Sheryl Westergreen Art

Longing For Paradise IV (Abstract painting) Oil on canvas — Unframed. This artwork is exclusive to IdeelArt. This artwork will be shipped rolled in a dent-resistant tube. This metho...

WEIR FARM Series: “[This] series runs the full range from natural to post-impressionism, yet always having the themes of the American pictorial sense of place with an accurate drawin...

This artist's butterfly work is in the current Veranda Magazine with Jan Showers. "Live a Colorful Life" original oil on canvas painting by Steve McElroy, 2025. 22 x 28 inches. Thi...

This painting is a great example of David Adickes' early work that embodies the abstract geometric style. Most likely originally sold at DuBose Gallery in Houston, Texas. Circa 1960s...

Oil on canvas Weir Farm Series: Compline is a recent piece, a work honoring New England. It is a culmination of what I developed and experienced from those decades painting and trek...

Three Apples and Blossom 36 X 36 Oil on canvas Rose James considers herself as a botanical abstractionist. Her inspiration comes from years as a botanical artist teaching for the Ne...

PROVENCAL Series: “In [this] series I was exploring the classical influences of the impressionist masters, to build on their ideas to move them forward, yet being true to the many ap...

Meryl Watts. English ( b.1910 – d.1992 ) Enigma. Oil On Board. Signed Lower Right. Image size 22.4 inches x 19.3 inches ( 57cm x 49cm ). Frame size 26.4 inches x 22.8 inches ( 67cm x 58cm ). Available for sale; this original oil painting is by Meryl Watts and dates from the mid-1960s. The painting is presented and supplied in its’ original hand painted frame (which is shown in these photographs). This vintage painting is in very good condition, commensurate with its age. It wants for nothing and is supplied ready to hang and display. The painting was created whilst Watts resided at 1 Bron Avon, Borth-y-Gest, Porthmadog. (Today’s postcode would be LL49 9TU). The painting is signed lower right. Meryl Watts was born on the 5th April 1910, the only child of Charles and Evelin Watts. They lived in Germains Place, Blackheath and she was raised in east end of London where her father was a printer. She studied at the Blackheath Art School, where the Principal was John Edgar Platt, one of the major artists using the technique of color woodcut. She learned this technique from Platt and was influenced by his style, as shown in the attractive and colorful designs that she subsequently produced. Meryl began to work independently in 1937, producing her own work while still living in Blackheath. During World War II the family home and business were destroyed by German bombing and Meryl and her parents were given just a few hours to collect whatever valuables they could before their house was demolished to protect neighboroughing properties from further damage. As a consequence much of her early work was lost. Having left their home the family evacuated to Portmeirion in Wales, where they had frequently stayed on holiday before the war. They struck up a friendship with the Portmeirion architect and founder, Sir Clough William-Ellis. Portmeirion was founded in 1925 and took nearly fifty years to complete. It was a homage to Sir William-Ellis’ love of the Italian Riviera and incorporated the grounds of a twelfth century castle. The resort became extremely popular with tourists and was the backdrop for various TV programs and films, including The Prisoner. Meryl Watts became artist in residence at Portmeirion, and over the next few years she produced an abundance of artwork including sketches, oil paintings and watercolors of famous scenes from the Snowdonia coastal region and other traditional landmarks. This was a new and very successful chapter of her artistic career. From Portmeirion Meryl and her parents moved to a rented house in Borth-Y-Gest, Caernarvonshire, North Wales. In 1944 Meryl’s father purchased the house and Meryl began to work there, using the endless views in the area for her inspiration. After the death of her father in 1957 and her mother in 1969 Meryl lived alone in Borth-y-Gest until she married Professor Joseph Allen...

Turquoise abstract still life painting by Houston, TX artist David Adickes. The painting depicts white flowers in a tall blue vase on top of a table with a slice of orange melon. Unsigned. Framed in a simple black frame. Dimensions Without Frame: H 29.5 in. x W 23.5 in. Artist Biography: Born (1927) and raised in Huntsville, TX, David Adickes is an artist whose art and heart are closely aligned with Paris, France. After studying art at the Atelier F. Leger in the late 40s, Adickes burst onto the art scene in Houston and elsewhere in the early 50s and has been a prominent member of Houston’s art community ever since. While his most visible works are his giant sculptures...

DNA is genetic information, hidden and encrypted in body fluids. Veiled data that we load, that we do not know and that someone knows how to decipher. Such specifications characteriz...

Kathline Carr’s “Ley Line” is an abstract oil painting on canvas depicting a floating landscape, primarily in blues, grays and white layers of paint offset by strong blacks. Visible ...

Rose Bud 24 X 24 Oil on Canvas Rose James considers herself as a botanical abstractionist. Her inspiration comes from years as a botanical artist teaching for the New York Botanical...