Siri Hollander Art

Gary Hume Snowman 2006 18-karat white gold on 20-inch chain with artist’s display stand 16 x 12 x 12 inches; 41 x 30 x 30 cm Edition of 25 Stamped with artist's initials, hallmark, m...

Katharina Fritsch Fischring und Stern / Fish Ring and Star 1983/1994 Painted fiberglass and lacquered brass Fish Ring: 3 1/4 inches (diameter); 8 cm Star: 3 3/4 inches (diameter); 10...

"Upsurge" is a minimalist, abstract pedestal sculpture in fabricated bronze. It was conceived in 1989 and can be considered a Mid-Century Modern artwork. It is finished with Clement ...

Nayla Saroufim creates installations that challenge the traditional notion of the passive viewer. Nayla’s art is a rich mix of media. She was always captivated by the dialogue betwee...

The Anatomy of a Golfer V, Atelier is the fifth in Richard MacDonald's series of golfers that were inspired by the creation of his heroic sculpture, M...

The two artists and industrial designers, Ampi Arozarena and Elena De La Fuente describe form and color as their core of exploration. They admire the dual identity the two elements c...

A beautifully observed sculpture of a Dressage horse in Piaffe. Created and cast in the UK. Zoe Carmichael main focus has been the equine form, inspired by a lifetime spent in the s...

Nayla Saroufim creates glossy balloon sculptures for display on a table or hanging on a wall or ceiling that challenge the traditional notion of the passive viewer. Saroufim's art is a rich mix of media. She was always captivated by the dialogue between painting, illustration, and graphics. Her work embodies her attraction to colors and interest in all forms of expression, especially installations. Her technique is unique and personalized: a fusion of mixed media and installations in layers of steel, copper, paint, and other elements. Saroufim strives to make her positivity and love of happiness appear in her art, sparking emotion and thoughts in viewers. This sculpture measures 26-inches high by 12-inches wide and has an 8-inch wide steel base. It is signed and dated underneath the base of the artwork. This sculpture is numbered 19 out of 35. This sculpture can be displayed easily on any flat surface and may be viewed from any vantage point. Free local Los Angeles delivery. Affordable Continental U.S. and International shipping are available. A certificate of authenticity issued by the art gallery is included. Nayla Saroufim was born in Beirut, Lebanon in 1982. She graduated from the Académie Lebanese des Beaux-Arts with a degree in Illustration and Art Direction. While working in the publicity field at several multinational advertising agencies, Saroufim began rekindling her interest in art. Creative, a dreamer, and a lover of color and beauty, Saroufim has been engaging in a creative expression of her personality through art for over a decade. She hopes that by looking at her art, people will realize that there is beauty and happiness in the simplest things. Nayla Saroufim’s work has graced the walls of solo exhibitions including a show in London in December 2015 and one in Beirut in October 2013. Her work has been exhibited at the Beirut Art Fair, in Singapore, and at Asia Contemporary Art. Artspace Warehouse Los Angeles has exhibited her sculptural artworks since 2020. REPRESENTATION Artspace Warehouse, Los Angeles, California, USA EXHIBITIONS 2023 LA Art Show, Los Angeles, California, USA Affordable Art Fair Battersea, London, UK Affordable Art Fair NYC, New York 2022 Affordable Art Fair Battersea, London, UK Affordable Art Fair NYC, New York 2021 Affordable Art Fair Battersea, London, UK Design week Marbella, Marbella, Spain, Curator Galería Javier Roman Affordable Art Fair New York Beirut rise from the ashes, La Biennale de Venice, Italy Affordable Art Fair NYC, New York Josephine Clavel Gallery, London, UK 2020 Artsfemin, Gstaad, Switzerland Dessine moi un Cedre, Green Cedar Lebanon...

The Anatomy of a Golfer IIl, Atelier is the third in Richard MacDonald's series of golfers that were inspired by the creation of his heroic sculpture,...

"Lyra Series 27" by Bill Barrett Cast bronze Bill Barrett is considered a central figure in the second generation of American metal sculptors and is internationally known for his ab...

Reaching, ca. 1980. Cast bronze. Signed in lower region on wrist. A rare example from the artist's later period influenced by figurative abstraction with expressionist tendencies. James Edward Lewis (August 4, 1923 – August 9, 1997) was an African-American artist, art collector, professor, and curator in the city of Baltimore. He is best known for his role as the leading force for the creation of the James E. Lewis Museum of Art, an institution of the HBCU Morgan State University. His work as the chairman of the Morgan Art Department from 1950 to 1986 allowed for the museum to amass a large collection of more than 3,000 works, predominantly of African and African diasporan art.[1] In addition, he is also well known for his role as an interdisciplinary artist, primarily focused on sculpture, though also having notable examples of lithography and illustration. His artistic style throughout the years has developed from an earlier focus on African-American history and historical figures, for which he is most notable as an artist, to a more contemporary style of African-inspired abstract expressionism. Early and personal life James E. Lewis was born in rural Phenix, Virginia on August 4, 1923 to James T. Lewis and Pearline (Pearlean) Harvey.[5] Lewis' parents were both sharecroppers. Shortly after his birth, his father moved to Baltimore for increased job opportunity; James E. was subsequently raised by his mother until the family was reunited in 1925. They lived for a short time with distant relatives until moving to a four-bedroom house on 1024 North Durham Street in East Baltimore, a predominantly African-American lower-class neighborhood close to Johns Hopkins Hospital. Lewis' primary school, PS 101, was the only public school in East Baltimore that served black children. Lewis grew up in a church-going family, his parents both active members of the Faith Baptist Church, devoting the entirety of their Sundays to church activities. His parents worked a variety of different jobs throughout his youth:[6] his father working as a stevedore for a shipping company, a mechanic, a custodian, a mailroom handler,[6] and an elevator operator.] His mother worked as both a clerk at a drugstore[7] and a laundress for a private family.[4] Lewis' primary exposure to the arts came from Dr. Leon Winslow, a faculty member at PS 101 who Lewis saw as "providing encouragement and art materials to those who wanted and needed it." In fifth grade, Lewis transferred to PS 102. Here, he was able to receive specialized Art Education in Ms. William's class under the guidance of Winslow. He was considered a standout pupil at PS 102 as a result of his introduction to the connection between the arts and the other studies. His time spent in Ms. Pauline Wharton's class allowed for him to experiment with singing, to which he was considered a talented singer. His involvement in this class challenged his earlier belief that singing was not a masculine artistic pursuit. He was able to study both European classics and negro spirituals, which was one of his earliest introductions to arts specific to American black culture. Under Ms. Wharton's direction, he was also involved in many different musical performances,[6] including some works of the Works Progress Administration's Federal Theatre Project.[8] Lewis attended Paul Laurence Dunbar High School, where his love of the arts was heightened through his industrial art class with Lee Davis...

Frank Arnold is thought by many to be one of the foremost abstract figurative painters and sculptors of our time. He is a living master whose work is considered to be both personal a...