Sergio Lazo Paintings

Parrot Michael Knigin, American (1942–2011) Acrylic on Canvas Size: 39.5 x 37.25 in. (100.33 x 94.62 cm) A close-up portrait of a Rainbow Lorikeet, a species of parrot found in Aust...

Damien Hirst Spin Painting, 2009 (Damien Hirst Skull): A mesmerizing Damien Hirst Spin painting with explosions of vivid color amidst the timeless,...

Artist: Jack Graves III (American, 1988-) Title: "Kate Moss Icon IV" Series: Icon *Signed, titled, and dated by Graves on verso Year: 2018 Medium: Original Acrylic Painting on Canva...

Jean-Michel Basquiat (untitled), 'MAN MADE Sweatshirt', c. 1979: Basquiat produced this rare original hand-painted sweatshirt (among others, with only few known to have survived) for the purposes of selling these on his own and through the historic downtown fashion boutique, Patricia Field’s. Basquiat was captured wearing a similar example in the well publicized 1979 photo, 'Basquiat Dancing at The Mudd Club' by Nicholas Taylor of Gray. This double-sided work notably features Basquiat’s ‘MANMADE’ tag - Basquiat’s alias after he took to the streets to declare “SAMO is Dead”. The work is further highlighted by Basquiat’s ‘BAD’ motif - uniquely paralleling his consideration to naming his band, ‘Bad Fools’ prior to Gray. In trademark Basquiat style, we also find the vertically spaced ‘E’ on both sides of the piece, as well as dashed lines which would appear in many of the artist’s Anti-Product cards, early drawings and more. The work emanates directly from the collection of world renowned author Lucy Sante (formerly Luc Sante). As it is well publicized, Basquiat worked with Sante in 1979/80 on the downtown-art scene publication, ‘Stranded’ (New York, 1980). Medium: Acrylic on cotton sweatshirt (double-sided artwork). Executed circa 1979/1980. Dimensions: 16.5 x 22 inches (outstretched cuff to cuff: 50 inches & sleeve length: 18 inches). Condition: In good overall vintage condition. Bright well-preserved colors; some minor discoloration in several areas due to normal age related wear and use; scattered stains located on the hem, inner arm area(s) and cuffs; scattered minor pilling; loose thread on the reverse of hem. Basquiat's artwork throughout remains fully intact. Unique. One of a kind. Signed ‘MANMADE’ and numbered 5/100 on the reverse. Provenance: Gifted by Basquiat to Lucy Sante; obtained directly from the former. Sante's relationship to Basquiat is well documented in three publications (see below literature/references for more). Accompanied by a letter of provenance from Sante. Literature/References: -'Boom for Real: The Late Teenage Years of Jean-Michel Basquiat,' by Sarah Driver - this 2018 documentary features an in-depth section devoted to Basquiat's 'Man Made' clothing, featuring an interview with designer Patricia Field & artist Kenny Scharf. - 'Basquiat Before Basquiat' (MCA Denver; see Sante, p.40-43 ). - 'Stranded' issue four index (Spring 1980). Basquiat's identity is confirmed as 'Man-Made' midway on page. - 'Zeitgeist: The Art Scene of Teenage Basquiat' (Howl Arts 2018; essay: 'Stranded' by Lucy Sante). - 'An Intimate Look at Jean-Michel Basquiat's Early Days' by Lucy Sante (Village Voice 2/8/17). -'Man Made by Basquiat' (MinnieMuse) May 2019. -'Exploring Jean-Michel Basquiat's 1970's Clothing Collection, 'Man Made.'' Vice Magazine, May 2019. - ‘The Jean-Michel Basquiat Reader’ (Moore pg. 334) discusses Basquiat’s Man Made painted clothing. - 'Basquiat Dancing at The Mudd Club' photograph by Nicholas Taylor of Gray (Basquiat wears a similarly painted sweatshirt). Basquiat’s use of ’MAN MADE', see: - Glenn O'Brien "Graffiti '80;" High Times, June 1980 (p. 53-54); "Jean-Michel Basquiat who is known to many as SAMO, had changed his alias to Man Made". - Jean-Michel Basquiat: 1981, the Studio of the Street (Diego Cortez; 2007 p. 80). - The Last Time I Saw Basquiat (NYR Daily 9/3/16; essay by Lucy Sante). - Basquiat: Boom For Real (Barbican; Nairne, Buchhart & Johnson p.26). - Sotheby's S2 Catalog & Sale, "Man Made" (May 2013). Intertextual References: Basquiat's 'BAD' motif further appears in the following 1979 works: - "Stupid Games, Bad Ideas" (color xerox; see Basquiat: Boom For Real pg. 108). - Basquiat (untitled) "Test Pattern" (original drawing and xerox; see Basquiat: Boom For Real pg. 147). - Basquiat (untitled) "Gumby Is Bad" t-shirt (worn on camera by the artist at Canal Zone...

Zero in Blue by Peter Max, German/American (1937) Date: 1985 Acrylic on Canvas, signed u.r. Size: 24 in. x 18 in. (60.96 cm x 45.72 cm) Frame Size: 26.5 x 20.5 inches

Artist: Jack Graves III (American, 1988-) Title: "Tyler Durden (Brad Pitt)" Series: Icon *Signed by Graves lower left. It is also signed, dated, and titled on verso Year: 2025 Medium...

Artist: Peter Max, German/American (1937) Title: Profile Year: 1986 Medium: Acrylic on Canvas, signed u.r. Size: 40 in. x 30 in. (101.6 cm x 76.2 cm) Frame Size: 49.5 x 39.5 inches

Artist: Jack Graves III (American, 1988-) Title: "(Princess) Grace Kelly XI" Series: Icon *Signed by Graves lower left. It is also signed, titled, and dated on verso Year: 2025 Mediu...

Artist: Jack Graves III (American, 1988-) Title: "Liberty IX" Series: Icon *Signed by Graves lower left. It is also signed, titled, and dated on verso Year: 2025 Medium: Original Acr...

This painting is from the artist's Hollywood abstract series, where she instills the character on the lower half of the composition and depicts abstract colors and movements around t...

With layers of bright oils and whisking brush strokes, the paint is able to shine and shimmer in a very unique pattern. This painting is from Shaoul's more contemporary works with a ...

Artist: Jack Graves III (American, 1988-) Title: "Cara Delevingne Icon X" Series: Icon *Signed, titled, and dated by Graves on verso Year: 2019 Medium: Original Acrylic Painting on ...