Sormani Sofas

Model GS195 sofa or daybed designed by Gianni Songia for Sormani in the early 1960s. The design is defined by its architectural rosewood frame and generous leather cushions, with thr...

Condition: Good condition with small signs of age and use especially on the feet The GS195 sofa, designed by Gianni Songia for Sormani in 1963, is a highly regarded Mid-Century Mode...

GS195 sofa to daybed by Gianni Songia for Sormani 1963 Italy in new leather upholstery

Italian sofa / daybed by Gianni Songia, model “GS-195” for Sormani, Italy, 1960s. Frame of rosewood, reupholstered with black and white fabric. Adjustable backrest that can easily se...

Italian modern Brown leather modular sofa Paione by Claudio Salocchi for Sormani, 1970s Modular sofa mod. Paione entirely in camel brown leather. The 3 modules are: a rectangular pou...

This four-seater, designed in the early 1980s by Luigi Sormani and Casabella Miami for a line of maxi-furniture destined to the United States is a comfortable one-block sofa for a luxury villa. The structure is in a warm gray leather and the fabric was especially made for this series called "Intrigue": a special very light grey silk fabric interwoven with burgundy leather threads. All cushions have grey leather inlays, entirely hand sewn. Julio Iglesias...

Pair of armchairs model Additional System, with aluminum base and six cushions each, with rounded edges and of different sizes, placed side by side and connected to each other by hoo...

This newly reupholstered loveseat sofa by Claudio Salocchi for Sormani, circa 1970s, features a graceful chrome frame with nubby white bouclé fabric. Signed with 1960s/ 1970s Sormani label as shown in photo gallery. *Note, we have the matching pair of club chairs available in another listing. The graceful frame shares a design quality with Cassina's LC2 / LC3 design by Le Corbusier, as they are 'buckets of cushions' in similar fashion and comfort. However this Sormani sofa features some unique subtle details, such as the slight "twist" in the rear legs (see photos). Signed with a Sormani label, this particular rare design is attributed to Claudio Salocchi. While there were several other famous designers who created works for Sormani in this time period, the style best matches Salocchi's work. For collectors looking for something unique and rare within a collection of 1960s/ 1970s Italian designs, this pair two-seater couch is an amazing opportunity. This Cassina LC2 / LC3 loveseat...

Oriole two-seat lounge couch designed in the 1960s by Claudio Salocchi for Sormani. Leather cushions and red lacquered wood. On the left top back corner, there is a tiny spot as can...

Two-seat sofa "Arc-en-Ciel" by Walter Leeman for Sormani. Sculptural rounded shape with two triangular armrests, a high back and a fixed backrest cushion. It is in perfect condition,...

The Italian designer and journalist Nani Prina (1938) is a versatile figure who has always been involved in design, architecture and publishing. From 1969 he headed the magazine Ville e Giardini, which still exists today. We can characterize him as a jack-of-all-trades who has completed numerous projects in the field of single-family architecture, public, private and industrial construction. But designing furniture for a variety of labels is also part of his impressive arsenal.DesignThis special and very groovy design was manufactured at the time by the Italian high-end furniture manufacturer Sormani, who did not shy away from very distinctive designs. This “Sess” is somewhere between a lounge chair and a chaise longue and it is possible to seat it in different ways. That is what the form also communicates. An ambiguity that is strongly present in both form and function.The sloping and challenging lines ultimately form the mysterious and initially indefinable character of this chair. A sculpture? Of course. But with its curved shapes and long curved lines, it also absolutely belongs in the space age style. The contours are reminiscent of an extraterrestrial landscape and at the same time we strongly perceive the notion of abstracted human forms that are intertwined with each other.  This “Sess” chair...