"Moeris and Galatea" Eclogue 9 original etching
By Samuel Palmer (b.1805)
Located in Henderson, NV
Medium: original etching. This impression on Alton Mill laid paper was printed in 1883 for "An English Version of the Eclogues of Virgil" and published in London by Seeley and Compan...
Etching
"The Sepulchre" Eclogue 8 original etching
By Samuel Palmer (b.1805)
Located in Henderson, NV
Medium: original etching. This impression on Alton Mill laid paper was printed in 1883 for "An English Version of the Eclogues of Virgil" and published in London by Seeley and Compan...
Etching
"The Cypress Grove" Eclogue 5 original etching
By Samuel Palmer (b.1805)
Located in Henderson, NV
Medium: original etching. This impression on Alton Mill laid paper was printed in 1883 for "An English Version of the Eclogues of Virgil" and published in London by Seeley and Compan...
Etching
"Opening the Fold - Early Morning" Eclogue 8 original etching
By Samuel Palmer (b.1805)
Located in Henderson, NV
Medium: original etching. This impression on Alton Mill laid paper was printed in 1883 for "An English Version of the Eclogues of Virgil" and published in London by Seeley and Compan...
Etching
"The Homeward Star" Eclogue 1 original etching
By Samuel Palmer (b.1805)
Located in Henderson, NV
Medium: original etching. This impression on Alton Mill laid paper was printed in 1883 for "An English Version of the Eclogues of Virgil" and published in London by Seeley and Compan...
Etching
$38,982
Ancient Oak Trees in Lullingstone Park, Samuel Palmer Watercolour and Ink
By Samuel Palmer (b.1805)
Located in London, GB
Watercolour and pen and ink on paper, inscribed verso Image size: 5 x 4 inches (13 x 10 cm) Framed This drawing most likely depicts a view in Lullingstone Park, near the village of ...
Ink, Pen, Watercolor
Sketch-book Page, Shoreham, Samuel Palmer, Late 19th Century
By Samuel Palmer (b.1805)
Located in London, GB
Graphite on paper, numerous pencil inscriptions Image size: 5 1/2 x 21 1/2 inches (14 x 55 cm) Period style hand made gilt frame Provenance The collection of Ernest Pearce (1930-20...
Paper, Graphite
A View Near Redhill, 19th Century Pen and Ink Drawing by Samuel Palmer
By Samuel Palmer (b.1805)
Located in London, GB
Pen and ink on paper, inscribed 'Redhill' and dated 'June 24th 1872' lower left Image size: 4 x 8 inches (10 x 20 cm) Mounted and Framed Provenance Given to Ernest Pearce by Carlos Peacock, from the collection of Miss Louisa Twining (1820-1911), a pupil of Samuel Palmer. Carlos noted in his letter accompanying the work to Ernest Pearce that 'Going through my Palmer things for mounting the other day. I found this little sketch dating from the Redhill days. Thought you might like it by way of a Christmas gift'. Literature Carlos Peacock, Samuel Palmer , Shoreham and After, published by John Baker 1968, illustrated on page 67. This delicate pen and ink drawing depicts a view at Redhill, a town in the borough of Reigate within the county of Surrey, England. While Palmer's reputation rests mainly on his Shoreham work some of his later work, such as his sketches from Redhill, have recently received more appreciation. In 1872 Palmer was living in Redhill, at his last home, The Chantry at Cronks Hill. The Chantry is now Grade II listed due to the Palmer connection and Palmer Close, a cul-de-sac in Redhill (built in the 1960's), was also named in his honour. This work is an illustration of rural paradise, a vision of the natural world where there is a cosmic harmony between man and his environment. Indeed, Alfred Palmer, the artist's son, wrote 'Had the artist depended for his material solely on the fields, and woods, and hills around him, and had he used that material in a sordid way, he might have given us faithful representations of those he selected, but there would have been inevitable repetition, and he would never have shown us as he has undoubtedly done, the very spirit and quintessence of the loveliest and most poetic pastoral scenery - scenery which we may imagine as that of ancient England...
Ink, Pen
$750
H 9.75 in W 13.75 in
Moors, Yorkshire, UK /// British Antique Landscape Watercolor England Country
By Harry George Theaker
Located in Saint Augustine, FL
Artist: Harry George Theaker (English, 1873-1954) Title: "Moors, Yorkshire, UK" *No signature found Circa: 1935 Medium: Original Watercolor on watercolor paper Sheet size: 9.75" x 13...
Watercolor
Jurassic Coast, Dorset
Located in Middletown, NY
Watercolor on heavy gauge watercolor, 4 1/8 x 11 3/4 (105 x 299 mm), the full sheet. In good condition with scattered minor surface soiling, and light scattered foxing. Colors slight...
Watercolor
Cliffs, Dorset
Located in Middletown, NY
Watercolor on watercolor paper, 9 3/4 x 12 1/4 inches (248 x 311 mm), the full sheet. Scattered light toning, especially at the sheet edges. Minor, light area of clustered brown spot...
Watercolor
$275
H 8.15 in W 11.03 in
Italian Stone Pine along a rocky outcropping - English School, 19th Century
Located in Middletown, NY
A Grand Tour image of the Alps. English School, 19th century C1840. Graphite and ink and wash in sepia and brown ink on two sheets of heavyweight wove paper, 8 1/8 x 11 inches (207 x...
