"Opening the Fold - Early Morning" Eclogue 8 original etching
By Samuel Palmer (b.1805)
Located in Henderson, NV
Medium: original etching. This impression on Alton Mill laid paper was printed in 1883 for "An English Version of the Eclogues of Virgil" and published in London by Seeley and Compan...
Etching
"The Early Ploughman"
By Samuel Palmer (b.1805)
Located in Astoria, NY
Samuel Palmer (English, 1805-1881), "The Early Ploughman", Etching on Laid Paper, 1861, titled and inscribed "From Keppel Estate" to the verso, unframed. Image: 5" H x 7.75" W; sheet...
Laid Paper, Etching
"Moeris and Galatea" Eclogue 9 original etching
By Samuel Palmer (b.1805)
Located in Henderson, NV
Medium: original etching. This impression on Alton Mill laid paper was printed in 1883 for "An English Version of the Eclogues of Virgil" and published in London by Seeley and Compan...
Etching
"The Sepulchre" Eclogue 8 original etching
By Samuel Palmer (b.1805)
Located in Henderson, NV
Medium: original etching. This impression on Alton Mill laid paper was printed in 1883 for "An English Version of the Eclogues of Virgil" and published in London by Seeley and Compan...
Etching
"The Homeward Star" Eclogue 1 original etching
By Samuel Palmer (b.1805)
Located in Henderson, NV
Medium: original etching. This impression on Alton Mill laid paper was printed in 1883 for "An English Version of the Eclogues of Virgil" and published in London by Seeley and Compan...
Etching
"The Cypress Grove" Eclogue 5 original etching
By Samuel Palmer (b.1805)
Located in Henderson, NV
Medium: original etching. This impression on Alton Mill laid paper was printed in 1883 for "An English Version of the Eclogues of Virgil" and published in London by Seeley and Compan...
Etching
$32,995
Ancient Oak Trees in Lullingstone Park, Samuel Palmer Watercolour and Ink
By Samuel Palmer (b.1805)
Located in London, GB
Watercolour and pen and ink on paper, inscribed verso Image size: 5 x 4 inches (13 x 10 cm) Framed This drawing most likely depicts a view in Lullingstone Park, near the village of ...
Ink, Watercolor, Pen
Sketch-book Page, Shoreham, Samuel Palmer, Late 19th Century
By Samuel Palmer (b.1805)
Located in London, GB
Graphite on paper, numerous pencil inscriptions Image size: 5 1/2 x 21 1/2 inches (14 x 55 cm) Period style hand made gilt frame Provenance The collection of Ernest Pearce (1930-20...
Paper, Graphite
A View Near Redhill, 19th Century Pen and Ink Drawing by Samuel Palmer
By Samuel Palmer (b.1805)
Located in London, GB
Pen and ink on paper, inscribed 'Redhill' and dated 'June 24th 1872' lower left Image size: 4 x 8 inches (10 x 20 cm) Mounted and Framed Provenance Given to Ernest Pearce by Carlos Peacock, from the collection of Miss Louisa Twining (1820-1911), a pupil of Samuel Palmer. Carlos noted in his letter accompanying the work to Ernest Pearce that 'Going through my Palmer things for mounting the other day. I found this little sketch dating from the Redhill days. Thought you might like it by way of a Christmas gift'. Literature Carlos Peacock, Samuel Palmer , Shoreham and After, published by John Baker 1968, illustrated on page 67. This delicate pen and ink drawing depicts a view at Redhill, a town in the borough of Reigate within the county of Surrey, England. While Palmer's reputation rests mainly on his Shoreham work some of his later work, such as his sketches from Redhill, have recently received more appreciation. In 1872 Palmer was living in Redhill, at his last home, The Chantry at Cronks Hill. The Chantry is now Grade II listed due to the Palmer connection and Palmer Close, a cul-de-sac in Redhill (built in the 1960's), was also named in his honour. This work is an illustration of rural paradise, a vision of the natural world where there is a cosmic harmony between man and his environment. Indeed, Alfred Palmer, the artist's son, wrote 'Had the artist depended for his material solely on the fields, and woods, and hills around him, and had he used that material in a sordid way, he might have given us faithful representations of those he selected, but there would have been inevitable repetition, and he would never have shown us as he has undoubtedly done, the very spirit and quintessence of the loveliest and most poetic pastoral scenery - scenery which we may imagine as that of ancient England...
