Stuart Fullerton Art

Excellent figurative oil painting of a man seated in an armchair with papers strewn about the interior space by Charles Ross Kinghan (American, 18...

Hamilton Hamilton (American, 1847-1928) A large and impressive oil on canvas "Othello and Desdemona" after the William Shakespeare's play "Othello", depicting a young Desdemona pleading with an enraged Othello, and perhaps Iago is the seated figure, within a giltwood craquelure finished frame. Signed (l/r): H. Hamilton, 1921 . Canvas Height: 67 inches (170.2 cm) Canvas Width: 48 inches (121.9 cm) Frame Height: 75 inches (190.5 cm) Frame Width: 57 inches (144.8 cm) Frame Depth: 2 inches (5.1 cm) Hamilton Hamilton (1 April 1847 – 4 January 1928) was a painter and etcher, known mostly for his landscapes of the American West. Born in Oxford, England, he lived most of his life in the Eastern United States. He painted landscapes in New York, Connecticut, the American West, England, and France. He also painted portraits and drew illustrations. Artistic career Hamilton Hamilton was born in Oxford, England, on 1 April 1847. While young, he was a protégé of John Ruskin. In 1872, he began his mostly self-taught career as a portrait artist in Buffalo, New York. He created 47 landscape paintings during an 1873 expedition to Colorado which were chosen to be part of the 1876 Centennial Exposition in Philadelphia. He spent 1878 and 1879 painting in Pont-Aven, Brittany, alongside Barbizon School painters. He moved to New York City in 1881 and shortly after began to practice genre painting and etching.[6] He became an associate member of the National Academy of Design in 1886 and a National Academician in 1889. Until the end of the century, he and his family resided alternately in upstate New York, Long Island, Colorado, and England.[6] In 1907 and 1908, Hamilton spent two years painting landscapes in Southern California. In 1912 he and his family permanently moved to Norwalk, Connecticut. There he became involved with the Silvermine group of artists led by Solon Borglum...

This original oil painting, dated 1930, offers a rare and charming interior view of "Minglestreams," the summer home and studio of renowned artist Claire Shuttleworth in Chippawa, On...

ARTIST: P J V Russell ? (Mid/Late 20th century) British TITLE: "View From A London Window" SIGNED: labelled verso MEDIUM: oil on canvas SIZE: 45 x 35cm inclusive frame CONDITION: ...

Luminous Mediterranean View of Sitges Church with Palms and Flowers Artist: López-Valle Title: View of Sitges, Church of Sant Bartomeu i Santa Tecla Medium: Oil on canvas Period: circa 1970–1979 Signature: Signed lower left Artwork dimensions: 19 × 24 cm / 7.48 × 9.45 in Framed dimensions: 33 × 38 cm / 12.99 × 14.96 in Frame: Decorative frame included Provenance: López-Valle oil paintings exhibition, documented on the reverse with original exhibition card dated 1979 Condition: Very good overall condition. Stable paint surface. Minor age-related wear to the frame, consistent with age. Ready to hang. DESCRIPTION A charming and luminous Mediterranean oil painting depicting the iconic Church of Sant Bartomeu i Santa Tecla in Sitges, one of the most recognizable architectural landmarks of the Catalan coast. The composition captures the church from a highly desirable viewpoint, framed by tall palm trees, lush Mediterranean vegetation and a vivid foreground of red flowers. The result is a small but visually rich painting with strong decorative presence, full of coastal light, architectural character and warm Mediterranean atmosphere. The artist uses a loose, expressive brushstroke and a bright palette of turquoise blues, sandy ochres, fresh greens and floral reds. The impasto in the sky, church façade and garden areas gives the surface a lively texture, while the diagonal path leads the viewer naturally toward the historic church and its bell tower. This is exactly the kind of Mediterranean coastal subject that performs well with international collectors: intimate scale, recognizable location, architectural charm, palm trees, flowers, sunlight and Spanish post-impressionist atmosphere. A little Sitges jewel, basically the painting equivalent of a terrace table with sea breeze and no tourist asking where the beach is. The original exhibition card preserved on the reverse, dated 1979, documents the work’s presence in an oil paintings exhibition dedicated to López-Valle, adding period context and collectible appeal. Its modest size makes it especially suitable for interiors, gallery walls, Mediterranean-style decoration, coastal homes, libraries, bedrooms or refined small spaces where a luminous European landscape can act as a concentrated window of light. European art with a Mediterranean soul. ARTIST BIOGRAPHY López-Valle was a Spanish painter active in the second half of the 20th century, particularly associated with traditional oil painting and Mediterranean subjects. His work reflects the enduring appeal of Spanish coastal landscape painting, combining architectural views, garden settings and luminous color with a direct, post-impressionist handling of paint. This painting is especially interesting because the original exhibition card on the reverse places the artist within a documented exhibition context in 1979, confirming that his works circulated publicly during the period. López-Valle’s paintings are appreciated for their decorative quality, approachable scale and ability to capture recognizable Spanish places with freshness, color and atmosphere. ARTISTIC CONTEXT / PICTORIAL INSPIRATION This work belongs to the tradition of Catalan and Spanish Mediterranean landscape painting, a school deeply connected to light, coastal architecture, gardens, palm trees and open-air observation. Its luminous handling of color and its decorative view of Sitges recall the atmosphere sought by collectors of artists such as Santiago Rusiñol, Eliseu Meifrèn, Joaquim Mir and Josep Amat, painters who helped define the poetic and chromatic identity of the Catalan coastline. While López-Valle maintains his own modest and direct pictorial language, the painting clearly participates in that same Mediterranean lineage: sunlit architecture, garden foreground, loose brushwork, atmospheric blue sky and an elegant sense of place. This makes the piece attractive not only as a view of Sitges, but also as part of the broader collecting category of Spanish impressionist and post-impressionist coastal painting. TAGS mediterranean landscape sitges church painting catalan landscape painting spanish coastal painting spanish impressionist style post impressionist landscape mediterranean architecture art church landscape artwork palm trees painting flower garden painting...

