Sergey Simakov

Soviet/Russian painter.  “Landscape with a Remote Village” 1984. Oil on artist’s board. Signed and dated on lower right. 13” H x 19’ W, overall size is 20” H x 26” W. Conditi...

Hungarian Artist (1894-1960) "Reclining Nude", circa 1920s Measures: 19.5" H x 23.5" W, overall size is 28" x 32.5" Oil on canvas, inscribed lower right "Somody baratomnak szere...

Well listed Chinese Artist Yamin Young. "View from the Terrace". Mixed-media on handmade rice paper, mounted to the fabric base, protected by the plexiglas...

Alfred Godchaux (1835-1895) An accomplished painter, he was interested in depicting multiple Venetian scenes. He was influenced by the impressionists ...

Gyorgy Ruzicskay (1896-1993) Very well known Hungarian Artist. His works widely represented in the multiple galleries and private collections. “FLEURS”, c. 1960s Oil on boa...

Gino Terreni (1925-2015) italian artist, sculptor and painter. Widely represented in the multiple galleries and private collections. Measures: 26.5" x ...

Grapevine Anonymous. Korean, 17th century. Wall panel, ink on paper. Upper seal: Kou Kinun in Lower seal: Kaigen Dimensions: Measures: 98.5 cm x 29.5 cm (39” ...

Anonymous. Korean, 17th century. Joseon period. Hanging scroll. Ink on paper. Seal: Shinso Dimensions: Scroll: H. 200 cm x W. 31 cm (79” x 12”) Image: H. 122 cm x W. 29.5 cm (48” x 11.5”) The grapevine came to China and then Korea from western Asia via the silk road trade routes. By the mid-Joseon period, it was one of the most popular subjects for Korean literati painters. Grapevines were painted as a singular subject or, less commonly, in combination with squirrels, which are associated with children due to their playful nature. Together, grapevines and squirrels embody wishes for abundant offspring and wealth. For the Korean literati artist the twisting vines, curling tendrils and round, plump grapes provided ample opportunity for expressive "brush play”. In this painting the artist has abstracted the scene and is seemingly unconcerned with discontinuities and proportion. Vines spring up from nowhere, grapes hang in random clusters and the squirrel’s head appears as if twisted backwards. For the vines and leaves we can feel a sense of speed in the brushstrokes, imparting a dynamic feel which is at once intense and animated. This contrasts dramatically with the countless tiny strokes of ink which realistically capture the texture of the squirrel’s fur...

No name on this beautiful oil on panel winter landscape in the spirit of the 16th century late 18th century. Measures: 58 x 48 cm.

Beautiful Walter E Baum painting from the 1930’s-40’s titled The Delaware in its original frame. The painting came out of a private collection, has never...

Frederic Van der Linden trained at the Fine Art Academy in Mons and his work tends to feel impressionistic in style. The painting is signed in the lower right. Medium: Oil on canvas ...

18th century Italian painting by the painter Scipione Cignaroli. The valuable oil painting on canvas depicts a landscape of the Italian countryside with wayfarers on the banks of th...