"Moeris and Galatea" Eclogue 9 original etching
By Samuel Palmer (b.1805)
Located in Henderson, NV
Medium: original etching. This impression on Alton Mill laid paper was printed in 1883 for "An English Version of the Eclogues of Virgil" and published in London by Seeley and Compan...
Etching
"Opening the Fold - Early Morning" Eclogue 8 original etching
By Samuel Palmer (b.1805)
Located in Henderson, NV
Medium: original etching. This impression on Alton Mill laid paper was printed in 1883 for "An English Version of the Eclogues of Virgil" and published in London by Seeley and Compan...
Etching
"The Sepulchre" Eclogue 8 original etching
By Samuel Palmer (b.1805)
Located in Henderson, NV
Medium: original etching. This impression on Alton Mill laid paper was printed in 1883 for "An English Version of the Eclogues of Virgil" and published in London by Seeley and Compan...
Etching
"The Homeward Star" Eclogue 1 original etching
By Samuel Palmer (b.1805)
Located in Henderson, NV
Medium: original etching. This impression on Alton Mill laid paper was printed in 1883 for "An English Version of the Eclogues of Virgil" and published in London by Seeley and Compan...
Etching
"The Cypress Grove" Eclogue 5 original etching
By Samuel Palmer (b.1805)
Located in Henderson, NV
Medium: original etching. This impression on Alton Mill laid paper was printed in 1883 for "An English Version of the Eclogues of Virgil" and published in London by Seeley and Compan...
Etching
$32,733
Ancient Oak Trees in Lullingstone Park, Samuel Palmer Watercolour and Ink
By Samuel Palmer (b.1805)
Located in London, GB
Watercolour and pen and ink on paper, inscribed verso Image size: 5 x 4 inches (13 x 10 cm) Framed This drawing most likely depicts a view in Lullingstone Park, near the village of ...
Ink, Watercolor, Pen
A View Near Redhill, 19th Century Pen and Ink Drawing by Samuel Palmer
By Samuel Palmer (b.1805)
Located in London, GB
Pen and ink on paper, inscribed 'Redhill' and dated 'June 24th 1872' lower left Image size: 4 x 8 inches (10 x 20 cm) Mounted and Framed Provenance Given to Ernest Pearce by Carlos Peacock, from the collection of Miss Louisa Twining (1820-1911), a pupil of Samuel Palmer. Carlos noted in his letter accompanying the work to Ernest Pearce that 'Going through my Palmer things for mounting the other day. I found this little sketch dating from the Redhill days. Thought you might like it by way of a Christmas gift'. Literature Carlos Peacock, Samuel Palmer , Shoreham and After, published by John Baker 1968, illustrated on page 67. This delicate pen and ink drawing depicts a view at Redhill, a town in the borough of Reigate within the county of Surrey, England. While Palmer's reputation rests mainly on his Shoreham work some of his later work, such as his sketches from Redhill, have recently received more appreciation. In 1872 Palmer was living in Redhill, at his last home, The Chantry at Cronks Hill. The Chantry is now Grade II listed due to the Palmer connection and Palmer Close, a cul-de-sac in Redhill (built in the 1960's), was also named in his honour. This work is an illustration of rural paradise, a vision of the natural world where there is a cosmic harmony between man and his environment. Indeed, Alfred Palmer, the artist's son, wrote 'Had the artist depended for his material solely on the fields, and woods, and hills around him, and had he used that material in a sordid way, he might have given us faithful representations of those he selected, but there would have been inevitable repetition, and he would never have shown us as he has undoubtedly done, the very spirit and quintessence of the loveliest and most poetic pastoral scenery - scenery which we may imagine as that of ancient England...
Ink, Pen
Sketch-book Page, Shoreham, Samuel Palmer, Late 19th Century
By Samuel Palmer (b.1805)
Located in London, GB
Graphite on paper, numerous pencil inscriptions Image size: 5 1/2 x 21 1/2 inches (14 x 55 cm) Period style hand made gilt frame Provenance The collection of Ernest Pearce (1930-20...
Paper, Graphite
$450
H 9.93 in W 13.67 in
The Temple of Concordia, Agrigento - English School drawing, 19th Century
Located in Middletown, NY
A lovely grand tour image of the Doric architectural masterpiece dedicated to Castor and Pollux. Dated 1863. Watercolor and graphite on lightweight card stock, 10 x 13 3/4 inches (2...
Watercolor, Cardboard, Graphite
$350
H 10.04 in W 13.78 in
Couple in a gig greeting neighbors along a country road - English School, 19th C
Located in Middletown, NY
A lovely Regency era composition with a billowing sky and timber-framed houses; likely the Cotswolds or East Anglia. English School, 19th century c1820. Pen and ink in grayish black ...
Ink, Watercolor, Handmade Paper
Street with Church
By Luigi Kasimir
Located in San Francisco, CA
This artwork "Street with Church" c.1925 is an original color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed in pencil by the artist at the lower center. The p...
Etching
$750
H 9.75 in W 13.75 in
Moors, Yorkshire, UK /// British Antique Landscape Watercolor England Country
By Harry George Theaker
Located in Saint Augustine, FL
Artist: Harry George Theaker (English, 1873-1954) Title: "Moors, Yorkshire, UK" *No signature found Circa: 1935 Medium: Original Watercolor on watercolor paper Sheet size: 9.75" x 13...
Watercolor
Interior still life, Beaumont
Located in Middletown, NY
Watercolor on heavy gauge watercolor paper, 14 x 9 3/4 inches (352 x 248 mm), the full sheet. Titled in pencil in the lower left margin. With a garden landscape in watercolor on the ...
