Stephen Parrish was one of the leading etchers in America. Although his paintings were received with favor and were shown regularly in New York and at exhibitions throughout the country, he was more widely known for his etchings, especially those of New England coastal scenes. Parrish was engaged in mercantile pursuits until he was 30, when he applied himself to arts, studying for a year with a local teacher. In 1878, he first exhibited at the Pennsylvania Academy in Philadelphia, and in 1879 at the National Academy in New York City. He soon turned his attention also to etching, and in December 1879, produced his first plate. After that he applied himself to both branches of arts, exhibiting in New York City, Boston, Philadelphia, London, Liverpool, Paris, Munich, Dresden and Vienna. He was a member of the New York Etching Club and the Society of Painter-Etchers of London. From 1884 to 1886, he traveled in Europe. His etchings include Northern Moorland and Low Tide — Bay of Fundy (1882); Coast of New Brunswick, Winter Evening — Windsor, Nova Scotia, and Bethlehem (1884); London Bridge and On the Thames (1886); and A Gloucester Wharf (1887). Among his paintings are November (1880); In Winter Quarters (1884); Low Tide — Evening (1885); On the Rance, Brittany (1886) and The Road to Perry's Peak. He also made etchings of several of his pictures.
Gloucester Ferry, No. 2
By Stephen Parrish
Located in Middletown, NY
A beautiful and delicate 19th century image of one of New England's most storied ports. Boston: Estes & Lauriat Editions, 1882 Etching on cream laid paper, 2 3/4 x 5 1/4 inches (68 ...
Laid Paper, Etching
November
By Stephen Parrish
Located in Middletown, NY
A beautiful and delicate 19th century image of late autumn in New England. Boston: Estes & Lauriat Editons, 1888. Etching on cream laid paper, 6 x 11 inches (150 x 278 mm), full ma...
Laid Paper, Etching
Stephen Parrish (1846-1938) - American School 19th Century Etching, Hastings
By Stephen Parrish
Located in Corsham, GB
A finely detailed coastal scene by American artist Stephen Parrish (1846-1938). The beach is a bustling hive of activity, with various figures working along the shore. In the backgro...
Etching
"Hastings" original etching
By Stephen Parrish
Located in Henderson, NV
Medium: original etching. Catalogue reference: Schneider 113. Executed in 1885; this is a fine, dark impression with full original margins on watermarked laid paper from "The Portfol...
Etching
$4,900
"Sketch Near Pittsfield, " realist landscape ink sketch rural scene signed
By Stephen Parrish
Located in Milwaukee, WI
"Sketch Near Pittsfield" is an original etching signed by the artist Stephen Parrish. It depicts a small group of buildings next to a lake. A path runs next to them, and the entire s...
Etching
"Old Barns, " realist landscape ink print rural scene signed
By Stephen Parrish
Located in Milwaukee, WI
"Old Barns" is an original etching signed by the artist Stephen Parrish. This etching depicts two barns in a rocky forest-edge landscape. The scene suggests nature's gentle and slow ...
Etching
John Taylor Arms, Study in Stone, Cathedral of Ourense
By John Taylor Arms
Located in New York, NY
John Taylor Arms was known for making such finely drawn etchings that commercial tools were not good enough: He regularly used sewing needles with corks ...
Etching
$1,344Sale Price|20% Off
H 16 in W 20 in D 0.25 in
Bowling on the Green (from the Bicentennial Pageant of George Washington)
By Childe Hassam
Located in Soquel, CA
Bowling on the Green (from the Bicentennial Pageant of George Washington) 'Bowling on the Green', by printmaker Frederick Childe Hassam, depicts George Washington and friends lawn b...
Ink, Etching, Laid Paper
$900
H 16.25 in W 20.25 in
"The Slope Near the Bridge" Paul Sample, Mid-Century, American Snowy Landscape
By Paul Sample
Located in New York, NY
Paul Sample The Slope Near the Bridge, 1950 Signed in pencil lower left Lithograph on wove paper Image 8 15/16 x 12 15/16 inches Sheet 11 5/16 x 15 1/16 inches From the edition of 25...
Paper, Lithograph
Coenties Slip
By Charles Frederick William Mielatz
Located in Middletown, NY
Lower Manhattan and the Seaport as the artist imagined it would have appeared before 1835. New York: 1907. Etching with drypoint on Japon paper, 13 7/8 x 9 3/4 inches (353 x 248 mm...
Etching, Drypoint, Handmade Paper
$640Sale Price|20% Off
H 12.5 in W 9.5 in D 0.5 in
"End of Day" Original Limited Edition Etching
Located in Soquel, CA
"End of Day" Original Limited Edition Etching by John McGrath (Irish/American b.1884 d.1942). This etching depicts a man with a tool slung over his shoulder walking along a path th...
