Sergey Simakov Art

' The Phasianus Colchicus, look there it is! A little to the left from that tree, straight underneath the flower branch...' This wonderful vista is a lovely look at nature due to th...

Frank Vincent Dumond American, 1865-1931 Sunny Hedge Oil on canvas Signed "F.V. DuMond," lower right 24.5 in. by 29 in. W/frame 32.5 by 37 in. Born in Rochester, New York in 1865, Frank DuMond left his work as an illustrator at age 23 to study in the rigorous classical atelier tradition of the Academie Julian Paris in 1888.  Upon his return to New York in 1892, DuMond embarked on a painting and teaching term at the Art Students League spanning nearly six decades until his death. A painter of diverse talents, he was an accomplished landscape, portrait and still life painter, muralist, and leader of the Tonalist then Impressionist art colonies of Lyme, Connecticut.  In particular, DuMond was noted for his use of landscape green.  American Impressionist expert William H. Gerdts wrote of DuMond, "As one might speak of Velazquez's blacks, one must speak of DuMond's greens."  Scholars have described him as a deft painter of the American Impressionist landscape and the figure, but he will perhaps be remembered as among the most outstanding educators in American art history.  Though an accomplished painter, he is said to have considered himself more of an educator than an artist. By all accounts, DuMond is described by his students as a man whose art and teaching methods were based on deeply held religious and philosophical beliefs.  One student recalls, "There were occasions when DuMond revealed a clear intent to educate us on a deeper level than might casually be associated with painting."  His students remember him fondly as "a genial, generous, and perceptive instructor…whose warmth and kindness pervaded everything he did."  Under his tutelage, many prominent American artists were brought to recognition, including Georgia O'Keeffe, Norman Rockwell, and John Marin.  Still other protégés of DuMond renown became influential teachers, such as Baroque-style painter Frank Mason, whose influence emerged in New York at the Art Students League; and Arthur Maynard...

This is an antique etching by renowned Danish artist Emil Krause (1871-1945). The motive of this night-time image is an alluring moon shining behind the trees into silent waters. The...

A brilliant and lively depiction of a crowded cafe scene in 1945, this painting by Adalie Margules Brent depicts a slice of Black America at the end of World War II, probably in New Orleans, complete with a waiter, fashionably dressed men and women and wafts of cigarette smoke...

This splendid painting depicts in detail a bright view of a mountain lake,note the fine definition of details and the valuable perspective depth that give the work a feeling of pleas...

Framed Oil Painting on Canvas by Leon Bourdon (1880-1945) is entitled 'Riverside' and is a quietly atmospheric landscape, capturing the poetry of nature with a restrained and thought...

Dimensions with frame: 40 x 46 x 6 cm Signed "Bisi" in the lower left corner. This exceptional 19th century European landscape painting depicts a dramatic mountainous panorama animated by an elegant traveling party resting along a wooded riverbank. Executed in the Romantic tradition, the composition masterfully balances sweeping alpine peaks, atmospheric sky, and finely detailed foreground figures. In the distance, rugged mountains rise beneath a luminous sky filled with soft clouds, while warm autumnal tones enrich the rolling hills. The foreground reveals a noble entourage—figures on horseback, attendants, and travelers—gathered along a tranquil river. Their period attire and banners suggest a historical or courtly narrative, adding refinement and storytelling to the natural grandeur of the setting. The artist demonstrates remarkable skill in perspective and light, creating depth through layered mountains and delicate atmospheric effects. The foliage is rendered with meticulous detail, and the interplay of shadow and sunlight enhances the romantic mood of the scene. Likely Continental European, this work embodies the ideals of 19th century Romantic landscape painting, where nature’s sublimity meets human presence. The piece would make a distinguished addition to a traditional, classical, or Grand Tour–inspired interior. A refined and decorative work of strong visual impact, combining historical charm, painterly finesse, and timeless appeal. 19th century landscape painting, antique European landscape, Romantic mountain painting, alpine landscape art, Grand Tour painting, historical scene painting, equestrian figures painting, classical European art, antique oil painting, 1800s landscape artwork, Continental school painting...

This antique Russian icon, dating from the late 18th to early 19th century, represents a richly layered devotional composition painted in tempera on wood. The icon is arranged in a f...

Firmado por el artista en la parte inferior Estado de conservación bueno La obra se presenta sin enmarcar Medidas obra: 73 cm altura x 92 cm ancho. ::::::::::::::::::::::::::::::...

Hans Zatzka (Austrian, 1859-1945) a very fine and charming oil on canvas "Spring Beauties", depicting three young maidens picking flowers by a lake. The three young girls sitting, kneeling and laying on a grassy area of the forest, her wicker basket filled with the freshly picked flowers, the middle one wearing a bonnet and a straw-hat laying on the ground behind with butterflies flying by, within a gilt-wood and gesso carved frame. Signed (l/r): H. Zatzka. Circa: 1890-1900's, Hans Zatzka (Austrian, 1859-1945) was a well known and regarded Austrian fantasy artist whose most popular and valuable works depicted figures of young maidens with angels, floral and other cheerful and warm scenes, including Orientalist themes. In the past thirty years alone, the high quality and detail of his beautiful paintings has caught the attention of International collectors and art dealers alike, creating a highly sought after market and demand for his instantly recognizable body of work. In the late 19th and early 20th century, many of Zazka's charming works were photographed for commercial and collectable postcards. Though no information about his works being exhibited in museums is currently available, most of Zatzka's paintings are in private collections and, in the past century, very few of them have become available on the open market. At the young age of eighteen Zatzka joined Austria's Academy of Fine Arts under the leadership of Professor Blaas. For his fine early works, in 1880 he received The Golden Fügermedal award. Zatzka, like many other artists of the era, traveled around Europe working and selling his art and, in one of his many trips to Italy, he developed a special interest in Religious themes, decorating churches with frescos as well as painting several religious scenes of Madonna's and Child, Saints, Angels and others. In 1885 Zatzka was commissioned to paint "The Naiad of Baden" a ceiling fresco at Kurhaus Baden. Most of Zatzka's income came from his work in religious art and special church commissions. Numerous leading art dealers from around the world that specialize in late 19th and early 20th century European genre paintings have come to the conclusion that the painter signing his works Bernard Zatzka, Joseph Bernard or J. Bernard is almost certainly the artist Hans Zatzka. The consensus seems quite plausible when comparing works known to have been executed by Hans Zatzka together with similar works displaying the signature; Joseph Bernard, J. Bernard or Bernard Zatzka. Lohengrin refers to the knight of the swan, hero of German versions of a legend widely known in variant forms from the European Middle Ages onward. It seems to bear some relation to the northern European folktale of “The Seven Swans,” but its actual origin is uncertain. It is also a character in German Arthurian literature. The son of Parzival (Percival), he is a knight of the Holy Grail sent in a boat pulled by swans...

Original oil painting on board by artist Bill Inman. Framed.

Artist: Vahe Yeremyan Title: Caribbean Shore Medium: Oil on Canvas Year: 2026 Style: Impressionism Dimensions: 44" x 37" x 1" inch (112 x 94 x 3cm) Presentation: Unframed, Gallery Wr...