Simeon Stafford Art

Step into a dreamlike pastoral paradise with this enchanting mid-century oil on canvas by French artist Denise Collet. Titled "Girls and Ponies," this wo...

Willard Dixon is widely recognized for his calm, contemplative landscapes and skyscapes, paintings that hold stillness, clarity, and a quiet reverence for nature. In this exhibition,...

Frank Dekkers Summer 140 x 200 cm (not framed) oil on canvas On the pictures we also show you the artist receiving the flowers on our opening of this exhibition september 3th 2023 i...

A vibrant and highly collectible original oil painting by celebrated Mexican-American folk artist Martin Saldaña (1874–1965), depicting a young girl, grazing sheep, and a vintage aut...

Large Atmospheric Black & Yellow Painting of Broadway New York City by British Urban Landscape Artist, Angela Wakefield. This unique original...

This artwork titled "People of the Village" c.1980, is an oil painting on canvas by Hungarian artist Anton Kowalski, b.1926. It is signed at the lower right corner by the artist. The canvas size is 21 x 24 inches, framed size is 26.5 x 30.5 inches. Framed in original dark wood and green frame, with fabric liner. It is in excellent condition. About the artist: The artist was born in Sopron in Hungary in 1926. He was a student of the Academy of Budapest and during the uprising in 1956 against Communism he escaped from Hungary to Vienna where he now lives and works. He has become internationally known for his (typically East European style) “Naive” paintings depicting Village life in the four seasons in glorious color. Children especially like his works as each one tells a story. He has exhibited in many Galleries throughout Europe, particularly in Munich, Vienna, Tokyo, and Harrods in London. His work has been on permanent exhibition at the Stewart Gallery...

Julien Nemethy (b. 1948) New Orleans Packet – Eclipse, 1999 Oil on canvas Sight: 22 x 28 in.; Frame: 26 x 32 in. Julien Nemethy’s New Orleans Packet – Eclipse is a richly detailed and atmospheric tribute to the golden age of American river travel, rendered with the artist’s characteristic precision and historical sensitivity. Set against a softly illuminated shoreline, the steamboat Eclipse emerges as both a technological marvel and a cultural emblem, its tiered decks, plume of smoke, and bustling activity captured with documentary clarity. Nemethy’s controlled palette—warm umbers, riverine blues, and the glow of late‑day light—infuses the composition with a sense of nostalgia, transforming the vessel into a symbol of movement, commerce, and the romance of the Mississippi. A superb example of the artist’s mature work, the painting demonstrates his ability to merge narrative realism with painterly refinement, offering a scene that is at once historically grounded and visually compelling. Provenance: Private collection, United States. Condition: The canvas presents in excellent overall condition with strong surface integrity and no visible restoration under normal viewing. Notes: Nemethy’s riverboat...

