Susan Lizotte More Art

Painted in the 19th century, this exquisite miniature portrait wonderfully exemplifies realism in traditional oil painting. The small artwork is painted in the conventional portraiture style of the Old Masters, and achieves soft realism with fine brushwork and a subdued, neutral palette. The half length portrait depicts a fine Victorian woman dressed in all black with a delicate lace collar and bonnet. She wears a ruby broach...

David Michael Slonim Untitled (2017) Oil on linen Size: 30 × 24 in (76.2 × 61 cm) Hand-signed by artist === Born in Miami in the mid-1960s, David Michael Slonim received his bache...

Our Lady of Mercy, 2021 Oil on Panel with Carved and Gilded Frame, 8 x 14 inches A work of spiritual devotion, Justas Varpucanskis’s “Our Lady of...

The works of William Smith were regularly exhibited at the Royal Academy in London between 1813 and 1859. Yet little is known about this artist. He lived in Shropshire and was active...

Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in different seasons and flowers. In 1970 the significant place...

Introducing "Monochromatic Musicians - In Deep Blue" by the renowned artist Koko Hovaguimian. This captivating oil painting transports the viewer into a world of evocative artistry, ...

"Clones of Clones" depicts a a city at the foot of a mountain ranged. This painting is rendered in about nine variations of gray, the darkest in the foreground is a few steps from bl...

Shawn Sullivan's (US Based) "Double Dutch" is an original, handmade oil painting in the trompe-l'œil style that depicts a still life of a red bird perched on a motorcycle. Shawn S...

Shawn Sullivan's (US Based) "Petit Dejeuner" is an original, handmade oil painting in the trompe-l'œil style that depicts a still life of a bird and an egg in a bowl...

"Future Shadow" is of a scene in the woods. This scene is of no particular place, but rather his interpretation and compilation of various places he has visited. As a painter, I examine how the depiction of light contributes to our experience of paintings. The portrayal of light helps a painting to convey the atmosphere and mood of a scene, and is much of what enables a painting to convey depth and realism. Our perception of lighting features occurs largely through pathways in the brain that carry only black and white information, pathways which are distinct from areas that encode the colors and details we use to delineate specific objects. By painting in grayscale, I try to interact specifically with this region of our visual system, with the hope of conveying some of the spaciousness and emotional significance that light can imbue on scenes. Light, whether as the crisp contrast of a back-lit forest or the gray haze of an industrial landscape, is what defines a scene. Its power to communicate the feel of a place is the principle subject of my paintings. The Blue Azul Collection...

Oil on canvas. Artist's certificate is included.

"Head in the clouds" depicts skyscrapers and a waterway. This scene is of no particular place, but rather his interpretation and compilation of var...