"Moeris and Galatea" Eclogue 9 original etching
By Samuel Palmer (b.1805)
Located in Henderson, NV
Medium: original etching. This impression on Alton Mill laid paper was printed in 1883 for "An English Version of the Eclogues of Virgil" and published in London by Seeley and Compan...
Etching
"Opening the Fold - Early Morning" Eclogue 8 original etching
By Samuel Palmer (b.1805)
Located in Henderson, NV
Medium: original etching. This impression on Alton Mill laid paper was printed in 1883 for "An English Version of the Eclogues of Virgil" and published in London by Seeley and Compan...
Etching
"The Sepulchre" Eclogue 8 original etching
By Samuel Palmer (b.1805)
Located in Henderson, NV
Medium: original etching. This impression on Alton Mill laid paper was printed in 1883 for "An English Version of the Eclogues of Virgil" and published in London by Seeley and Compan...
Etching
"The Homeward Star" Eclogue 1 original etching
By Samuel Palmer (b.1805)
Located in Henderson, NV
Medium: original etching. This impression on Alton Mill laid paper was printed in 1883 for "An English Version of the Eclogues of Virgil" and published in London by Seeley and Compan...
Etching
"The Cypress Grove" Eclogue 5 original etching
By Samuel Palmer (b.1805)
Located in Henderson, NV
Medium: original etching. This impression on Alton Mill laid paper was printed in 1883 for "An English Version of the Eclogues of Virgil" and published in London by Seeley and Compan...
Etching
A View Near Redhill, 19th Century Pen and Ink Drawing by Samuel Palmer
By Samuel Palmer (b.1805)
Located in London, GB
Pen and ink on paper, inscribed 'Redhill' and dated 'June 24th 1872' lower left Image size: 4 x 8 inches (10 x 20 cm) Mounted and Framed Provenance Given to Ernest Pearce by Carlos Peacock, from the collection of Miss Louisa Twining (1820-1911), a pupil of Samuel Palmer. Carlos noted in his letter accompanying the work to Ernest Pearce that 'Going through my Palmer things for mounting the other day. I found this little sketch dating from the Redhill days. Thought you might like it by way of a Christmas gift'. Literature Carlos Peacock, Samuel Palmer , Shoreham and After, published by John Baker 1968, illustrated on page 67. This delicate pen and ink drawing depicts a view at Redhill, a town in the borough of Reigate within the county of Surrey, England. While Palmer's reputation rests mainly on his Shoreham work some of his later work, such as his sketches from Redhill, have recently received more appreciation. In 1872 Palmer was living in Redhill, at his last home, The Chantry at Cronks Hill. The Chantry is now Grade II listed due to the Palmer connection and Palmer Close, a cul-de-sac in Redhill (built in the 1960's), was also named in his honour. This work is an illustration of rural paradise, a vision of the natural world where there is a cosmic harmony between man and his environment. Indeed, Alfred Palmer, the artist's son, wrote 'Had the artist depended for his material solely on the fields, and woods, and hills around him, and had he used that material in a sordid way, he might have given us faithful representations of those he selected, but there would have been inevitable repetition, and he would never have shown us as he has undoubtedly done, the very spirit and quintessence of the loveliest and most poetic pastoral scenery - scenery which we may imagine as that of ancient England...
Ink, Pen
Sketch-book Page, Shoreham, Samuel Palmer, Late 19th Century
By Samuel Palmer (b.1805)
Located in London, GB
Graphite on paper, numerous pencil inscriptions Image size: 5 1/2 x 21 1/2 inches (14 x 55 cm) Period style hand made gilt frame Provenance The collection of Ernest Pearce (1930-20...
Paper, Graphite
$38,664
Ancient Oak Trees in Lullingstone Park, Samuel Palmer Watercolour and Ink
By Samuel Palmer (b.1805)
Located in London, GB
Watercolour and pen and ink on paper, inscribed verso Image size: 5 x 4 inches (13 x 10 cm) Framed This drawing most likely depicts a view in Lullingstone Park, near the village of ...
Ink, Pen, Watercolor
$420
H 28 in W 40 in
Venice Beach Seascape, Long Wave, Nautical Scene in Blue Tones, Limited Edition
By Kind of Cyan
Located in Barcelona, ES
This is an exclusive handprinted limited edition cyanotype. This beautiful cyanotype is titled "Long Wave in Venice Beach" and it shows an outstanding wave in one of the most iconic ...
Paper, Emulsion, Watercolor, Engraving, Etching, Monotype
Passaic Meadows (In the Newark Meadows)
By Thomas Moran
Located in Middletown, NY
Boston: American Art Review, 1880. Etching on cream laid paper, 5 3/4 x 8 3/4 inches (146 x 230mm), full margins. Light uniform age tone, scattered handling creases and minor toning ...
Laid Paper, Etching
$600
H 3.75 in W 5.875 in
Tigre couché à l'entrée de son antre (Tiger Lying at the Entrance to its Lair)
By Eugène Delacroix
Located in Middletown, NY
Etching, drypoint, and roulette on watermarked Hallines cream laid paper, 3 3/4 x 5 7/8 inches (95 x 148 mm), full margins. A very good impression of this charming image, with all of...
Laid Paper, Drypoint, Etching
$1,800
H 29.14 in W 40.95 in D 0.04 in
Georgia Contemporary Art by Ilia Balavadze - 24.40
Located in Paris, IDF
Ink, pen & pigment on paper Ilia Balavadze is a Georgian artist born in 1968 who lives and works in Tbilisi, Georgia. From 1987 to 1993, he studied the painting at the Tbilisi State...