This painting reflects Bruno Surdo’s continued engagement with classical realism as a vehicle for contemporary allegory. A young girl, centered and frontal, sits in an inflatable ring surrounded by floating plastic waste—bottles, containers, straws—both above and beneath the water’s surface. The composition is calm, almost symmetrical, yet emotionally unsettling. Surdo’s atelier-based training is evident in the careful modeling of the child’s anatomy, the naturalistic rendering of skin tones, and the controlled atmospheric perspective. The figure is painted with the same dignity and structural clarity found in Renaissance portraiture, elevating what could be a simple environmental image into a modern history painting. Art historically, the work draws from the tradition of allegorical portraiture, where innocence is personified to communicate moral themes. The child recalls Renaissance depictions of putti or symbolic youth figures, yet here innocence is placed in peril. The floating debris creates a contemporary vanitas motif: instead of skulls and extinguished candles, the symbols of decay are plastic and petroleum byproducts—markers of environmental neglect. The waterline dividing the composition subtly recalls the layered moral narratives of Baroque painting, where surface beauty often concealed deeper truths. The title, Contaminating the Innocent, underscores this allegorical intent, transforming the image into a meditation on generational responsibility. Within Surdo’s broader oeuvre—often concerned with spectacle, identity, and human consequence—this painting shifts toward ecological consciousness. Yet it remains consistent with his practice of grounding urgent modern themes in the visual authority of classical technique. By presenting environmental degradation through the lens of Renaissance-informed realism, Surdo avoids didactic illustration and instead creates a quiet, haunting indictment. The stillness of the child’s gaze contrasts with the chaos of the polluted water, reinforcing the central tension: the vulnerability of innocence in a world shaped by adult action. Bruno Surdo Contaminating the Innocent oil on canvas 48h x 48w in 121.92h x 121.92w cm BRS072 Bruno A. Surdo b. Chicago, 1963 EXHIBITIONS 2020 Realities, Gallery Victor Armendariz, Chicago, IL 2018 Liberation, Gallery Victor Armendariz, Chicago, IL Blood Sport, Gallery Victor Armendariz, Chicago, IL Art on Paper 2018, Gallery Victor Armendariz, Pier 36, New York, NY SOFA Chicago 2018, Gallery Victor Armendariz, Navy Pier, Chicago, IL 2017 POP!ARAZZI, Gallery Victor Armendariz, Chicago, IL Coming Attractions, Gallery Victor Armendariz, Chicago, IL 2015 SOFA Chicago 2015, Ann Nathan Gallery, Navy Pier, Chicago, IL Bruno Surdo: Allegories, Ann Nathan Gallery, Chicago, IL 2014 Bruno Surdo: Respond, Ann Nathan Gallery, Chicago, IL Modern Metaphors, Rockford Art Museum, Rockford, IL 2013 Bruno Surdo: Revelations, Ann Nathan Gallery, Chicago, IL Vice + Virtue, Northern Illinois University Museum of Art 2012 Contemporary Realism Biennial, Fort Wayne Museum of Art, Fort Wayne, IN 2011 Bruno Surdo, University of St. Francis School of Creative Arts, Fort Wayne, IN Uncensored, Ann Nathan Gallery, Chicago, IL 2010 Art Chicago 2010, Ann Nathan Gallery, Merchandise Mart, Chicago, IL 2009 Art Chicago 2009, Ann Nathan Gallery, Merchandise Mart, Chicago, IL 2007 Bruno Surdo, Art Institute of Indianapolis, Indianapolis, IN 2006 Context/Content: Making Meaning with the Figure, University of Arkansas, Conway, AR Creative Imaginings, Mobile Museum of Art, Mobile, AL Bruno Surdo: Cycles, Ann Nathan Gallery, Chicago, IL 2005 Art Chicago 2005, Ann Nathan Gallery, Chicago, IL 2004 Tragedy, Memory, & Honor, Richard M. Daley Center, Chicago, IL Art Chicago 2004, Ann Nathan Gallery, Chicago, IL Group Show, Arcadia Gallery, New York, NY Drawings VII, Koplin Del Rio Gallery, West Hollywood, CA Armory Show, New York Armory, New York, NY 2003 Paintings & Drawings, College of Lake County, Grayslake, IL The Art Show, New York, NY Bruno Surdo: New Work, Ann Nathan Gallery, Chicago, IL Art Chicago 2003, Ann Nathan Gallery, Chicago, IL 2003-10 International Show of Contemporary Artists, Chicago Art Open, Chicago, IL 2002 Bruno Surdo: Perception of Appearance, Frye Museum, Seattle, WA Tragedy, Memory, & Honor, Richard M. Daley Center, Chicago, IL Bruno Surdo: Transcendence, Ann Nathan Gallery, Chicago, IL Art Chicago 2002, Ann Nathan Gallery, Chicago, IL Tragedy, Memory, & Honor, Ann Nathan Gallery, Chicago, IL 2001 Magic Vision, Arkansas Art Center, Little Rock, AR 1998 Evanston and Vicinity Artists, Evanston Art Center, Evanston, IL 1996 Bruno Surdo: A Personal View, University of Wisconsin, Kenosha, WI 1995 Bruno Surdo: Recent Works, College of Lake County, IL AIDS in Our Society, Loyola University, Chicago, IL Bruno Surdo: Life, Struggle, and Hope, Chicago Cultural Center, Chicago, IL 2001 Magic Vision, Arkansas Art Center, Little Rock, AR Bruno Surdo: Dualities of Life, Ann Nathan Gallery, Chicago, IL 1999 Group Show, Ann Nathan Gallery, Chicago, IL 1998 Group Exhibition, Fine Arts Building Gallery, Chicago, IL 1995 Spiritual Inquiries, Struve Gallery, Chicago, IL 1994 Recent Works, The 14th Annual Juried Exhibition for Lake County Artists, Grayslake, IL Go Figure, Figurative Works on Paper, Chicago Printmakers Collaborative, Chicago, IL SELECTED COLLECTIONS The Re-Birth of Venus, Temporary Loan, Fort Wayne Museum of Art Arkansas Art Center, Little Rock, AR College of Lake County, Greyslake, IL Flashpoint Academy, Chicago IL John Robert Wiltgen Design Shoemaker Ruud Collection Julie & Thomas Danilek Michael Vozzella and Mike Silver Benjamin Fernandez Tom Braake Betsy Colburn Michael Diemand & Lor LaRose Michael Staab & Kathy Brock Bruce Leep Frank Tzurect Mary Foley Rosalyn Carlson Mimmy Turney Janet Long Halstead Billy Hunt Carol Galli Myles Kerrigan Honorable & Mrs. Edwin Berman Theodore Gage Northrop Art Museum Past Present & Future Company Dr. James & Peggy Kemmler Salvatore Monastero Nix & Virginia Lauridsen Joel Miller David & Marlene Zerkel Ann & Andy Abel Claudia Rush Marc Miller Leonard Goldberg Lawrence Pucci Howard Tullman Collection Susan & Manny Kramer James Rinnert Richar Interiors Michael & Nancy Colt Khalid Altijir Dr. Joe Grodman Beryl & Jack Gore Larry Wolf & Eric Naegle Chuck Wolandi Jack Schwab & David Sandelin Thomas Kaczmarek Marti Dinerstein Craig & Michael Golden...

The Last Song is a monumental figurative painting that marks a decisive moment in Claus Bertermann’s oeuvre and his first figurative work presented on 1stDibs. Measuring an imposing ...

Shorebirds in the Surf an Original Pastel by Gregory Biolchini Shorbirds in the Florida Surf by Gregory Biolchini (American, B- 1948). Lively pastel with eager Shorebirds hunting for...

Landscape Mississippi River. Saul Haymond, Sr. (1947- ) of Pickens, Mississippi is a self-taught painter who has been documenting life in the African American community in Holmes Co...

George Botti Italian, 1923-2003 Balloon Man Oil on canvas 36 by 36 in. W/frame 42 by 42 in. Signed lower right Barrel Item number: 01864 George Bott...