Stanislaw Sobolewski Art

This charming mid-19th-century watercolour by British artist Thomas Sidney Cooper RA (1803-1902) depicts two sheep and a cow in a landscape. Cooper was a distinguished British painte...

Original Pastel Drawing of Cattle in English Countryside by 20th Century British Artist, Wendy Reeves. Art measures 22 x 14 inches Frame measures 30 x 24 inches Wendy Reeves gar...

Original Mid-Century Red Farmhouse Watercolor Landscape Painting Beautiful mid-century 1940's watercolor of a bucolic farmhouse scene - sunset, undul...

Early 20th century crayon and watercolour on paper views by American artist Edgar Alwin Payne, both signed A.E.Payne bottom right, one dated '18. Und...

Signed lower left "John Faulkner, RHA" (Anglo-Irish, 1835-1894), titled, 'Return from the Meadows' and painted circa 1880. A substantial nineteenth century watercolor and gouache s...

Sea. Paper, pastel 21x29.5 cm Victor Karnauh (1950, Dnepropetrovsk Oblast, Ukrainian SSR – 2012, Dnepropetrovsk Oblast, Ukraine) – a painter, a monumen...

Original Pastel of Mallards flying over Wetlands in the English Countryside by 20th Century British Artist, Wendy Reeves. Art measures 20 x 14 inches F...

This lovely Victorian animal landscape watercolour painting is by Dutch artist Johannes Martinus Vrolyk or Vrolijk. Painted in 1875, the painting is of two working horses, one white ...

This late 19th-century gouache by British artist Joseph Knight (1837-1909) depicts a gentle moorland landscape with cattle. Knight was primarily known for his naturalistic depictions of North Wales. Raised amid the hurried industrious streets of Chorlton-Upon-Medlock in Manchester, Knight was obliged to pursue a career at one of its many cotton mills. His father, also Joseph Knight, was a mill engineer and would’ve expected his son to follow suit. It appears he was sent to work at the age of four - unthinkable today, but not uncommon in the 1840s. In around 1841, Knight was involved in an accident, which resulted in the loss of his right arm. This probably coincided with him being sent, together with his siblings, to stay with relatives, Thomas and Jane Knight, also of Chorlton. Evidently, following this, he undertook a change of direction, taking the first steps on a path to artistry. During the mid to late 19th century, landscape paintings grew in popularity partly due to the desires of a new middle-class buyer but also as a tonic for increasing urbanisation. And perhaps there’s no better example of an artist who understood the restorative qualities of nature than Joseph Knight. In his early teens, he gained employment at a photography studio, primarily assisting with portraiture. With a keen eye for composition, his skills flourished and were met with much approval from staff and customers alike. It was here that he first met with Mr. Henry Crowley who was so taken by the boy’s aptitude that he encouraged him to seek a career as a painter. Crowley funded his education, enrolling him at the Manchester Academy of Fine Arts, where the emphasis was on honing one’s draughtsmanship in a strict environment via diligent study and life drawing. With his technique now evolved, commissions were forthcoming - both as a painter and photographer. In the 1861 census, now married, he records his occupation as ‘Photographic artist and painter in oil’. It’s plausible that he was involved in adding tints to photographic portraits during this period while also working as a painter. As recognition of his development, in 1868, he was elected as a full member of the Manchester Academy of Fine Arts, and a year later debuted at London’s Royal Academy with ‘Evening, Near Quimper, Brittany’ and ‘Breton Peasants’. It was around this time that he came to the attention of several of his younger contemporaries who viewed his naturalistic approach as altogether fresher and entirely modern. In a quiet rebellion against their formulaic training, they undertook to paint directly from nature, ‘en plein air’, without the rigour of academic constraints. The group, which included Joshua Anderson Hague...

Early 20th century orientalist watercolour of cattle grazing signed Aiveill bottom right. In art history, Orientalism is the imitation or depiction of aspects in the Eastern world. ...

Watercolor on paper depicting a Dutch landscape (East of The Netherlands) with grazing cows at the edge of a forest, by A. M. Gorter (1866 - 1933). Dimensions incl. frame: 60 x 72 cm...

Charming mid century watercolor painting of a horse in winter with a barn in the background by Ernest Smythe (American/England 1881-1950). Signed "ERNEST SMYTHE" in lower left corner. Presented in a tan mat with a wood frame and glass. Image size: 25"H x 19.75"W As William Ernest Smyth, he was born at 13 Commercial Road, Ipswich on 9 April 1874 but was not baptised at St Michael's, Ipswich until 23 October 1885, when his birth date is given as 17 February 1874, youngest son of artist Thomas Smythe...