Stan Gaz Mixed Media

Brett Hammond’s spray-painted canvas panels pay homage to pop art traditions as he explores his own interests in satire, drama, and romantic tension. Above all, his work is smart, fu...

Charlotte Elizabeth has been working with paint professionally for over fifteen years. Elizabeth’s training in theatre design preceded a busy career as a Theatrical Scenic Artist in ...

Fiona Rae
 Untitled (fig.10), 1997 Oil & acrylic on canvas
 hand-signed on the back 20.3 x 25.4 cm Fiona Rae is a British contemporary artist known for her dynamic and vibrant a...

Charlotte Elizabeth has been working with paint professionally for over fifteen years. Elizabeth’s training in theatre design preceded a busy career as a Theatrical Scenic Artist in ...

Samantha Millington imbues her Sister series of paintings with gentle colour ways and precision delineation. Reminiscent of 1960’s pop culture thes...

Bertina Lopes (Mama B) painting on cardboard entitled ‘Life has many paths, but do you know yours?’. The painting of Bertina Lopez (Mama B) privileges her maternal Mozambican roots....

Paper Landscape Medium: Mixed media on jute canvas Size: 30 × 30 cm Year: 2017 Series: PaperLandscape Certificate of Authenticity: Included Condition: Excellent – original, unique a...

Andrea Stella (1950-2019). The child of Greek immigrants raised in Italy, Andrea was destined to create. His first concentration in the art world was antique woodworking, which lead...

Tracy Spadafora's “Blue Dumpster”, is from her series “Left Behind: Visual Histories”. This contemporary encaustic and oil painting consists of blue, rust, orange, white and black co...

Sax Berlin has an affinity with Buddhism and his stunning representations of Buddha are a product of his knowledge and his empathy for the subject. Saffron Effulgence is a rich yet t...

This abstract painting by Ned Martin is made with oil paint and recycled aluminum on board. It features a grid composition with a light layers of blue, black, and silver paint, with ...

CARLTON SCOTT STURGILL received his Masters of Arts (Fine Art) from London’s Chelsea Collage of Art in Design in 2005, and his BA from the University of Cincinnati in 2002. Although he now lives outside of the Queen City, his work continues to be shaped by his Midwestern roots. His work has been exhibited in numerous galleries and museums in North America and Europe, including the Cornell Museum of Art in Delray Beach, Florida, Temple Bar Gallery in Dublin, Ireland, the Newhouse Center for Contemporary Art in New York City, as well as, PULSE Miami Beach Contemporary Art Fair and Art on Paper NYC. Sturgill currently lives and works in New Orleans, Louisiana. The artist discusses the new body of work . . . My grandmother was a quilt maker. Born in 1915 in Appalachia, her quilts weren’t made from anything that you would find at a Joann Fabric store. She took objects that had an existing function and gave them a new life. I grew up sleeping under a patchwork of her faded housedresses and my grandfather’s work-worn button-down shirts. Where others saw scraps of tattered fabric that had reached the end of their lifespan, my grandmother saw Ohio stars, Maltese crosses and other quilting patterns. Tradition dictates an assumption of purpose, a prescribed path for everything that must be followed. Everything from work shirts to paint chip samples to wedding dresses have an agreed upon life arch. But an intervention, such as my grandmother’s, can give something a new purpose. A work shirt becomes a quilt, a paint chip sample becomes a mosaic, and a wedding dress becomes a bouquet of roses. The essence of the former purpose remains even as new characteristics are created, giving the objects a dual citizenship between what they were and what they have become. Until recently the tradition of marriage had a prescribed path as well. One man and one woman joined together in a life-long monogamous union resulting in children, and until astonishingly recently, they needed to be of the same race and religion and from similar socioeconomic backgrounds. Many people believe that wedding traditions have been static for millennia, but like everything else it’s in a state of glacial evolution, punctuated by dramatic interventions that create revolutionary change. In our time of titanic shifts in the definition of marriage, many elements are being added, blending ancient and contemporary traditions to create something new. My latest series of work, titled Something Old/Something New, examines the shifting notions of marriage by repurposing longstanding traditions into something more fitting for our current time. Secondhand wedding clothes are given a fresh start as roses, dahlias, and clematises. Paint chip samples are cut apart and spliced back together to spell out a couple’s longing for a non-conventional household. The French traditional of globe de mariée...