Steven Sorman Art

"Relaxing at Camarillo" - Abstract Expressionism A man relines in a black hat and a green shape emulating the symbol of infinity, accented in bright canary yellow and gray, by Calif...

Italian artist Fabio Coruzzi merges painting and photography into one imaginative image that offers a new outlook on an otherwise ordinary urban scene. His artworks represent an auth...

Artist: Joan Mitchell (American, 1925-1992) Title: "Fields I" Portfolio: Fields *Signed and numbered by Mitchell in pencil (on second sheet) lower right Year: 1992 Medium: Original E...

A large scale abstract interior scene with bold black, white, red, pink, green, white and orange patterns and brushstrokes, based on an abstract oil painting. Pink and purple dots, y...

Color screenprint, 1972. Signed by the artist and dated in pencil, lower right margin. Numbered 24/60 in pencil lower left,. Printed and published by Workshop, Inc., Washington, DC...

Love Letter to a Butterfly is a contemporary photographic work composed of images of flower petals—the source of nectar for butterflies—arranged into a rhythmic pattern of circular f...

In excellent condition from an edition of 50, this piece is beautifully framed in museum-quality materials. Al Held is best remembered for his large-scale paintings of bright, hard-e...

Screenprint in colors on wove paper. Signed by the artist in pencil and also numbered 96/126 in pencil. Published by Lincoln Center List Poster and Print Program, New York. Second ...

ED BAYNARD (American, 1940-2016) Flowers, Flowers in a Vase, Etching. 1979/1980, Hand signed, dated l.r., Hand numbered from small edition 12/24, Dimensions: 23 by 19 in. Framed 25 by 21 in Born in Washington, D.C. in 1940. Raised in Washington, D.C. and newly graduated from high school, he flew to Europe living off and on in Paris and London. During this time, he designed costumes for Jimi Hendrix, worked as a graphic designer for the Beatles as well as Elizabeth Taylor and Richard Burton. Returning to New York, he dedicated his life to art after a surprise success with his first show in 1971 at the Willard Gallery in NYC. Ed's images are Zen-like in their simplicity and grace rendered in a flat, graphic style that recalls Japanese Ukiyo-e prints. His watercolors are luminous, like the rest of his representations regardless of the medium. The Japanese inspired ukiyo-e style woodblock prints and lithograph works he created at Tyler Graphics in 1980 contain a 20th century "floating world" sensibility. Ed's wish was to bring harmony, color, and a meditative stillness to this chaotic planet. He did so in a gentle and powerful way, always as an expression of his deep gratitude for the love and beauty, friendship, and concerns he held dearest. His first solo exhibition was in 1971 at New York's legendary Willard Gallery on the recommendation of Agnes Martin. Baynard went on to have exhibitions at galleries including Betty Parsons Gallery, New York (1973); Marian Goodman Gallery, New York (1977); John Berggruen Gallery, San Francisco (1980); and Barbara Gladstone Gallery, New York (1980/81).. Baynard manages to retain a simplicity of form inspired by a love of Japanese Woodblock prints. His new works reflect the same poetry of his earlier paintings, retaining his stylized compositions with their Zen like minimalism and Oriental calm, along with a new sense of rhythm and movement. Baynard uses familiar themes such as flowers, plants, pots, and vases, incorporating them into his delicate watercolor still lifes, thus creating stunning visual feasts. He was included in the 1972 Landscape exhibition at MoMA NY alone with other luminaries James Boynton, Christo, Jan Dibbets, Minnie Evans...

Color screenprint, 1972. Signed by the artist and dated in pencil, lower right margin. Numbered 24/60 in pencil lower left,. Printed and published by Workshop, Inc., Washington, D...

Signed and numbered in pencil

Executed in the trompe-l’œil style (French for “deceives the eye”), Blackbook I and Blackbook II have the appearance of opened sketchbooks, with great care taken to depict the layers...

Expressive vintage silkscreen on black paper by Alice Aycock (American, 20th Century). Hand signed and dated "Alice Aycock 1990" with hand written ...

Color screenprint, color pencil on heavy white wove paper, 1971. 840x595 mm; 33 1/4×23 1/2 inches (sheet), full margins. Signed and numbered 47/175 in pencil, lower margin. Publishe...

You Give Me Butterflies is a painterly butterfly in RF’s lens-based mixed-media series. A blue, violet, pink, and green subject the butterfly dissolves into a backdrop of sun and col...