Born to a prominent family in Philadelphia on January 24, 1885, George Biddle put his interest in art aside to accommodate his family's wishes and study law. He graduated from Harvard University in 1908 and Harvard Law in 1911, becoming a member of the Philadelphia bar. However, by the end of that same year, Biddle abandoned law and began studying art at the Académie Julian in Paris. Biddle continued his studies at the Pennsylvania Academy of Fine Arts during 1912 and 1913. He returned to Europe in 1914, studying in Munich and then in Madrid, where he studied printmaking. Biddle also spent the summers of 1915 and 1916 painting Impressionist works in France before he enlisted in the army in 1917. Following World War I, Biddle experimented in sculpture and graphics in Tahiti for two years and then in France between 1924–26. In 1927, Biddle returned to the United States settling in Croton-on-Hudson, New York. The following year, he traveled through Mexico on a sketching trip with Mexican muralist, Diego Rivera. During the Great Depression, Biddle actively sought government funding for the arts. His correspondence with President Franklin D. Roosevelt, who was a former classmate at Groton Preparatory School and Harvard, resulted in the establishment of the Federal Arts Project of the Works Progress Administration. The Depression fueled Biddle's desire to create socially conscious art. He established himself as a Social Realist through powerful murals depicting poverty. The Tenement, which he created in 1935 for the Department of Justice Building in Washington, D.C., was his first federally commissioned mural. The project led to controversy as people deemed his depiction of poverty to be inartistic. In addition to his artwork, Biddle authored several art books including An Artist at War and An American Artist's Story and he contributed regularly to national art magazines. In 1937, Biddle wrote the introduction for Boardman Robinson: Ninety-Three Drawings which was published by the Colorado Springs Fine Arts Center, where he taught in 1936 and 1937. In addition to teaching in Colorado, Biddle later taught at the Otis College of Art and Design in Los Angeles, the American Academy in Rome and Saugatuck, Michigan. He served as a chairman of the U.S. War Artists Committee during World War II and in 1950, President Truman appointed him to the Fine Arts Commission for which he served a 14-year term. Biddle died on November 6, 1973, in Croton-on-Hudson.
original lithograph
By George Biddle
Located in Henderson, NV
Medium: original lithograph. This lithograph is from the rare 1950 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1950 Spr...
Lithograph
Coffee Huskers
By George Biddle
Located in New York, NY
George Biddle (1885-1973), Coffee Huskers, 1928, lithograph, signed, titled and numbered [also inscribed ’43/Biddle/1928 in the plate]. Reference: Pennigar 77, Trotter 43. From the edition of 100, on Rives cream wove paper, with the Rives watermark. In excellent condition, probably never framed or matted, the full sheet, 13 1/4 x 9 3/4, the sheet 16 x 11 1/2 inches, archival mounting (mylar non-attached hinging between acid free boards glassine cover). A fine black impression. Biddle wrote of this lithograph, in 1943: “After scraping the tusche away…I worked back with a pensil (sic) and again with diamond. This all adds to the richness of texture and color.” This work produces a very sophisticated lithographic look, akin in some ways to drypoint work in etching. After Groton, Harvard College and Harvard Law (and several breakdowns) Biddle concluded that a conventional career in law was not for him; he decided on art, went to Paris, worked with Mary Cassatt and familiarized himself with modernist currents in art (as well as more traditional European art). After serving in WWI, and the dissolution of his marriage, he became interested in working outside of the European tradition (although his travels continued to include Europe, and he spent a period working under the influence of Jules Pascin in Paris in the mid-‘20’s). Coffee Huskers, like many of the Mexican and Haitian prints...
Lithograph
Goat Herder's Wife
By George Biddle
Located in New York, NY
George Biddle (1885-1973), Goat Herder’s Wife, 1928, lithograph, signed in pencil lower right and titled and numbered (64/100) in pencil lower left margin [with the inscription ”Bidd...
Lithograph
Banana Grove
By George Biddle
Located in New York, NY
George Biddle (1885-1973), Banana Grove, lithograph, 1928. Signed, titled and numbered in pencil [also annotated in the plate “Biddle/1928, lower right “47). References: Pennigar 81, Trotter 47. In excellent condition, the full sheet, on cream wove BFK RIVES paper, with their (partial) watermark. 12 1/2 x 9, the sheet 20 x 16, archival mounting (non attached mylar hinging between acid free board, glassine cover). A fine fresh rich impression in pristine condition. After Groton, Harvard College...
Lithograph
Hombre! Que Sin Vergeunza!