From the Tyndale Monument is an Original oil painting by Eleanor Woolley. This painting was started Plein air and finished in the studio. Looking down on the landscape from the Monum...

James Roy Hopkins Interior of Église Saint-Sulpice, Paris, 1908 Signed and dated lower left and inscribed "Paris" Oil on canvas 17 3/4 x 14 3/4 inche...

This artwork "Still Life" c.1960 is an oil painting on canvas by American artist Michael Ritter Cannon, b.1913. It is signed at the lower middle ...

Mid Century Still Life Painting of Black Cat and Vase, Signed, 1940s Charming mid century still life of fruit, vase and black cat by Monterey ...

Harry Leslie Hoffman (1871 - 1964) The Artist's Wife (Beatrice Pope) at the Loom, circa 1915 Oil on canvas 30 x 32 inches Housed in a period Newcomb-Macklin frame Provenance: Estate of the artist Private Collection, Massachusetts This painting depicts the artist's wife at the loom, producing textile versions of Hoffman's underwater paintings. The screen shown behind Bea is an underwater scene also painted by Hoffman. The study of this painting is held in the collection of the Wolfsonian Museum in Florida. Harry Leslie Hoffman was born in Cressona, a small community in Pennsylvania's Schuylkill Valley. His mother was an amateur artist who encouraged her son to pursue a career in the arts. In 1893, Hoffman entered the School of Art at Yale University and studied with John Ferguson Weir, the son of Robert Walter Weir. After graduation in 1897, Hoffman moved to New York to continue his studies at the Art Students League. He also traveled to Paris and took classes at the Académie Julien. In the summer of 1902, Hoffman attended the Lyme Summer School of Art, in the town of Old Lyme on the Connecticut coast. The school was headed by Frank Vincent Dumond and was located in a boarding house owned by Florence Griswold. The school eventually grew into an artists' colony and a center for American Impressionism. When Hoffman first arrived as a student, he was not permitted to stay in the house which was designated for the professional artists only. However, his outgoing personality soon won him many friends at the colony. In 1905, Hoffman settled in Old Lyme and worked as a full member of the artist colony. He was particularly influenced by Willard Leroy Metcalf, an Impressionist also working in Old Lyme. Fellow artists later fondly recalled Hoffman's antics at the Griswold house, which included playing the flute and banjo, tap-dancing, singing humorous songs, and performing magic tricks. In 1910 Hoffman...

Bright, fun, oil on board still life by WPA painter J. William Hallquist. Signed lower right.

Althea Platt The Conversation, France, circa 1915 Signed lower left Oil on canvas 8 x 10 inches Alethea Hill Platt was an American artist and educator. Her paintings of rural lands...