Samuel Palmer (b.1805) Art
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Artist: Samuel Palmer (b.1805)
"The Early Ploughman"
By Samuel Palmer (b.1805)
Located in Astoria, NY
Samuel Palmer (English, 1805-1881), "The Early Ploughman", Etching on Laid Paper, 1861, titled and inscribed "From Keppel Estate" to the verso, unframed. Image: 5" H x 7.75" W; sheet...
Category
1860s Samuel Palmer (b.1805) Art
Materials
Laid Paper, Etching
"The Cypress Grove" Eclogue 5 original etching
By Samuel Palmer (b.1805)
Located in Henderson, NV
Medium: original etching. This impression on Alton Mill laid paper was printed in 1883 for "An English Version of the Eclogues of Virgil" and published in London by Seeley and Compan...
Category
1880s Realist Samuel Palmer (b.1805) Art
Materials
Etching
"Opening the Fold - Early Morning" Eclogue 8 original etching
By Samuel Palmer (b.1805)
Located in Henderson, NV
Medium: original etching. This impression on Alton Mill laid paper was printed in 1883 for "An English Version of the Eclogues of Virgil" and published in London by Seeley and Compan...
Category
1880s Realist Samuel Palmer (b.1805) Art
Materials
Etching
"The Homeward Star" Eclogue 1 original etching
By Samuel Palmer (b.1805)
Located in Henderson, NV
Medium: original etching. This impression on Alton Mill laid paper was printed in 1883 for "An English Version of the Eclogues of Virgil" and published in London by Seeley and Compan...
Category
1880s Realist Samuel Palmer (b.1805) Art
Materials
Etching
"The Sepulchre" Eclogue 8 original etching
By Samuel Palmer (b.1805)
Located in Henderson, NV
Medium: original etching. This impression on Alton Mill laid paper was printed in 1883 for "An English Version of the Eclogues of Virgil" and published in London by Seeley and Compan...
Category
1880s Realist Samuel Palmer (b.1805) Art
Materials
Etching
"Moeris and Galatea" Eclogue 9 original etching
By Samuel Palmer (b.1805)
Located in Henderson, NV
Medium: original etching. This impression on Alton Mill laid paper was printed in 1883 for "An English Version of the Eclogues of Virgil" and published in London by Seeley and Compan...
Category
1880s Realist Samuel Palmer (b.1805) Art
Materials
Etching
Ancient Oak Trees in Lullingstone Park, Samuel Palmer Watercolour and Ink
By Samuel Palmer (b.1805)
Located in London, GB
Watercolour and pen and ink on paper, inscribed verso
Image size: 5 x 4 inches (13 x 10 cm)
Framed
This drawing most likely depicts a view in Lullingstone Park, near the village of ...
Category
Mid-19th Century English School Samuel Palmer (b.1805) Art
Materials
Ink, Watercolor, Pen
Sketch-book Page, Shoreham, Samuel Palmer, Late 19th Century
By Samuel Palmer (b.1805)
Located in London, GB
Graphite on paper, numerous pencil inscriptions
Image size: 5 1/2 x 21 1/2 inches (14 x 55 cm)
Period style hand made gilt frame
Provenance
The collection of Ernest Pearce (1930-20...
Category
Late 19th Century Victorian Samuel Palmer (b.1805) Art
Materials
Paper, Graphite
A View Near Redhill, 19th Century Pen and Ink Drawing by Samuel Palmer
By Samuel Palmer (b.1805)
Located in London, GB
Pen and ink on paper, inscribed 'Redhill' and dated 'June 24th 1872' lower left
Image size: 4 x 8 inches (10 x 20 cm)
Mounted and Framed
Provenance
Given to Ernest Pearce by Carlos Peacock, from the collection of Miss Louisa Twining (1820-1911), a pupil of Samuel Palmer.
Carlos noted in his letter accompanying the work to Ernest Pearce that 'Going through my Palmer things for mounting the other day. I found this little sketch dating from the Redhill days. Thought you might like it by way of a Christmas gift'.
Literature
Carlos Peacock, Samuel Palmer , Shoreham and After, published by John Baker 1968, illustrated on page 67.
This delicate pen and ink drawing depicts a view at Redhill, a town in the borough of Reigate within the county of Surrey, England. While Palmer's reputation rests mainly on his Shoreham work some of his later work, such as his sketches from Redhill, have recently received more appreciation.
In 1872 Palmer was living in Redhill, at his last home, The Chantry at Cronks Hill. The Chantry is now Grade II listed due to the Palmer connection and Palmer Close, a cul-de-sac in Redhill (built in the 1960's), was also named in his honour.
This work is an illustration of rural paradise, a vision of the natural world where there is a cosmic harmony between man and his environment. Indeed, Alfred Palmer, the artist's son, wrote 'Had the artist depended for his material solely on the fields, and woods, and hills around him, and had he used that material in a sordid way, he might have given us faithful representations of those he selected, but there would have been inevitable repetition, and he would never have shown us as he has undoubtedly done, the very spirit and quintessence of the loveliest and most poetic pastoral scenery - scenery which we may imagine as that of ancient England...
Category
19th Century Samuel Palmer (b.1805) Art
Materials
Ink, Pen
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Previously Available Items
Opening the Fold
By Samuel Palmer (b.1805)
Located in London, GB
Samuel Palmer
Opening the Fold
1880/1926
Etching
Image size: 16.4 x 23 cms (6 1/2 x 9 ins)
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'The Early Ploughman' or 'The Morning Spread upon the Mountains'
By Samuel Palmer (b.1805)
Located in London, GB
Samuel Palmer
'The Early Ploughman' or 'The Morning Spread upon the Mountains'
1861
Etching
27 x 36 cms (10.6 x 14.2 ins)
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The Rising Moon' or 'An English Pastoral'
By Samuel Palmer (b.1805)
Located in London, GB
Samuel Palmer
The Rising Moon' or 'An English Pastoral'
1857
Etching
26.8 x 36.5 cms (10.6 x 14.8 ins)
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1850s Samuel Palmer (b.1805) Art
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The Sleeping Shepherd
By Samuel Palmer (b.1805)
Located in London, GB
Samuel Palmer
The Sleeping Shepherd
1857
Etching
36.5 x 26.8 cms (14.4 x 10.6 ins)
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1850s Samuel Palmer (b.1805) Art
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The Herdsman's Cottage, or, Sunset
By Samuel Palmer (b.1805)
Located in Storrs, CT
The Herdsman's Cottage, or, Sunset. 1888. Etching. Lister 3.ii. Image 3 7/8 x 3; plate 4 7/8 x 4; sheet 9 x 6 3/4 inches. As published in, The Portfolio , 1872. Illustrated: Print Collector's Quarterly 3 (1913): 213. A rich impression printed on cream laid paper. Signed with the artist's 'S. P.' monogram in the plate along the lower left margin. Housed in an archival mat, suitable for framing. Housed in a 20 x 16-inch archival mat, suitable for framing.
The plate was not published until 1872, when Philip Gilbert Hamerton included it in The Portfolio. In 1875, Hamerton published it in his book, Examples of Modern Etching. In 1880, he published it for a third time in his seminal book, Etching and Etchers. The plate for this etching is known to have been destroyed by 1882.
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Samuel Palmer (b.1805) art for sale on 1stDibs.
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