Sir Terry Frost Art
British, 1915-2003
Sir Terry Frost (13 October 1915 – 1 September 2003) was an English painter best known for his geometric abstractions. Overlapping half-circles, rectangles, and squares of bright colors, the artist’s work conveyed his enthusiasm for perceptual phenomena. Born on October 13, 1915, in Leamington Spa, United Kingdom, he served in World War II where he was captured by the Nazi’s as a prisoner of war. While in captivity at the Stalag 383 prison camp, he met fellow English painter Adrian Heath. Upon his return to England, and spurred by the art-related conversations he had with Heath, Frost attended the Camberwell School of Art. In school, he studied under the renowned painters Ben Nicholson and William Coldstream. Later, as his painting career progressed, he began teaching at institutions such as the University of Leeds and the University of Reading. Frost died on September 1, 2003 in Hayle, United Kingdom. Today, the artist’s works are in the collections of the Tate Gallery in London, the Metropolitan Museum of Art in New York, and the National Galleries of Scotland in Edinburgh.to
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Sir Terry Frost RA: 'Untitled Landscape' oil on canvas 1991 painting
By Sir Terry Frost
Located in London, GB
To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you ...
Category
1990s Abstract Sir Terry Frost Art
Materials
Canvas, Oil
Valentine - Blues and Purples
By Sir Terry Frost
Located in London, GB
Terry Frost
Valentine - Blues and Purples, 1999
Collage and acrylic
hand-signed and dated 99 (lower right); further hand-signed, dated 99 and dedicated (verso)
32 x 31 cm
40.5 x 41 c...
Category
1990s Modern Sir Terry Frost Art
Materials
Acrylic
Circle Composition Abstract
By Sir Terry Frost
Located in Greenwich, CT
A vibrant and fun work by the celebrated and beloved Sir Terry Frost - British artist. Framed in clean and contemporary white matting and lacquered frame this is an attention gettin...
Category
1960s Abstract Sir Terry Frost Art
Materials
Paper, Watercolor, Gouache
"Sun Tree" Abstract Screenprint and Collage
By Sir Terry Frost
Located in Brecon, Powys
'Sun Tree' - A signed, limited edition 26-colour silkscreen print with 9 collage elements by renowned British abstract artist Sir Terry Frost RA.
Medium: Screenprint with Collage
...
Category
Early 2000s Abstract Sir Terry Frost Art
Materials
Screen
"At Five O'Clock In the Afternoon", Signed Ltd Ed Print by Sir Terry Frost
By Sir Terry Frost
Located in Brecon, Powys
At Five O'Clock In The Afternoon by Sir Terry Frost
Signed and numbered 5/25
Image 55 x 37.7 cm
Published by the artist 1990
On Somerset Satin Paper
Contemporary black frame, behind...
Category
1990s Abstract Sir Terry Frost Art
Materials
Etching
RED AND BLACK ON GREEN
By Sir Terry Frost
Located in Portland, ME
Frost, Sir Terry (English, 1915-2003). RED AND BLACK ON GREEN. Screenprint in colors, 1968. Edition size not known. Signed and dated in pencil and inscribed "Artist's Proof." Printed...
Category
1960s Sir Terry Frost Art
Materials
Screen
Stage Design, wax crayon drawing by Sir Terry Frost RA
By Sir Terry Frost
Located in London, GB
Terry Frost (1915-2003)
Stage Design
Wax crayon drawing
21 x 42 cm
Sir Terry Frost was a British abstract artist known for his vibrant use of colour, geometric forms, and express...
Category
Mid-20th Century Abstract Sir Terry Frost Art
Materials
Wax Crayon
Terry Frost 'Bottle and Statue' oil painting abstract still life interior
By Sir Terry Frost
Located in London, GB
Sir Terry Frost (1915-2003)
Bottle and Statue
Oil on board
38 x 46cm
A distinctive still life featuring bottle, statue, and drapery.
Terry Frost was a prominent British abstract artist. Frost is most noted for his simplistic abstract forms and unusual colour; he worked alongside the St Ives group...
