Stig Johnsson Decorative Objects

Beautiful faceted Lucite bowl, large and imposing, carved of one 12" Lucite piece, the piece shows beautifully specially when looked under a light or when the natural sunlight goes t...

A wooden bowl from 1970s Denmark in the shape of a bean pod. Two partitions of the bowl, like two peas in a pod, mimic the natural form of the bean. ...

Vintage blue glass bowl Made in Poland in the 1960s Very good condition Measures: height 8.5 cm, diameter 21.5 cm.

A off-white-glazed stoneware "Vitrin" bowl designed by Stig Lindberg and produced by Gustavsberg, Sweden, 1956.

A small decorative teak bowl designed and produced by Stig Sandqvist, Sweden, 1950s.

Mid Century Iron Candelabra, 1960s

Unique Stig Lindberg bowl, hand-crafted in 1963 at Gustavsberg in Sweden. Hand-thrown stoneware with a beautiful turquoise blue glaze with impressed pattern. Marked underneath. Was...

This crystal Corona Bowl was designed by Lars Hellsten for the Swedish glassworks Orrefors in the 1970s. Made of high-quality artistic crystal in the shape...

A beautiful faience bowl with amazing geometric pattern. Designed by Stig Lindberg in Gustavsberg Studio, Sweden, 1950s. Good condition (there is a small mark in the glaze shown in ...

A small decorative teak bowl designed and produced by Stig Sandqvist, Sweden, 1950s.

Four arm candelabra by Swedish designer Gunnar Ander (1908-1976) for Ystad Metall, Sweden. Made ca 1960s. The candelabra is made from brass and shaped as four...

Beautiful candelabra by Erik Höglund, made from wrought iron and glass. The rustic iron stem is adorned with four pear shaped glass medallions that bring rain drops on a bare tree to mind. Fits regular candles. Erik Höglund was one of Sweden’s foremost glass artists, whose innovative designs and glass making techniques revolutionized the scene of both art glass and serve ware in the 1950s. His bold and personal designs gave him and the glassworks Boda worldwide acclaim. Erik Höglund is considered the most influential Swedish glass artist of the 1950s and 1960s, alongside Ingeborg Lundin. Höglund was admitted to the prestigious school Konstfack at the age of 16, first studying to become an art teacher, but later changing to the sculptor’s line. He rebelled against many of what he considered to be conventional ideas at the school, and was almost expelled. His nonconformism would follow him through his career, aiding him in following his own path and repeatedly breaking new ground. Erik Höglund started working at Boda glassworks in 1953. At the time, Boda focused on producing high-quality serve ware in ethereal, cut-glass designs under the direction of Fritz Kallenberg. Höglund brought new perspectives and ideas, experimenting with the glass mass to give it a bubbly look and introducing colored glass and irregular finishes. These ideas were in direct opposition to the traditional ideas of what quality glass is, and Höglund was initially met with skepticism. He created rustic designs that allowed for everyday, multiple uses of glass, allowing it to be both functional and aesthetic. This down-to-earth IDEA appealed to both critics and collectors, although it took some years into the 1950s to win over the general public. In 1955, Erik Höglund’s glass was presented at the H55 Exhibition and one of his vases, whilst considered scandalous due to its suggestive decor, was purchased by the Swedish king. In 1957 he was awarded the Lunning Prize, its until then youngest awardee. Following that, his glass was exhibited in the Georg Jensen store on 5th Avenue in New York, making Erik Höglund and Boda world renowned. Erik Höglund was a master of all artistic trades. His glass murals...