Samuel R. Chaffee Art

Sir Peter Markham Scott CH CBE DSC FRS FZS Hart Laubs Duck Watercolour on paper 4.3/8 x 6.1/2 in. (11.2 x 16.5 cm.) Provenance: Painted by Scott as a visual record for a bird spotte...

A set of four watercolours of butterflies on silk, applied to handmade paper, with hand cut edges, by French artist La Roche Laffitte. Two are signed by the artist to the bottom righ...

A very attractive and meticulously executed view of a rocky landscape within the woods dating to 1823. This would suit a library or study with its muted tones and skifull draughtsmanship. William Nicholson (1781-1844) Near Croxdale Hall Signed with initials and inscribed with title and date 1823 Pen, ink and grey wash 11 x 8 inches, image only 17 x 13 inches without frame The portrait-painter and etcher William Nicholson was born in Ovingham-on-Tyne, Northumberland, on Christmas Day 1781. His family transferred to Newcastle when his father was appointed Headmaster of the city's Grammar School. At an early age, though, Nicholson appears to have moved to Hull where he made his artistic debut, painting miniatures of officers garrisoned there. He was almost entirely self-taught, learning his craft through the close study of artworks in private and public galleries. He subsequently returned to Newcastle where he received many commissions to paint portraits of the old families of Northumberland. In 1808, he began to exhibit at the Royal Academy, continuing to do so until 1822. By 1814, Nicholson, whose mother was a Scot, had moved to Edinburgh where he set up as a miniaturist and painter in oils. Soon, however, he began to specialize in watercolour portraits. Early subjects included the actor Daniel Terry and the poet and novelist James Hogg. In 1818 he began to publish a series of Portraits of Eminent Scotsmen, etched from his own portraits and those of other painters. Besides Scott and Hogg, the subjects included the writers Robert Burns, John Wilson ('Christopher North'), and Lord Jeffrey, the painters Sir Henry Raeburn, the divines Alexander Carlyle and Alexander Cameron, the engineer James Watt, the architect John Playfair, and the song-collector and composer George Thomson...

Harold Dearden (British, 1888 – 1962) Farm helpers sorting a farm crop Set of four watercolours 16.3/4 x 17.1/8in.

Architectural Study for the Restoration of Saint-Pierre Church in Avon, France. This unique architectural study was created as part of a church renovation project in a suburb of Pari...

Framed dimensions: 15.5 H x 13 W x 1.75 D inches An elegant, 19th-century Chinese School gouache scroll painting fragment showing a richly-plumed peaco...

An exceptionally fine, brush and wash, mythological figural study showing a centaur interrupting the playing of his pan pipes to cast a speculative eye towards a dancing nymph. Datin...

Burton Silverman Untitled Portrait, 1980 Signed and dated lower right Watercolor on paper 14 x 10 1/2 inches Burton Silverman been painting and exhibiting as a fine artist for over...

Walter Bothams (British, 1850 – 1914) Dartmoor ponies Watercolour on paper Signed and dated ‘ W Bothams 84’ (lower right) 10.1/4 x 8in. (26 x 20.3 cm.)

Unknown/Unidentified Artist, "Untitled: Women In Bath", Signed Figurative/ Nude Watercolor, Charcoal (Mixed Media) Painting on Paper, 14 x 17, Late 20th Century, 1967 Colors: Black,...

Charles Spencelayh 1865-1958 British The Buttonhole Signed “C.SPENCELAYH” (lower left) and inscribed “This Drawing was accepted into the Royal Academy but crowded out for want of ...

Katie Blackmore (British, 1890 – 1957) Oriental fantasy Ink and gouache on paper Signed ‘K Blackmore’ (lower right) 9 x 8.3/8in. (22.8 x 21.2 cm.) A Scottish figurative and decorative artist, Katie Blackmore was closely associated with both Jessie Marion King...