Category
1940s Sir Terry Frost Art
Materials
Board, Oil
Two Nudes
By Sir Terry Frost
Located in Edinburgh, GB
Sir Terence Frost RA (1915-2003) was a British abstract artist, born in Warwickshire, who worked in Cornwall. Frost became a leading figure of abstract art and attended St Ives Schoo...
Category
20th Century Abstract Sir Terry Frost Art
Materials
Acrylic
Life is Just a Bowl of Cherries by Terry Frost, Screenprint with collage, 2003
By Sir Terry Frost
Located in Kingsclere, GB
Life is Just a Bowl of Cherries by Terry Frost, 2003
Additional information:
Medium: screenprint with collage
59.7 x 43.2 cm
23 1/2 x 17 in
signed
Terry Frost was a painter and pri...
Category
20th Century Sir Terry Frost Art
Materials
Screen
British, St. Ives school collage by Sir Terry Frost, dancing figures on red back
By Sir Terry Frost
Located in Petworth, West Sussex
Terry Frost (British, 1915 – 2003)
Dancing figure
Mixed media Collage
16.1/2 x 18.1/2 in. (42 x 47 cm.) to slip edge
Provenance: Created for and donated to the St. Ives Theatrical Pr...
Category
Mid-20th Century Abstract Sir Terry Frost Art
Materials
Paper
Timberaine: C - Print, Woodcut, Abstract Art, Contemporary Art, Terry Frost
By Sir Terry Frost
Located in London, GB
Signed in pencil verso, numbered from the edition of 16.
Printed on wove paper by Stoneman Graphics, Cornwall.
Published by The Paragon Press, London.
(Kemp 201).
Category
Early 2000s Abstract Sir Terry Frost Art
Materials
Woodcut
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Donise English emphasizes lines, grids, and fields of subtle color to evoke imagined places and invented structures. While precise lines and straight angles are often associated with themes in architecture and urban planning designs, English conveys a geometric motif guided by intuition rather than a ruler. Variations on grids retain flaws and unmistakable traces of the artists’ hand; her style of draftsmanship shies away from intellectualism and instead makes her compositions feel very personal. A central checkerboard formation floats over a ground of pastel color or washes of grey or cream. Each design is intensely intricate, incorporating gouache, acrylic, pen, graphite, ink and colored pencil. The artist recently retired from her decades career teaching at Marist College and is now devoted full time to her art making.
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My work is about the way visual diagrams present information that describes how something is made or the way it is. I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure.
Artist CV:
EDUCATION
Master of Fine Arts in Painting
Bard College 1986
Bachelor of Science in Art History
State University College at New Paltz 1977
Additional Study: New York Studio School (Drawing Marathons)
Columbia University, School of Architecture
Women’s Studio Workshop
TEACHING
Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie, NY
Coordinator, Interior Design Program, Florence, Italy campus
1992-present
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NYFA Fellowship in Painting 2018
Invitational Award for Outstanding Contemporary Talent,
University of Bridgeport, CT 2000
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College of Notre Dame of Maryland, Baltimore 1999
First Prize, “Women in the Visual Arts ‘95”
Erector Square Gallery, New Haven, CT 1995
Joseph A. Cain Memorial Purchase Award for Sculpture
Del Mar College, Corpus Christi, TX 1994
Honorable Mention, “National Juried Exhibition”
University of Bridgeport, CT 1993
Individual Artists Fellowship in Sculpture
Dutchess Arts Fund 1992/93
Tallix, Morris, Singer Internship in Sculpture
Tallix Foundry, Beacon, NY 1990/91
MEMBERSHIP Royal British Society of Sculptors
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2010s Abstract Geometric Sir Terry Frost Art
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Previously Available Items
Collage Painting
By Sir Terry Frost
Located in Bournemouth, Dorset
British painter, born in Leamington Spa, Warwickshire, one of the leading artists of the *St Ives School. He attended evening classes in art when he was sixteen, but then worked at various jobs, mainly concerned with electricity and radio, and did not take up painting until 1943, when he was a prisoner of war in Germany. His fellow prisoner Adrian *Heath encouraged him. After the war Frost studied at St Ives School of Art (1946) under its founder Leonard Fuller (1891–1973), then at Camberwell School of Art (1947–50) under *Coldstream and *Pasmore (whom he described as ‘my god’). In 1951 he worked as assistant to Barbara *Hepworth. His early work was in the sober realistic tradition of the *Euston Road School, but he soon turned to abstraction.
