Samuel Alken Jr. Art

Henry Thomas ALKEN 1785 – 1851 A very typical example of Alken's work in a beautifully presented original antique frame. Alken's work is highly collectable and this is worthy of any...

H.Jackson. 19th-century English landscape with sheep resting in a field. English late 19th-century painter of animals either in barns or landscapes. His paintings have the influence of the work of the Belgium painter Cornelius van Leemputten...

Signed the plate with the artist's monogram “TS”lower left. Inscription “C. Lovera imp” lower right. Very rare print from “L'Art in Italia”, 1871.Original Prints. Image Dimensions : ...

Antique Victorian English 19th Century, three Spaniel dogs in an Interior. George Armfield was a mid-Victorian painter of mostly dog scenes but also painted other animal subjects su...

Henry Deacon Hillier British, (1858-1930) Near Killin, Perthshire Oil on canvas, signed, inscribed verso Image size: 27.25 inches x 21.25 inches Size including frame: 35 inches x 29...

Claude Cardon British, (1864-1937) Farm Friends Oil on canvas, signed Image size: 13.5 inches x 20.5 inches Size including frame: 19.25 inches x 26.25 inches A tranquil scene of ca...

This is an exclusive handprinted limited edition cyanotype. "Blustery Clouds" is an cyanotype of the semi-abstract patterns of clouds in the sky after a storm. Details: + Title: Blu...

This charming late 19th-century oil painting by English artist Alfred Augustus Glendening (1840-1921) depicts a picturesque woodland view with sheep. Glendening was a distinguished painter of landscapes. Amid the gentle golden glow of British summertime, sheep graze on a country track flanked by several mature trees. It’s likely to be a view in Sussex or Kent and possibly painted at Knole Park near Sevenoaks. Born in Hampton on Thames, London, Glendening was raised in an area popular with Victorian artists. The river, with its zig-zagging steamboats and silvery waters, provided ample inspiration for a young impressionable mind. This fascinating environment delivered the building blocks for his artistic development, and one can imagine him sketching on the riverbank along with other painters. It would take a little time before he turned to art as a career but, once he pursued his calling, success was inevitable. Travel during the mid-19th century was becoming a little easier thanks to the emerging rail network, and Glendening filled his sketchbooks on various cross-country trips. In 1864, he debuted at The Royal Society of British Artists with a view from Cumbria’s picturesque Lake District. The following year, exhibiting ‘A Cornfield, Kent’ at the Royal Academy. Many of his works were centred around shimmering water with the Isle of Wight another frequent destination. Soon, the rising middle classes took note and he became a firm favourite - views in North Wales, the Highlands, Surrey, and Devon captured with a deft touch. His approach was predominantly naturalistic and lacked the grandiosity of many early Victorian painters. His tranquil vignettes are skilfully observed with dapples of light dancing across reflected foliage. The occasional bird picked out with weight and movement. Glendening’s exquisite draughtsmanship was matched by a keen understanding of tone and value, resulting in balanced compositions with blissful moods. By 1903, he’d exhibited 47 works at the Royal Academy - quite an achievement for a late starter. Today, various museums hold examples including at Southampton and Newport. Signed/dated lower left and held within a later frame. Provenance: Private collection, UK. Artist’s auction maximum: £32,000 for ‘Bramber Castle’, Oil on canvas, Christie’s, 19th Century Pictures...

French 19th century Chickens in a landscape Charles-Emile Jacque (23 May 1813 – 7 May 1894) was a French painter of animals (animalier) and engr...

19th century English landscape of Children picking flowers in a field or meadow. Henry Hadfield Cubley was born in Newark, Nottinghamshire in 1858. Henry was the nephew of William C...

‘On the Conwy, North Wales’ by Charles Smith (1841-1917) The painting is signed by the artist and dated 1869 in which year it was exhibited at the Royal Society of British Artists a...

Claude Cardon British, (1864-1937) Spring Lambs Oil on canvas, signed Image size: 9.5 inches x 13.5 inches Size including frame: 16.25 inches x 20.25 inches A charming painting of ...