Stephen Mitchell Mixed Media

Rebecca Warren 1990 2007 Lithographic print on MDF, with pom-pom, cotton thread, wood shaving, twig, and wood chip 16 x 9 x 3 inches; 41 x 23 x 8 cm Edi...

Uri Dushy's pop art piece stands out as a testament to his decades-long exploration of art's origins, blending artistic genres to forge provocative and captivating creations. This pi...

2023 Mixed media, archival pigment and silkscreen on deckle-edged satin paper Framed size 112.5 x 78.5 cm Edition of 195 Hand-signed and numbered by James McQueen James McQueen is ...

“Untitled, 1966” by Carolee Schneemann (American, 1939-2019) A rare, early collage by Carolee Schneemann composed of ribbons, film, and gift-wrapping paper. The piece is an explosio...

Introducing a captivating post-war modern painting by German artist Ferdinand Spindel. In a stunning abstract composition, this piece features a harm...

In “Chinoi #2,” Philip and Kelvin LaVerne return to their favorite theme of Chinoiserie reverie, rendering a lyrical vignette from acid etched bronze and pewter. A lone boy sits with...

Peter Fischli / David Weiss Equilibres 1984–85/2006 Limited-edition book with photograph in linen-bound portfolio Photograph: 12 1/4 x 9 1/8 inches; 31 x 23 cm Book: 9 1/4 x 7 3/4 x 7/8 inches; 24 x 20 x 2 cm Portfolio: 15 x 11 1/2 x 1 1/2 inches; 38 x 29 x 4 cm Edition of 60 Photograph signed and numbered in ink (lower verso) Book signed and numbered in graphite on title page For Equilibres, the well-known series of photographs from the mid-1980s, Peter Fischli and David Weiss balanced everyday household items on top of each other in an absurd equilibrium. The Equilibres photographs anticipate Fischli and Weiss...

This large contemporary African-inspired mask assemblage is an eye-catcher. The sharp contrast between the bright red and deep blue colors has a powerful visual statement and awakens your senses immediately. It will be a very personal and thrilling curiosity to have hanging. The sculptural artwork is an assemblage made of mixed media. Within it, you will find horns, fur, claws, an animal skull, hair, feathers, wooden objects, hair, etc. All of it is assembled and mounted on a wooden showcase and topped with a plexiglass box. The assemblage is made by the internationally celebrated Danish artist and sculptor Jørgen Waring...

In “Chinoi #1,” Philip and Kelvin LaVerne return to their favorite theme of Chinoiserie reverie, rendering a lyrical vignette from acid etched bronze and pewter. A lone figure ascend...

Untitled Acrylic and paint tubes on resine ​ Provenance : - Galerie Bernart, Antwerp - former collection of the Dutch Cobra artist Corneille (Cornelius van ...

Silvia De Marchi (b. 1967, Melzo, Italy) is an Italian painter currently based in Italy and represented by the Grège Gallery. Her artistic practice reflects a deep exploration of mat...

Waterline Fine Art, Austin, TX is pleased to present the following work: Oil, pastel, and paper collage on canvas. Signed and dated verso. 52.75 x 47.75 in. 54 x 49 in. (framed) Gilded floater frame. Provenance Compass Rose, Chicago Born Sylvan Irwin Goldberg in 1924 and raised in the Bronx, Michael Goldberg was an important figure in American Abstract Expressionism, who began taking art classes at the Art Students League in 1938. A gifted student, Goldberg finished high school at the age of 14 and enrolled in City College. He soon found New York’s jazz scene to be a more compelling environment, and he began skipping classes in favor of the Harlem jazz clubs near campus. Goldberg’s love of jazz would become a lifelong passion and a key component to his approach to composition in his paintings. From 1940 to 1942, like many of the leading artists of the New York School, Goldberg studied with Hans Hofmann. In 1943, he put his pursuit of painting on hold and enlisted in the U.S. Army. Serving in North Africa, Burma, and India, Goldberg received a Purple Heart and a Bronze Star before being discharged in 1946. After his service, he traveled and worked in Venezuela before returning to the United States, settling back in New York and resuming studies with Hofmann and at the Art Students League. Living downtown and frequenting the Cedar Bar, Goldberg befriended many of the artists of the New York School. In 1951, his work was included in the groundbreaking Ninth Street Show, co-organized by Leo Castelli, Conrad Marca-Relli, and the Eighth Street Club, and featuring the work of - among others - Hofmann, Jackson Pollock, Willem de Kooning, and Franz Kline. In 1953, the Tibor de Nagy...