By George Biddle
Located in New York, NY
George Biddle (1885-1973), Hombre! Que Sin Vergeunza!, 1928, lithograph, signed and dated in pencil lower right, titled and numbered lower left [also signed in plate lower left ”Biddle/1928/44]. References: Pennigar 78, Trotter 44. Edition 100. In excellent condition (never framed, without light or time staining), with wide margins, the full sheet, 9 3/4 x 13 3/4, the sheet 15 1/2 x 20 1/2 inches. Printed by George C. Miller. On cream wove paper with the FRANCE watermark. Archival mounting (mylar unattached mounting between acid-free board). A fine, fresh impression, in pristine condition. According to Pennigar the title translates roughly to “Buddy! Aren’t you ashamed of yourself!” The title refers to the composition: the well-groomed man with his foot up in the carriage passes a group of naked little boys...
Lithograph
$360Sale Price|28% Off
H 10.24 in W 12.21 in D 0.08 in
Hounds Gentlemen Please by Tom Carr - Engraving 26x31 cm
Located in Geneva, CH
Work on paper Ed: 63/75
Engraving
Meditation and Minou
By Will Barnet
Located in Buffalo, NY
Artist: Will Barnet, American (1911 - 2012) Title: Meditation and Minou Year: 1980 Medium: Lithograph and Serigraph on BFK Rives, signed and numbered in pencil Edition: 40/150
Archival Paper, Lithograph
$13,500
H 11.125 in W 8.5 in
COMING ROUND THE MOUNTAIN - Extremely Rare Early Benton & Music Subject
By Thomas Hart Benton
Located in Santa Monica, CA
THOMAS HART BENTON (1889-1975) COMING ROUND THE MOUNTAIN (MISSOURI MUSICIANS) 1931 (Fath 4) Lithograph, signed in pencil. Although Fath indicates an edition of 75, it is numbered ...
Lithograph
$716Sale Price|20% Off
H 13 in W 17 in
Andrew Wyeth, Teel’s Island, from The Four Seasons, 1962 (after)
By Andrew Wyeth
Located in Fairfield, CT
Artist: Andrew Wyeth (1917–2009) (after) Title: Teel’s Island Year: 1962 Medium: Lithograph on velin paper Paper Size: 13 x 17 inches (33 x 43.2 cm) Condition: Well preserved, consis...
Lithograph
$3,750
H 28.375 in W 35.875 in
Contemporary color lithograph nude female figures horses red black signed
By Philip Pearlstein
Located in Milwaukee, WI
"Models & Horses" is an original color lithograph by Philip Pearlstein. The artist signed the piece lower left and it is edition 15/140. This piece features two nude female model...
Lithograph
$716Sale Price|20% Off
H 13 in W 17 in
Andrew Wyeth, The Berry Picker, from The Four Seasons, 1962 (after)
By Andrew Wyeth
Located in Fairfield, CT
Artist: Andrew Wyeth (1917–2009) (after) Title: The Berry Picker Year: 1962 Medium: Lithograph on velin paper Paper Size: 13 x 17 inches (33 x 43.2 cm) Condition: Well preserved, con...
Lithograph
$1,297
H 12.01 in W 8.67 in D 0.79 in
Mick Jagger X - Andy Warhol, Announcement card, Rolling Stones, Musician, Pop
By (after) Andy Warhol
Located in Knowle Lane, Cranleigh
Mick Jagger X - After Andy Warhol. This black and white colour scheme lithographic print features - Mick Jagger - an iconic rock legend who was the frontman and one of the founders ...
Lithograph
$2,800
H 10.63 in W 8.5 in
'Negro' — California WPA Social Realism–Slavery, Signed Color Lithograph
Located in Myrtle Beach, SC
Nicholas Panesis, 'Negro', 1934, color lithograph, edition 18. Signed, dated, titled, and numbered 8/28 in pencil. Initialed in the stone, lower right. A fine impression, with fresh colors, on buff wove paper, with margins (1 1/8 to 2 3/8 inches). Minor glue staining at the extreme sheet edges verso, where previously taped (not visible recto), otherwise in excellent condition. Matted to museum standards, unframed. Very scarce. Image size 10 5/8 x 8 1/2 inches; (270 x 216 mm); sheet size 14 13/16 x 10 15/16 inches (376 x 278 mm). Created for the California Works Progress Administration, Federal Art Project (WPA). Impressions of this work are held in the public collections of La Salle University Art Museum (Philadelphia), U.S. General Services Administration, and the Weisman Art Museum (University of Minnesota). ABOUT THE ARTIST Nicholas Panesis (1913–1967) was an American painter, printmaker, ceramicist, and illustrator whose lithographs of the 1930s rank among the most compelling examples of California WPA printmaking. Working within the traditions of Social Realism and the American Scene movement, he combined expressive draftsmanship with a modernist sense of design to create images of remarkable graphic power that address themes of labor, race, industry, and everyday American life. Born in Massachusetts in 1913, Panesis studied art at Syracuse University before joining the faculty of Alfred University, where he taught ceramics. In the early 1930s he relocated to California, first settling in San Francisco before moving to Los Angeles. There he worked for several animation studios...