Ink, Pen, Pigment
$4,950
H 19.25 in W 15 in D 2 in
"C.L. Drouet, Sculptor" by Whistler
By James Abbott McNeill Whistler
Located in Hinsdale, IL
Title: C. L. Drouet, Sculptor Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London) Sitter: Charles L. Drouet (French, 1836–1908) Date: 1859 Medium: Etchi...
Etching
Communipaw, NY; January Thaw
By Thomas Moran
Located in Middletown, NY
A delicate composition of an industrial Hudson River town, seen from lower Manhattan; a view of what is now Liberty State Park. New York: 1884. Etching with aquatint on cream laid p...
Laid Paper, Etching, Aquatint
Listening to Bessie Smith
Located in Wilton Manors, FL
Woody Gruber (1946-2022) Listening to Bessie, 1975. Etching on paper, plate measures 7 inches h. x 7.75 w. Overall framed measurement in 14 x 15 inches. Numbered, titled, signed ...
Etching
$1,800
H 29.14 in W 40.95 in D 0.04 in
Georgian Contemporary Art by Ilia Balavadze - 24.40
Located in Paris, IDF
Ink, pen & pigment on paper Ilia Balavadze is a Georgian artist born in 1968 who lives and works in Tbilisi, Georgia. From 1987 to 1993, he studied the...
Ink, Pen, Pigment
$420
H 40 in W 28 in
Pacific Ocean Currents, Handmade Cyanotype Seascape in Blue, Waves Landscape
By Kind of Cyan
Located in Barcelona, ES
This is an exclusive handprinted limited edition cyanotype. "Pacific Ocean Currents" is a handmade cyanotype print of rough water texture resembling Pacific Ocean swell. Details: + ...
Paper, Emulsion, Engraving, Etching
$5,500
H 9.75 in W 6.325 in
Renée Mauperin; Ten Etchings, Complete Set for novel by Goncourt Brothers
By James Jacques Joseph Tissot
Located in Middletown, NY
Renée Mauperin; Ten Etchings, Complete Set for the Illustrations to the Novel by Edmond and Jules de Goncourt 1882 Paris: G. Charpentier et Cie, 1882-1884. The complete set of ten ...
Etching
$367
H 6.75 in W 9.75 in D 1 in
The Medway at Aylesford Kent River Scene Pen Ink Watercolour Norman A Overy 1996
Located in Cirencester, Gloucestershire
Title: The Medway at Aylesford Kent River Scene Pen Ink Watercolour Norman A Overy 1996 by Norman A. Overy (British 20th century) pencil, pen and ink with watercolour on artists pape...
Ink, Watercolor, Ballpoint Pen
Reclining Nude - Original handsigned etching
By Jean-Baptiste Valadie
Located in Paris, IDF
Jean-Baptiste VALADIE Reclining nude Original etching and aquatint Handsigned in pencil Limited /125 copies On vellum 50 x 65 cm (c. 20 x 26 in) Excellent condition
Etching, Aquatint
"The Early Ploughman"
By Samuel Palmer (b.1805)
Located in Astoria, NY
Samuel Palmer (English, 1805-1881), "The Early Ploughman", Etching on Laid Paper, 1861, titled and inscribed "From Keppel Estate" to the verso, unframed. Image: 5" H x 7.75" W; sheet...
Laid Paper, Etching
Opening the Fold
By Samuel Palmer (b.1805)
Located in London, GB
Samuel Palmer Opening the Fold 1880/1926 Etching Image size: 16.4 x 23 cms (6 1/2 x 9 ins)
Etching
Sold
H 10.6 in W 14.2 in
'The Early Ploughman' or 'The Morning Spread upon the Mountains'
By Samuel Palmer (b.1805)
Located in London, GB
Samuel Palmer 'The Early Ploughman' or 'The Morning Spread upon the Mountains' 1861 Etching 27 x 36 cms (10.6 x 14.2 ins)
Etching
The Rising Moon' or 'An English Pastoral'
By Samuel Palmer (b.1805)
Located in London, GB
Samuel Palmer The Rising Moon' or 'An English Pastoral' 1857 Etching 26.8 x 36.5 cms (10.6 x 14.8 ins)
Etching
The Sleeping Shepherd
By Samuel Palmer (b.1805)
Located in London, GB
Samuel Palmer The Sleeping Shepherd 1857 Etching 36.5 x 26.8 cms (14.4 x 10.6 ins)
Etching
The Herdsman's Cottage, or, Sunset
By Samuel Palmer (b.1805)
Located in Plano, TX
The Herdsman's Cottage, or, Sunset. 1888. Etching. Lister 3.ii. Image 3 7/8 x 3; plate 4 7/8 x 4; sheet 9 x 6 3/4 inches. As published in, The Portfolio , 1872. Illustrated: Print Collector's Quarterly 3 (1913): 213. A rich impression printed on cream laid paper. Signed with the artist's 'S. P.' monogram in the plate along the lower left margin. Housed in an archival mat, suitable for framing. Housed in a 20 x 16-inch archival mat, suitable for framing. The plate was not published until 1872, when Philip Gilbert Hamerton included it in The Portfolio. In 1875, Hamerton published it in his book, Examples of Modern Etching. In 1880, he published it for a third time in his seminal book, Etching and Etchers. The plate for this etching is known to have been destroyed by 1882. The son of a bookseller, Samuel Palmer began painting at the age of thirteen. One year later he exhibited at the Royal Academy. In 1826 he moved to the remote village of Shoreham in Kent where he and such fellow artists as George Richmond and Edward Calvert...
Etching