Simona Zecca Paintings

Mark Beard [Bruce Sargeant (1898-1938)] Wrestler Standing, n.d. Signed, u.r. Oil on canvas 30 x 24 inches (76.2 x 61 cm) $5,000 + $350 framing

"Always the Fool" is a 51.5in x 61.5in original oil painting by Katherine Fraser in a handmade wood frame. "Life often strikes me as a string of moments, lik...

"No Hay Nada Mas" is a 31in x 43in original oil painting by Katherine Fraser in a handmade wood frame. Artist Statement // Life often strikes me as a string of moments, like a serie...

ANNA KINCAIDE "Into the Blue" Oil and Mixed Media on Canvas 60 x 72 inches Communicating emotion and narrative with limited assistance from her figure’s facial expressions, Anna Kin...

Peace is not always loud or dramatic. Sometimes it is found in stillness, in moments where the world slows down. The resting figure and the calm presence of the white bird speak abo...

Waiting - it is what we all have been doing during this tumultuous year. Artist Peter Lupkin is no different. In his work entitled "Portrait of William, April, 2020" a family membe...

Laisvyde Salciute is the artist awarded with Lithuanian National Prize for Culture and Arts in 2025 - the highest honor for artists in Lithuania awarded for significant lifetime ach...

Ursula Krauss is a German artist born in 1984 who lives & works in Nuremberg in Germany.

Victor Wang's subject is a female seemingly caught in a contemplative moment yet a war rages behind her. She dons a hat shaped as a boat and carries and oar as if to "Dream Away" these other thoughts. Wang uses a blend of luminous colors and buttery textures to evoke these enigmatic moments of meditation. Influence by the Renaissance Masters Titian and Rembrandt for their glazing and layering techniques respectively, the artist builds the surface using heavy paint, swirling and mixing the color on the canvas. The end result is a poetic and emotionally powerful representation of the human form. Victor Wang Dreaming Away, 2017 oil on canvas 42h x 56w in 106.68h x 142.24w cm VWG009 My path through life has been adventurous, exciting, and dream-like. My experience of settling into America in search of better opportunities has been both challenging and inspiring. I use the human face as a vehicle to paint human experiences - worry and wonder, sadness and pleasure - which reflect the emotional stage directly tied to my immigration experiences. I grew up amongst the sunflower fields in northern China. In my childhood years, I played under the bright, yellow sunflowers with my brothers everyday. China’s Cultural Revolution played an important part in my life. During that time, sunflowers were used as political allegories to depict how citizens of China should follow Mao who represented the sun, since sunflowers follow the sun’s movements. People eventually inferred the deception that this symbol masked. After graduating from high school, I was sent to a labor camp in the country for ‘reeducation’ during China’s Cultural Revolution. There, I was subject to grueling farm work. Often, I worked in corn and sunflower fields from sunrise to sunset. Thus, for me, sunflowers evoke both personal joy and sadness. Therefore, to deliver my complex feelings, I use sunflowers as a metaphor to connote my background and emotional stage. My incorporation of collages of figures from China’s Tang Dynasty represents my Chinese heritage and is a constant reminder of where I came from. The texture and earthiness on the canvas’s surface are inspired by the texture of the soil on the farm where I worked in China. Although I often gain great pleasure from the process of painting, it is most important to unfold expressively those feelings within myself. Wang belongs to a generation of immigrant painters from China, whose artistic background was defined by socialist realism but took advantage of their skills and broke away from that tradition to create new subjects in the U.S. “When I was a student during Cultural Revolution, Soviet realism art was among the dominant source of influence and it grabbed us like lightening rod...

Shipping Procedure Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Tolulope Isaac ...

Caleb O’Connor b. 1979 Honolulu, HI EXHIBITIONS 2018 BloodSport, Gallery Victor Armendariz, Chicago 2017 Grand Opening: Coming Attractions, Gallery Victor Armendariz, Chciago 2010 Contemporary Realism Biennial, Fort Wayne Museum of Art, Fort Wayne, IN 2008 “Art Chicago,” Merchandise Mart, Ann Nathan Gallery, Chicago, IL “Palm Beach 3 Art Fair,” Ann Nathan Gallery, West Palm Beach, FL 2007 “SOFA (Sculpture, Objects, Functional Art)” Park Ave. Armory, Ann Nathan Gallery, New York, NY “Art Chicago,” Merchandise Mart, Ann Nathan Gallery, Chicago, IL “Palm Beach 3 Art Fair,” Ann Nathan Gallery, West Palm Beach, FL 2006 “Art Chicago,” Merchandise Mart, Ann Nathan Gallery, Chicago, IL 2005 “Caleb O’Connor: Dreams to Reality,” Ann Nathan Gallery, Chicago, IL “Art Chicago in the Park,” Butler Field, Ann Nathan Gallery, Chicago, IL 2004 “Introducing Caleb O’Connor,” Ann Nathan Gallery, Chicago, IL “Art Maui,” Annual Juried Exhibition, Maui Arts and Cultural Center, Maui, HI 2003 “Rustica,” The Palazzo Bonini, Fivizzano, Italy “Group Show,” Fondatzione ARKAD, Seravezza, Italy “Facing the Real,” the Artists House, Museum of Jerusalem, Jerusalem, Israel “20/30 Vision,” Hui Noi Au, Makawao, HI 2002 “Summer Show,” Gallery K, Washington DC 2001 “Serving Youth,” Gallery K, Washington DC (solo) “New Works,” Caleb O’Connor, School 33, Baltimore, MD (solo) “Small Works,” Gallery K, Washington DC Juried Exhibition, Gomez Gallery, Baltimore, MD Juried Exhibition, MICA Fox Gallery, Baltimore, MD 2000 “The Nine from MICA,” Joseph and Rebecca Meyerhoff Art Gallery, Baltimore, MD GRANTS AND AWARDS 2003 Fulbright Grant to Italy, Project: Painting and Sculpture Elizabeth Greenshields Award, Quebec, Canada 2001 Elizabeth Greenshields Award, Quebec, Canada 2000 Morris Louis 32 Scholarship, Maryland Institute College of Art, Baltimore, MD 1999 Painting Department Award, Maryland Institute College of Art, Baltimore, MD 1996 Presidential Scholarship, Washington DC PUBLICATIONS 2002 Linda M. Grossman, “Meet an Emerging Artist, Caleb O’Connor,” American Artist Magazine “20/30 Show,” Maui News, Arts and Entertainments, October, Maui, HI 2001 Jessica Dawson, “The Beast Within,” The Washington Post, January 11, Washington DC Steve Purchase, “School 33 Opening a Great Show,” The Baltimore Guide Enterprise, MD “A Star is Born,” The City Paper, Baltimore, MD “Best Exhibition of the Year,” The City Paper, Baltimore, MD EDUCATION 2003 Studied under Israel Hershberg...

Classical Portraiture takes on a very casual feel in Peter Lupkin's painting entitled "Hamburger Hat". The composition is in the formal portraiture style with the subject gazing out...