His work remained based on observations of nature, however, often the harbour at St Ives where he spent a great deal of time up until 1963. Blue Movement (1953, Vancouver Art Gallery) is an attempt to render in abstract terms the effect of the rise and fall of boats in a harbour on a twilit evening. Characteristically he used patterns of interlinked shapes—strongly outlined but avoiding geometrical regularity. Frost taught at Bath Academy of Art, 1952–4, Leeds College of Art, 1956–9, and Reading University, 1965–81. He was appointed professor at Reading in 1977 and became emeritus professor on his retirement. He was knighted in 1998. His son Anthony Frost (1951– ) is also an abstract painter of the St Ives School. Further Reading C. Stephens, Terry Frost (2000) ‘Sir Terry Frost’, obituary, The Times (3 September 2003)
Text source: A Dictionary of Modern and Contemporary Art (Oxford University Press)
Sir Terry Frost
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"Love Tree" Abstract Screenprint and Collage
By Sir Terry Frost
Located in Brecon, Powys
'Love Tree' - A signed limited edition 44-colour silkscreen print with collaged elements by Sir Terry Frost RA.
TERRY FROST RA [1915-2003].
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Sir Terry Frost, Red Black and Yellow Autumnal Landscape, Modern British Art
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To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you ...
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1950s Modern Sir Terry Frost Art
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Watercolor
H 15.75 in W 22.84 in D 0.04 in
Terry Frost, Thrust, Modern British Picture, Ink and Wash on Paper, 1950s
By Sir Terry Frost
Located in Eversholt, Bedfordshire
Sir Terry Frost (British,1915-2003) : Thrust Signed & dated 'Frost 58' in pencil, lower right Titled on reverse Ink and wash on paper Provenance: Austin Desmond Fine Art, label verso . The Mayor Gallery, label verso Exhibition history: Austin Desmond 'Terry Frost Works on Paper, 1947 – 1972' Very few artists are successful in monotone as it is brutally visual so any weaknesses in the composition and/or the technique used are laid bare. This is a rare work and the monotone is totally appropriate for the title, ie simple, focused energy in the motion, and also focuses the viewers attention on the movement in the work which you can feel. Measures: Sheet height 24 cm, 9 ½ in., length 34.5 cm, 13 ½ in., In a moulded, ebonized frame. Frame height 46.5 cm, 18 ¼ in, length 56.5 cm, 22 ¼ in, In 1958 Frost was working from Porthmeor Studios in St Ives, having returned with his family from his teaching post in Leeds the previous year. Contemporary St Ives was again a hotbed of artistic activity, with Roger Hilton, Barbara Hepworth, Bernard Leach, Peter Lanyon, Patrick Heron and Brian Wynter all working in the town or nearby. Terry Frost's studio in St Ives, circa 1960. Frost was already an established figure, with two solo shows at the Leicester Galleries to his name and a third that year. In the same year he moved to Waddington Galleries, where he would have exhibitions regularly until 1978. The Tate purchased a first picture in 1959, and Frost's career was also poised to go international with his first American solo show, in 1960, at the Bertha Schaeffer Gallery in New York - a critical success which was attended by American heavyweights de Kooning, Rothko, Kline, Newman, and Motherwell. Frost characterised these years as 'a period of total confidence any mark I made seemed to be fine.' This work Thrust is strongly situated in the development of themes from Frost's Leeds years of 1954 to 1957 and before, to those of his work of the Sixties; and demonstrates motifs present in work from across his career. In the preceding years in Leeds he made a series of paintings which represented a movement through a landscape in abstract, for example Winter 1956, Yorkshire (Tate Collection). The fascination with motion and force and how these could be rendered in composition was first explored earlier in the decade, and extended through to later work such as the Laced, and Suspended Forms series. Here this enquiry is clearly present, both in the title Thrust and in the strong sense of propulsion of the two emphasised v or u forms towards the centre of the image. In all of Frost's work there exists a tension between abstraction and figuration - he never relinquishes to the complete abstraction advanced by Ben Nicholson and Naum Gabo and others. From the late fifties into the sixties Frost had a particular approach to the issue: he gave his apparently abstract forms coded meanings. The clearest example of this is the V-shaped