Watercolor
Two views of the sea, Dorset
Located in Middletown, NY
Two watercolor compositions on one sheet of watercolor paper, 10 x 6 7/8 inches (255 x 175 mm), the full sheet. Signed illegibly and dated in pencil on the lower right corner of the ...
Watercolor, Pencil, Ink
$350
H 3.67 in W 6.42 in
Cattle in a rural landscape with castle ruins and a church
By John Varley
Located in Middletown, NY
Pen and ink and watercolor on wove paper laid down to board, 3 5/8 x 6 3/8 inches (93 x 163 mm), the full sheet. With an illigible signature in brown ink in the lower right corner, r...
Ink, Watercolor
The Windmill
By Rembrandt van Rijn
Located in San Francisco, CA
This artwork titled "The Windmill" 1641 is an etching on paper After Rembrandt Van Rijn, 1606-1669, plate engraved By French renown engraver Charles Armand Durand, 1831-1905. Signatu...
Etching
$927
H 12 in W 16 in D 1 in
British, 1922, gouache landscape by Sir William Rothenstein
By Sir William Rothenstein
Located in Petworth, West Sussex
Sir William Rothenstein (British, 1872-1945) Mountain landscape Signed and dated `W. Rothenstein 22’ (lower right) Gouache 20.3/8 x 15 in. (51.8 x 38 cm.) Provenance: Christie’s London, Modern British Paintings, 31 October 1996, lot 2 The English portrait artist Sir William Rothenstein was born January 29, 1872, near Bradford, Yorkshire. William Rothenstein was the son of Moritz Rothenstein, who came to England from Hanover in 1859, and the brother of Charles Lambert Rutherston, the collector, and Albert Daniel Rutherston, the artist. William Rothenstein studied for one year at the Slade School in London under Alphonse Legros, after which he spent four years in Paris, where he attended the Académie Julian. While in Paris, Rothenstein met many of the important artists of the time; he was particularly influenced by James Whistler, Edgar Degas, and Henri Fantin-Latour. After his return to England in 1893, Rothenstein was commissioned by John Lane...
Paper, Gouache
$4,950
H 19.25 in W 15 in D 2 in
"C.L. Drouet, Sculptor" by Whistler
By James Abbott McNeill Whistler
Located in Hinsdale, IL
Title: C. L. Drouet, Sculptor Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London) Sitter: Charles L. Drouet (French, 1836–1908) Date: 1859 Medium: Etchi...
Etching
Seaside cottages
Located in Middletown, NY
Watercolor on watercolor paper, 4 7/8 x 6 3/4 inches (124 x 173 mm), the full sheet. Light toning and minor scattered foxing, colors remain fresh. Sophia Beale was born in London i...
Watercolor
Les bouquinistes, with Notre Dame de Paris
By Luigi Kasimir
Located in San Francisco, CA
This artwork titled "Les bouquinistes, with Notre Dame de Paris" c.1930 is a color etching on wove paper by noted Austrian artist Luigi Kasimir, 1881-1962. It is hand signed in penc...
Etching
"The Early Ploughman"
By Samuel Palmer (b.1805)
Located in Astoria, NY
Samuel Palmer (English, 1805-1881), "The Early Ploughman", Etching on Laid Paper, 1861, titled and inscribed "From Keppel Estate" to the verso, unframed. Image: 5" H x 7.75" W; sheet...
Laid Paper, Etching
Opening the Fold
By Samuel Palmer (b.1805)
Located in London, GB
Samuel Palmer Opening the Fold 1880/1926 Etching Image size: 16.4 x 23 cms (6 1/2 x 9 ins)
Etching
Sold
H 10.6 in W 14.2 in
'The Early Ploughman' or 'The Morning Spread upon the Mountains'
By Samuel Palmer (b.1805)
Located in London, GB
Samuel Palmer 'The Early Ploughman' or 'The Morning Spread upon the Mountains' 1861 Etching 27 x 36 cms (10.6 x 14.2 ins)
Etching
The Rising Moon' or 'An English Pastoral'
By Samuel Palmer (b.1805)
Located in London, GB
Samuel Palmer The Rising Moon' or 'An English Pastoral' 1857 Etching 26.8 x 36.5 cms (10.6 x 14.8 ins)
Etching
The Sleeping Shepherd
By Samuel Palmer (b.1805)
Located in London, GB
Samuel Palmer The Sleeping Shepherd 1857 Etching 36.5 x 26.8 cms (14.4 x 10.6 ins)
Etching
The Herdsman's Cottage, or, Sunset
By Samuel Palmer (b.1805)
Located in Plano, TX
The Herdsman's Cottage, or, Sunset. 1888. Etching. Lister 3.ii. Image 3 7/8 x 3; plate 4 7/8 x 4; sheet 9 x 6 3/4 inches. As published in, The Portfolio , 1872. Illustrated: Print Collector's Quarterly 3 (1913): 213. A rich impression printed on cream laid paper. Signed with the artist's 'S. P.' monogram in the plate along the lower left margin. Housed in an archival mat, suitable for framing. Housed in a 20 x 16-inch archival mat, suitable for framing. The plate was not published until 1872, when Philip Gilbert Hamerton included it in The Portfolio. In 1875, Hamerton published it in his book, Examples of Modern Etching. In 1880, he published it for a third time in his seminal book, Etching and Etchers. The plate for this etching is known to have been destroyed by 1882. The son of a bookseller, Samuel Palmer began painting at the age of thirteen. One year later he exhibited at the Royal Academy. In 1826 he moved to the remote village of Shoreham in Kent where he and such fellow artists as George Richmond and Edward Calvert...
Etching