Watercolor, Handmade Paper, Graphite
Two views of the sea, Dorset
Located in Middletown, NY
Two watercolor compositions on one sheet of watercolor paper, 10 x 6 7/8 inches (255 x 175 mm), the full sheet. Signed illegibly and dated in pencil on the lower right corner of the ...
Watercolor, Pencil, Ink
Padbury Brook, Oxfordshire
Located in Middletown, NY
Watercolor and pencil on J Whatman 1884 watermarked cream wove paper, 12 x 9 1/4 inches (305 x 235 mm), the full sheet. Scattered toning and one 2-inch horizontal edge tear in the lo...
Watercolor
Vases grecs (Greek Vases) – English School, Early 20th Century
Located in Middletown, NY
A wonderful study of Grecian vases at the Louvre. English School, early 20th century c1910. Watercolor and ink light wove paper, 9 1/4 x 6 inches (235 x 152 mm), the full sheet. In v...
Handmade Paper, Graphite, Watercolor
The Mount Willow
Located in Middletown, NY
Watercolor and gouache on heavy gauge watercolor paper, 9 1/2 x 15 1/8 inches (242 x 385 mm), the full sheet. Titled in pencil on the verso. Scattered edge wear, and small losses at ...
Watercolor
$2,800
H 30 in W 22.5 in
Philip Pearlstein - Nude etching from Atelier International Portfolio, Signed/N
By Philip Pearlstein
Located in New York, NY
Philip Pearlstein Untitled Nude, from Atelier International Portfolio, 1985 Etching. on wove paper Hand signed, numbered 78/85, and dated on the lower front with printer's and publis...
Etching
$420
H 28 in W 40 in
Blustery Clouds, Stormy Sky Landscape, Blue Tones, Extra Large Cyanotype, Paper
By Kind of Cyan
Located in Barcelona, ES
This is an exclusive handprinted limited edition cyanotype. "Blustery Clouds" is an cyanotype of the semi-abstract patterns of clouds in the sky after a storm. Details: + Title: Blu...
Watercolor, Paper, Emulsion, Etching, Lithograph
Rock formations, Jurassic Coast, Dorset
Located in Middletown, NY
Watercolor on heavy gauge watercolor paper, 9 3/4 x 11 7/8 inches (246 x 294 mm), the full sheet. In very good condition with minor toning and some scattered light surface soiling. C...
Watercolor
Study of Greek redware at the Louvre – Early 20th Century
Located in Middletown, NY
A wonderful study of Grecian vases at the Louvre. English School, early 20th century c1910. Watercolor and ink light wove paper, 9 1/4 x 6 inches (235 x 152 mm), the full sheet. In v...
Graphite, Watercolor, Handmade Paper
"The Early Ploughman"
By Samuel Palmer (b.1805)
Located in Astoria, NY
Samuel Palmer (English, 1805-1881), "The Early Ploughman", Etching on Laid Paper, 1861, titled and inscribed "From Keppel Estate" to the verso, unframed. Image: 5" H x 7.75" W; sheet...
Laid Paper, Etching
Opening the Fold
By Samuel Palmer (b.1805)
Located in London, GB
Samuel Palmer Opening the Fold 1880/1926 Etching Image size: 16.4 x 23 cms (6 1/2 x 9 ins)
Etching
Sold
H 10.6 in W 14.2 in
'The Early Ploughman' or 'The Morning Spread upon the Mountains'
By Samuel Palmer (b.1805)
Located in London, GB
Samuel Palmer 'The Early Ploughman' or 'The Morning Spread upon the Mountains' 1861 Etching 27 x 36 cms (10.6 x 14.2 ins)
Etching
The Rising Moon' or 'An English Pastoral'
By Samuel Palmer (b.1805)
Located in London, GB
Samuel Palmer The Rising Moon' or 'An English Pastoral' 1857 Etching 26.8 x 36.5 cms (10.6 x 14.8 ins)
Etching
The Sleeping Shepherd
By Samuel Palmer (b.1805)
Located in London, GB
Samuel Palmer The Sleeping Shepherd 1857 Etching 36.5 x 26.8 cms (14.4 x 10.6 ins)
Etching
The Herdsman's Cottage, or, Sunset
By Samuel Palmer (b.1805)
Located in Plano, TX
The Herdsman's Cottage, or, Sunset. 1888. Etching. Lister 3.ii. Image 3 7/8 x 3; plate 4 7/8 x 4; sheet 9 x 6 3/4 inches. As published in, The Portfolio , 1872. Illustrated: Print Collector's Quarterly 3 (1913): 213. A rich impression printed on cream laid paper. Signed with the artist's 'S. P.' monogram in the plate along the lower left margin. Housed in an archival mat, suitable for framing. Housed in a 20 x 16-inch archival mat, suitable for framing. The plate was not published until 1872, when Philip Gilbert Hamerton included it in The Portfolio. In 1875, Hamerton published it in his book, Examples of Modern Etching. In 1880, he published it for a third time in his seminal book, Etching and Etchers. The plate for this etching is known to have been destroyed by 1882. The son of a bookseller, Samuel Palmer began painting at the age of thirteen. One year later he exhibited at the Royal Academy. In 1826 he moved to the remote village of Shoreham in Kent where he and such fellow artists as George Richmond and Edward Calvert...
Etching