Ink, Pen
The Flight into Egypt
By Hans Lautensack
Located in Middletown, NY
Etching on handmade cream laid paper with a deckle edge, and an elaborate and large watermark of a crowned figure with a harp, and letters A S, 11 3/4 x 8 inches (298 x 204 mm); shee...
Handmade Paper, Laid Paper, Etching
Michigan Avenue, Chicago.
By Luigi Kasimir
Located in San Francisco, CA
This artwork "Michigan Avenue, Chicago" 1930 is a colors etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed at the lower center in pencil by the artist. The plate ...
Etching
The Windmill
By Rembrandt van Rijn
Located in San Francisco, CA
This artwork titled "The Windmill" 1641 is an etching on paper After Rembrandt Van Rijn, 1606-1669, plate engraved By French renown engraver Charles Armand Durand, 1831-1905. Signatu...
Etching
Cathedral de Saint Julien le Mans
By John Taylor Arms
Located in Middletown, NY
Etching on antique cream laid paper with a deckle edge, 9 1/8 x 9 3/4 inches (232 x 248 mm); sheet 12 1/8 x 12 3/4 inches (307 x 323 mm), full margins. Signed and dated in pencil in ...
Handmade Paper, Laid Paper, Etching
$1,344Sale Price|20% Off
H 16 in W 20 in D 0.25 in
Bowling on the Green (from the Bicentennial Pageant of George Washington)
By Childe Hassam
Located in Soquel, CA
Bowling on the Green (from the Bicentennial Pageant of George Washington) 'Bowling on the Green', by printmaker Frederick Childe Hassam, depicts George Washington and friends lawn b...
Ink, Etching, Laid Paper
Les bouquinistes, with Notre Dame de Paris
By Luigi Kasimir
Located in San Francisco, CA
This artwork titled "Les bouquinistes, with Notre Dame de Paris" c.1930 is a color etching on wove paper by noted Austrian artist Luigi Kasimir, 1881-1962. It is hand signed in penc...
Etching
Turmgasschen
By Luigi Kasimir
Located in San Francisco, CA
This artwork titled "Turmgasschen" 1935 is an original color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed in pencil at the lower center by the artist and titled in the plate. The plate mark (image) size is 15.5 x 10 inches, framed is 24.35 x 17.5 inches. It is custom framed in a dark wood frame, with light creme color matting and light brown filet. It is in very good condition, the frame have some scratches. Luigi Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Wilhelm Unger, who introduced him to the technique of the coloured etching, and also to his future wife, the artist Tanna Hoernes.[1] He died in 1962 in Grinzing, a suburb of Vienna.Kasimir was among the first to develop the technique of the coloured etching. Before this, prints were usually hand-coloured with the colour being applied in a casual, haphazard manner. Kasimir would first create a sketch usually in pastel, he then transferred the design on as many as four to six plates, printing one after the other and applying the colour on the plate, all done by hand. Kasimir is mainly famous for his etchings, but he also produced some oil painting, as well as some pastels. One of his favourite genres was the landscape, or veduta. He demonstrated a predisposition street scenes, and tourist landmarks. He depicted places from all over Europe, mainly Italy, Austria, and Germany. He also travelled to the United States to do a series of etchings of famous sights ranging from urban landmarks such as New York City skyscrapers, to natural wonders like Yosemite Valley. Luigi Kasimir’s etchings...
Etching
Ceignac (Aveyron)
By John Taylor Arms
Located in Middletown, NY
Etching on antique cream laid paper with a deckle edge and an unidentified round watermark with an arm holding a torch, 3 1/2 x 5 5/8 inches (89 x 144 mm); sheet 5 3/4 x 8 3/8 inches...
