Sophy Brown Prints and Multiples

Lowell Nesbitt Orchid, 1979 Silkscreen on wove paper Pencil signed, dated and numbered 144/175 by Lowell Nesbitt on the front Published by Charles Cardinale Fine Creations, Inc., with blind stamp on the front 25 × 25 inches Unframed This work is pencil signed, dated and numbered 144/175 by Lowell Nesbitt on the front. About Lowell Nesbitt. Lowell Nesbitt, who was born in Baltimore on Oct. 4, 1933, was a graduate of the Tyler School of Art at Temple University in Philadelphia and also attended the Royal College of Art in London, where he worked in stained glass & etching. In 1964, the Corcoran Gallery or Art in Washington gave him one of his first museum exhibitions, and by the mid 1970's he had decided to leave the museum a bequest of more than $1 million. But in 1989, he publicly revoked the bequest after the Corcoran canceled a disputed exhibition of photographs by Robert Mapplethorpe, who was an old friend. Mr. Nesbitt named the Phillips Collection as a beneficiary instead. He was frequently grouped with the Photo Realists, but his images were more interpretively distorted, somewhat loosely painted and boldly abbreviated. He had many subjects: studio interiors, articles of clothing, piles of shoes and groupings of fruits and vegetables. He also painted his dog, a Rottweiler named Echo, the Neoclassical facades of SoHo's 19th century cast-iron buildings and several of Manhattan's major bridges. Despite such variety, Lowell Nesbitt was best known for gargantuan images or irises, roses, lilies and other flowers, which he often depicted in close up so that their petals seemed to fill the canvas. Dramatic, implicitly sexual and a little ominous, they earned the artist a popularity with the general public that tended to overshadow his reputation within the art world. In 1980, the United States Postal Service issued four stamps based on Mr. Nesbitt's floral paintings. He also served as the official artist for the space flights of Apollo 9...

Original poster designed by Pierre Mendell (1929 – 2008) & Klaus Oberer (*1937) promoting an exhibition 1988 at Die Neue Sammlung in Munich on "Italian ...

"Kitchen Cat" by Molly Craig 2021 Digital painting print, interiors, still life, animal, cat art, figurative, emerging artist; yellow kitchen with black an...

Together with "Les Musiciennes" one of the largest and most sought after lithographs by Le Corbusier – a purist still-life –, printed by Mourlot on Arches after a collage by LC. Pr...

Le Corbusier's first (and largest) original lithograph in color. He created the poster on the occasion of his (first) solo exhibition. Print run was 100 ex. only – whereby the largest part was destroyed when used in the streets of Zurich, what makes it LCs most rare lithograph in color. Moreover: This exemplar is even hand-signed by LC and dated, as it was (meant to be) sold at the entrance of the Kunsthaus Zürich...

"Napoli" Serigraph 29" x 45.5" Edition 46/150 by Thomas Pradzynski Serigraph on paper Provenance: Private collection Comes in a frame (as shown on ...

Glazed Doughnut boldly transforms a recognizable pop culture icon through the handmade language of cyanotype, merging contemporary imagery with one of photography’s oldest analogue p...

Arnold Iger Lily (Readers Digest Association Art Collection), 1988 Intaglio (Hand Signed, Dated, Titled, Numbered & Framed) Signed in pencil lower right recto Numbered "77/350" on lo...

This piece titled "Weed Wreath (edition 4/6)" is an original artwork made from hand colored cut-plate intaglio on Somerset by Katie VanVliet. This piece is the fourth in an edition o...

This piece titled "Weed Wreath (edition 5/6)" is an original artwork made from hand colored cut-plate intaglio on Somerset by Katie VanVliet. This piece is the fifth in an edition of...

George Brookshaw's (1751-1823) beautiful Black Frontiniac Wine Grape hand-colored aquatint engraving, plate XVII from his "Pomona Brittanica", considered to be the finest British botanical large format treatise of the 19th-century. His engravings were unique for their rich tones and colors, elegant compositions with the fruit seeming to float on a rich mottled background. The print is presented in a gold and burgundy-colored wood frame and a light gray mat. The print is in very good condition. Another Brookshaw engraving from his series of fruit illustrations is available on 1stdibs. It is framed and matted identically to this one. It can be viewed on our 1stdibs storefront by typing Timeless Intaglio...

Print is singed, dated and numered. It comes from limited edition of 50 copies JOANNA WISZNIEWSKA DOMAŃSKA (born in 1946) graduated from the Academy of Fine Arts, Faculty of Graphic...