Lithograph
$3,300
H 29.5 in W 24 in
Norman Rockwell, 'Jim got down on his knees', 1972, Litho, a.p., Signed, Framed
By Norman Rockwell
Located in Columbia, MO
Norman Rockwell (American, 1894–1978) Signed recto Norman Rockwell remains one of the most celebrated illustrators of the twentieth century, renowned for his ability to translate na...
Lithograph
1895 Cycles Clément Paris lithographic poster
By Charles Tichon
Located in Santa Monica, CA
Rare and beautifully framed authentic 1895 Cycles Clément Paris lithographic poster featuring a stylized cyclist portrait and bold Art Nouveau typography, complete with certificate o...
Lithograph
Alex Katz Bicycle Rider Signed Lithograph Edition of 250
By Alex Katz
Located in Minneapolis, MN
Artist: Alex Katz (American, b. 1927) Title: Bicycle Rider Medium: Seventeen-color Lithograph on Arches Cover Paper Year: 1982 Sheet Size: 22 x 30 inches (55.9 x 76.2 cm) Edition: 4/...
Paper, Lithograph
$16,500
H 29 in W 29 in
Ellsworth Kelly Black Variation III Lithograph Limited Edition of 25
By Ellsworth Kelly
Located in Minneapolis, MN
Artist: Ellsworth Kelly Title: Black Variation III Medium: Lithograph with Intaglio on Rives Paper Year: 1975 Image Size: 29" x 29" Sheet Size: 39.75" x 39" Edition: A.P. IX/XI , (as...
Paper, Lithograph
$950
H 20.5 in W 31.5 in
Griffon With Woodcock original signed etching by Leon Danchin
By Leon Danchin
Located in Paonia, CO
Griffon With Woodcock is an original etching by Leon Danchin showing a Griffon in a field pointing at a Woodcock trying to hide in the brush. This color etching is in good conditi...
Etching
$12,500
H 30 in W 22 in
Jacob Lawrence Celebration of Heritage 1992 Signed Lithograph in Colors
By Jacob Lawrence
Located in Minneapolis, MN
Artist: Jacob Lawrence Title: Celebration of Heritage Medium: Lithograph in Colors Dimensions: 30" x 22" Year: 1992 Edition: 71/150 Inscription: Signed, titled, dated, and numbered t...
Lithograph
$899
H 32.75 in W 19.75 in D 0.01 in
The Jewish Welfare Board original 1918 vintage World War 1 antique poster
By Sidney Riesenberg
Located in Spokane, WA
The Jewish Welfare Board. Original World 1 vintage poster, very good condition; archival linen-backed and ready to frame. Printer: Alco-Gravure, Inc., N. Y. There is a tiny ch...
Lithograph
River Life, Haiti
By George Biddle
Located in New York, NY
George Biddle (1885-1973), River Life, Haiti, 1928, lithograph, signed and dated in pencil lower right margin, titled and numbered lower left margin. Reference: Pennigar 84, Trotter ...
Lithograph
POOR WHITES
By George Biddle
Located in Santa Monica, CA
GEORGE BIDDLE (1885 - 1973) POOR WHITES, 1932 (Pennigar 104) Lithograph, signed and titled in pencil edition. 40. Image 11 x 14 1/4 inches, sheet 14 x 19 5/8 inches.
Lithograph
Sold
H 12 in W 12.5 in
Polley Pulque! (Mexican beer like beverage that is cactus based from WPA era)
By George Biddle
Located in New Orleans, LA
An original lithograph signed, titled and numbered in pencil. This impression is #28 out of an edition of 50. Mexicans have been brewing pulque from the juice of cactus-like maguey plants for centuries, but the viscous, beer-like beverage fell out of favor starting in the 1970s as pulque got a bad reputation as a peasant's drink. The nutrient-rich drink is making a comeback among a new generation of Mexicans. Born on January 24, 1885 in Philadelphia, George Biddle received his B.A. from Harvard where he then completed his doctorate in law. He received art instruction at the Pennsylvania Academy of the Fine Arts, at the Académie Julian in Paris and then in Munich. During the first world war, Biddle lived in Giverny (1915-16) where he painted outdoor nudes...
Lithograph
The Expectant Thistles
By George Biddle
Located in New York, NY
George Biddle (1885-1973), The Expectant Thistles, 1928, lithograph, signed and dated in pencil lower right, titled and numbered in pencil lower left [also inscribed in the plate low...
Lithograph