Paper, Ink, Drypoint, Etching
$1,500
H 47.25 in W 35.44 in D 0.04 in
Belgian Contemporary Art by Hugo Pondz - Le Vaste Monde
By Hugo Pondz
Located in Paris, IDF
C-Print on Argentic paper Others sizes are available upon simple request Shipping of the artwork will be done in a tube or flat in a crate with or without American box frame. Additio...
Paper, C Print
Winter Tracery (Milford Connecticut)
Located in San Francisco, CA
This artwork titled 'Winter Tracery (Milford Connecticut)" is an original drypoint etching by noted American artist Philip Kappel, 1901-1981. It is hand signed and titled in pencil by the artist. The plate mark (Image) size is 9 x 12 inches, framed size is 17.25 x 21.25 inches. Custom framed in a wooden light grey frame, with light grey matting and black color fillet. It is in excellent condition. About the artist: Philip Kappel — painter, illustrator, printer, writer, and lecturer — was born on February 10, 1901 in Hartford, CT and died in 1981. Kappel is best remembered for his landscapes, portraits, figures, marine, lithography, and etching. He held a teaching position with H. B. Snell, Boothbay, ME Studios, 1923 and 1924. His addresses in 1929 were 500 Fifth Avenue in New York City and, for the summer, care of Philip Little, 10 Chestnut Street, Salem, MA; and in 1935, Sarasota, FL. Kappel was a pupil of the Pratt Institute Art School in Brooklyn, NY and Philip Little (1857-1942) and held memberships with the North Shore Artists Association in Gloucester, MA; the Marblehead...
Drypoint, Etching
$950
H 18 in W 24 in D 0.5 in
"Conquering The Wilderness" - Lewis and Clark Expedition Original Etching
By Robert Hogg Nisbet
Located in Soquel, CA
"Conquering The Wilderness" - Lewis and Clark Expedition Original Etching Original 1932 black and white etching titled "Conquering The Wilderness" by Robert Hogg Nisbet (American, ...
Laid Paper, Etching
The British Evacuate Boston - 1932 Etching on Paper
Located in Soquel, CA
The British Evacuate Boston - 1932 Etching on Paper by Allen Lewis. From the portfolio "The Bicentennial Pageant of George Washington." In this piece George Washington is front and ...
Laid Paper, Etching
$476Sale Price|20% Off
H 24.5 in W 18.5 in
Rockwell, Snow Sculpture Snowman
By After Norman Rockwell
Located in Fairfield, CT
Artist: Norman Rockwell (1894-1978) Title: Snow Sculpture Snowman Year: 1985 Edition: 350/350, plus proofs. Medium: Offset lithograph on wove paper Size: 24.5 x 18.5 inches Condition...
Offset
$1,904Sale Price|20% Off
H 12 in W 9.75 in D 0.94 in
"Snug Harbor" Etching of a Romantic Harbor Scene 1928
By Armin Hansen
Located in Soquel, CA
"Snug Harbor" Etching of a Romantic Harbor Scene 1928 Tall ships in a "Snug Harbor" by Armin Carl Hansen (American, 1886-1957. On wove paper. Image, 6"H x 8"W Sheet, 9.75"H x 12"W ...
Laid Paper, Etching
"Under the Street Lamp" Imp. Etching
By Martin Lewis
Located in Houston, TX
Copperplate etching by Martin Lewis titled "Under the Street Lamp." Edition of 100. Printed on laid paper with watermark and 83 recorded impressions. McCarron catalogue raisonne #70. Signed in pencil with "imp" next to the signature. In the bottom right corner is a penciled 75 and in the top right corner is a 50. The etching is framed and was taken out of the frame for condition report and photographs. The gallery label is on the back of the matte inside the frame. Dimensions without Frame: H 15 in x W 9.5 in. Artist Biography: Martin Lewis (1881-1962) was born in Castlemaine, Victoria, Australia on 7 June 1881. He was the second of eight children and had a passion for drawing. At the age of 15, he left home and traveled in New South Wales, Australia, and in New Zealand, working as a pothole digger and a merchant seaman. He returned to Sydney and settled into a Bohemian community outside Sydney. Two of his drawings were published in the radical Sydney newspaper, The Bulletin. He studied with Julian Ashton at the Art Society's School in Sydney. Ashton, an English-born Australian artist and teacher, known for his support of the Heidelberg School and for his influential art school in Sydney. In 1900, Lewis left Australia for the United States. His first job was in San Francisco, painting stage decorations...
Etching, Laid Paper