatin print Framed dimensions 21.5 x 17.5 inches Paul Kozal has been photographing for over 25 years. His award-winning photographs have been exhibited in numer...
Silver Gelatin
Hommage a Lolita Lempicka
By Angelika Buettner
Located in Aramits, Nouvelle-Aquitaine
Hommage a Lolita Lempicka • Paris, 2005 Printed on Hahnemühle Archival Paper, mounted on alu-dibond, framed in a black shadow frame, signed and dated. Artwork - H 80.00 cm x W 59.7...
Archival Paper, Archival Pigment, Digital Pigment
Hommage a René Gruau I • # 1 of 3 • 59 cm x 84 cm
By Angelika Buettner
Located in Aramits, Nouvelle-Aquitaine
Hommage a René Gruau I • Paris, 2011 • Edition of 18 prints in 3 sizes. All prints are numbered and signed. Printed on Hahnemühle Archival Paper. Three different sizes are available,...
Archival Paper, Archival Pigment, Digital Pigment