Stephen Cimini Prints and Multiples

Mickalene Thomas (b.1971) is an American artist exploring the intersection of popular culture and art history, through a contemporary Black female gaze. As an openly gay Black woman,...

Artist: Donald Sultan Title: Mimosa, April 12, 2023 Year: 2023 Medium: Archival pigment ink print on 315 gsm fine art paper Edition: 50; signed, titled, dated and numbered in pencil ...

Artist: Donald Sultan Title: Mimosa with Green, Jan 25, 2023 Year: 2023 Medium: Archival pigment ink print on 315 gsm fine art paper Edition: 100; signed, titled, dated and numbered ...

Artist: Paula Scher Title: U.S.A. Airline Routes Year: 2020 Medium: Digital pigment print in colors on wove paper Sheet: 43 3/4 × 60 in (111.1 × 152.4 cm) Edition: 90; signed, number...

Silkscreen and Archival Pigment in Colour on Deckled Edge Somerset Satin 410gsm Paper floated on a frame with 3mm Float Glass 44 3/10 × 30 7/10 in 112.5 × 78 cm Edition of 195 hand-...

Jake Wood Evans Seascape with Crimson, 2018 Archival pigment print on Domerset velvet archival cotton rag paper 330gsm, with deckled edges Signed by th...

Pupil #1, opens into a quieter, meditative, and contemplative geometry. Here, a dark core anchors the composition, radiating petal-like forms that seem to dilate outward, echoing bo...

Artist: Kenny Scharf Title: Jungleyea Year: 2022 Medium: Archival print on 290 gsm Cotton Entrada Rag Paper with hand-deckled edge Sheet: 22 3/4 x 22 3/4 in (57.8 × 57.8 cm) Edition:...

Billy Childish Medway Swimming Club, 2008 Archival print on paper 44.5 x 30.5 cm - sheet 67.5 x 49 cm - Framed Edition of 20 hand-signed and numbered published by Aquarium L-13

Halloween 40th Anniversary Screen Print by Bob Gleason: To celebrate one of our favorite film franchise’s 40th anniversary, a phenomenal looking new...

Chris Ofili Mali Memory (Tea Dance), 2014 Archival pigment print on Arches Aquarelle cotton rag paper wit deckled edges hand-signed and dated 25.4 x 20.3 cm - sheet 41 x 33 cm - fram...

Angel Otero is known for oil paintings of bleeding color fields that bunch and crease to create topographic textures. In this visually compelling edition, Untitled (SK-PH), the artist flattened one of his compositions into a digital print, turning his signature folds into trompe l’oeil. Here, they read as intricate line work atop a tumultuous sea of brushed pastels. Inspired by a visit to the Lincoln Center archives, Otero drew a connection between the dramatic flair captured in photographs of operas presented during the 1970s and works from his “Poussin” series. Discussing the characters depicted in Poussin’s paintings, Otero remarked, “they were painted with poses that seemed staged, like a play set...