wedge, signifying the female nude, of which Frost himself explains firstly the compositional properties: I used wedges a lot to tighten up form... If you've got tightness on a flat surface, the structure is a certainty, it can't fall apart. He goes on to explain the motif's significance to a painting's content: The chevrons and wedges are all part of the figure. The chevrons become nipples often, and then the penetration is a chevron as well. In paintings of the following years, from Black Wedge and White Nude of 1959, to Three Graces and Force 8 of 1960 the wedges are strongly defined. Here in Thrust the motif in development is less sharp, but nonetheless present and active and fundamental to the image; pressing in from two sides and providing a strong contraction of focus. Frost mentions the contemporary domination of Henry Moore and 'his lying-down things' as contributing to his desire to represent the reclining female form. Equally: There was always that side of me. I have to face the fact that I was a terrific flirt. I think Hilton and I were having arguments about the figure at that time, and Lanyon had done a few figure paintings, so there was a bit of a battle on. I was trying to stick to abstraction, but occasionally my romantic side, my love-making side, would take over. Terry Frost, Grey Entry, 1962 (Private Collection) Chevrons continue to appear into Frost's late work, and the more rounded but still directional C- and D-forms are also a dominant motif. Terry Frost, Red and Black on Blue, 1968 (Tate Collection) For an artist often associated with colour the subtlety with which he manipulates a work in black and grey tones is masterly. Ronnie Duncan, friend of Frost from the Leeds years, and collector, writes: Frost uses black with an uncanny authority and with the ability to evoke more colour from it than any other artist of our time, including Kline and Motherwell. (No wonder his favourite quotation from Rochester is “All colours are contained in black”). Paintings in Museums and Public Art Galleries : UK • Aberdeen Art Gallery & Museums • Abbot Hall Art Gallery, Kendal • Arts Council of Great Britain, London • Birmingham Museums & Art Gallery, UK • British Council, London • Bolton Museum & Art Gallery • Cheltenham Art Gallery and Museum, UK • City Museum & Art Gallery, Bristol • City Museum & Art Gallery, Plymouth • Contemporary Art Society, London • Cornwall County Education Committee • Exeter University • Falmouth Art Gallery, England • Ferens Art Gallery, Hull • Fitzwilliam Museum, Cambridge • Glasgow University • Gulbenkian Foundation, London • Government Art Collection, London • Huddersfield Art Gallery • Leeds City Art Gallery • Leicestershire County Education Committee • Manchester City Art Gallery, England • National Galleries of Scotland, Edinburgh • National Museum of Wales, Cardiff • Northampton Museums & Art Gallery • National Portrait Gallery, London, UK • Norwich Museums, England • Peter Scott...
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1950s Modern Sir Terry Frost Art
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A British 20th Century collage by Sir Terry Frost 'Blacks'
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Sir Terry Frost (British, 1915 - 2003)
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Sir Terry Frost (British, 1915 - 2003)
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Late 20th Century Abstract Sir Terry Frost Art
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1990s Abstract Sir Terry Frost Art
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A visually stunning Sir Terry Frost silkscreen signed and numbered 41/125, depicting recurring motifs taken from nature and portrayed in abstract curves. Kemp 152.
Picture 34" x 28"...
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Sir Terry Frost Art
Sir Terry Frost art for sale on 1stDibs.
Find a wide variety of authentic Sir Terry Frost art available for sale on 1stDibs. If you’re browsing the collection of art to introduce a pop of color in a neutral corner of your living room or bedroom, you can find work that includes elements of blue, purple and other colors. You can also browse by medium to find art by Sir Terry Frost in paint, oil paint, paper and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the abstract style. Not every interior allows for large Sir Terry Frost art, so small editions measuring 19 inches across are available. Customers who are interested in this artist might also find the work of Ben Nicholson, Marc Vaux, and John Hoyland. Sir Terry Frost art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $2,250 and tops out at $21,155, while the average work can sell for $8,399.