Streicher Goods Lighting

1 of the 5 Brutalist wall sconces by Tom Ahlström & Hans Ehrlich, Sweden, 1960s, each with a E27 bulb. An absolute strong and sculptural design! The handwrought iron surround has...

Swedish Brutalist cast aluminum and cast glass wall sconces by Tom Ahlstrom and Hans Ehrlich. Total five available and priced individually. Thes...

Wonderful wall sconces in Brutalist style by Danish designer Svend Aage Holm Sørensen from the 1960s. The sconces are made from solid acid cut brass and was produced by Holm Sorensen...

Small sized baby white Murano mushroom lamp made in the swirl technique. Murano Art glass is considered to be one of most expertly crafted a...

This brutalist sconce was designed and produced by Marc Weinstein in the USA during the 1960s. Crafted from iron, this striking sconce features hourglass-shaped metal pieces that hav...

One of a kind ceramic lamp, thrown on the potters wheel and assembled by hand. The lamp base is comprised of two different clay bodies and features a cop...

Danish ceramic wall lamp from the 1970s, handmade by an unkown Danish Artist. The decorative wall lamp is made of 3 glazed ceramic disks in various shades of earthern colors. The la...

Wonderful sculptural ceramic table lamp by Bernard Rooke ( B. 1938 ). This gorgeous stoneware lamp has been refitted and rewired to current standards and is fitted for a general E27 ...

Inspired by the playful undulating, faceted shapes of desert cacti, this table lamp strikes a balance between a minimalist design and cheerful details. Slab built stoneware clay pan...

Brutalist mid-century Danish ceramic table lamp by Fridtjof Sejersen for Sejer Unik ceramic workshop, ca 1960s or 70s. It´s made in his own studio ...

This table lamp is in crackeled Ceramic. The color is blue. It has been done circa 1980, in France. USA PLUG ADAPTATOR WILL BE FURNISHED FOR FREE TO THE US BUYERS Shade is not Furn...

An organic and Brutalist style Butterly table lamp. No chips or cracks. Easily retired for all regions. Bernard Rooke (born 1938) is a British artist and studio potter. Rooke has exhibited his "Brutalist" ceramics and painting both in the UK and abroad with work in many collections both public and private including the Victoria and Albert Museum, Cleveland Museum of Art, Nuffield Foundation, Röhsska Museum in Sweden and the Trondheim Kunstmuseum in Norway. Bernard Rooke attended Ipswich School of Art studying painting and lithography before going on to study at Goldsmiths College of Art. It was while studying here that he decided to take up pottery. Although unfamiliar with this craft and tradition, he found that working with clay provided new opportunities for freedom of interpretation and creativity. In 1960 Rooke set up his first pottery in Forest Hill in South London along with Alan Wallwork. It was a very small room with enough space for a small electric kiln. He was initially using mainly hand building, coiling, blocking and slabbing techniques. While researching ideas, he was supporting himself by part-time lecturing at London University, Goldsmiths College and St Mary's College. In addition, Rooke's membership of 'The Craftsman Potters' Association' enabled him to show his work in a shop in Carnaby Street in London. In 1967, both the need for a larger working space and becoming disillusioned with living in London spurred Rooke into moving out of the city and to an old mill building in Swilland in Suffolk. Rooke wanted to widen the range of work so as to become more commercial. With the birth of his son, Aaron, and much needed work to be done on the mill, it was important to be able to make a living. In 1968, the Grand Metropolitan Hotel commissioned Rooke to make 120 standard lamps, 120 table lamps as well as a 24 foot long ceramic mural and another 9 foot high, which incorporated interior lighting. The money from the commission helped to pay for much needed restoration work on the mill. By the 1970s, a gallery space was opened in the windmill and run by Susan Rooke, Bernard's wife, selling work to locals and tourists as well as to American airmen based nearby. The vision for Mill Gallery was beginning to develop and alongside this a reputation was building bringing in a good source of income. Sons Aaron and Felix were becoming more involved with the running of the pottery, giving Bernard more time to develop new ideas and designs and more time to continue with his painting. In 2004, the Rooke family decided not to sell to the public through the gallery anymore and close the pottery to concentrate more on painting and printmaking. In 2017 Bernard's lighting was featured in the Exhibition: “Glass, Light, Paint & Clay” at the Peterborough Museum and Art Gallery. The exhibition featured four artists: Bernard Rooke, John Maltby...