Handmade Paper, Laid Paper, Etching
$4,950
H 19.25 in W 15 in D 2 in
"C.L. Drouet, Sculptor" by Whistler
By James Abbott McNeill Whistler
Located in Hinsdale, IL
Title: C. L. Drouet, Sculptor Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London) Sitter: Charles L. Drouet (French, 1836–1908) Date: 1859 Medium: Etchi...
Etching
$760Sale Price|20% Off
H 18 in W 24 in D 0.5 in
"Conquering The Wilderness" - Lewis and Clark Expedition Original Etching
By Robert Hogg Nisbet
Located in Soquel, CA
"Conquering The Wilderness" - Lewis and Clark Expedition Original Etching Original 1932 black and white etching titled "Conquering The Wilderness" by Robert Hogg Nisbet (American, ...
Laid Paper, Etching
Umbrian Street; An Assisi Street
By John Taylor Arms
Located in Middletown, NY
Etching on cream laid watermarked FJ Head paper with a deckle edge, 10 1/4 x 5 3/8 inches (262 x 137 mm); sheet 18 1/8 x 10 1/4 inches (457 x 260 mm), full margins. Signed, titled, d...
Handmade Paper, Etching, Laid Paper
Jan Oytenbogaert
By Rembrandt van Rijn
Located in San Francisco, CA
This artwork titled Jan Uytenbogaert" 1639 is an etching on paper After Rembrandt Van Rijn, 1606-1669, plate engraved By French renown engraver Charles Armand Durand, 1831-1905. Sign...
Etching
Opening the Fold
By Samuel Palmer (b.1805)
Located in London, GB
Samuel Palmer Opening the Fold 1880/1926 Etching Image size: 16.4 x 23 cms (6 1/2 x 9 ins)
Etching
Sold
H 10.6 in W 14.2 in
'The Early Ploughman' or 'The Morning Spread upon the Mountains'
By Samuel Palmer (b.1805)
Located in London, GB
Samuel Palmer 'The Early Ploughman' or 'The Morning Spread upon the Mountains' 1861 Etching 27 x 36 cms (10.6 x 14.2 ins)
Etching
The Rising Moon' or 'An English Pastoral'
By Samuel Palmer (b.1805)
Located in London, GB
Samuel Palmer The Rising Moon' or 'An English Pastoral' 1857 Etching 26.8 x 36.5 cms (10.6 x 14.8 ins)
Etching
The Sleeping Shepherd
By Samuel Palmer (b.1805)
Located in London, GB
Samuel Palmer The Sleeping Shepherd 1857 Etching 36.5 x 26.8 cms (14.4 x 10.6 ins)
Etching
The Herdsman's Cottage, or, Sunset
By Samuel Palmer (b.1805)
Located in Plano, TX
The Herdsman's Cottage, or, Sunset. 1888. Etching. Lister 3.ii. Image 3 7/8 x 3; plate 4 7/8 x 4; sheet 9 x 6 3/4 inches. As published in, The Portfolio , 1872. Illustrated: Print Collector's Quarterly 3 (1913): 213. A rich impression printed on cream laid paper. Signed with the artist's 'S. P.' monogram in the plate along the lower left margin. Housed in an archival mat, suitable for framing. Housed in a 20 x 16-inch archival mat, suitable for framing. The plate was not published until 1872, when Philip Gilbert Hamerton included it in The Portfolio. In 1875, Hamerton published it in his book, Examples of Modern Etching. In 1880, he published it for a third time in his seminal book, Etching and Etchers. The plate for this etching is known to have been destroyed by 1882. The son of a bookseller, Samuel Palmer began painting at the age of thirteen. One year later he exhibited at the Royal Academy. In 1826 he moved to the remote village of Shoreham in Kent where he and such fellow artists as George Richmond and Edward Calvert...
Etching