Sydney Licht Art

Bold and expressive, this little painting captures the humble beauty of everyday life through contemporary lens. This semi-abstract still life features vibrant persimmons scattered o...

Signed lower left, 'Hortense M. Gordon' for Hortense Crompton Mattice Gordon (Canadian, 1886-1961) and dated 1949. Previously with: Dominion Gallery of Montreal (stamp, verso). Photo courtesy of Art Gallery of Hamilton, Ontario, Canada. Hamilton artist Hortense Crompton Mattice Gordon was one of Canada’s earliest non-representational painters, embracing abstraction in the 1930s. She was also an active member of Canada's first English-speaking abstract group, Painters Eleven. A scholarship recipient, Hortense Mattice first attended the Hamilton Art School and, subsequently, moved to Chatham, Ontario. Initially focusing on porcelain painting, Mattice quickly began building a portfolio of oils and, from 1908, was exhibiting both her porcelain and landscapes at what is now the Chatham Cultural Centre (1908) and the Art Gallery of Ontario (1909). During this time, Mattice frequently traveled to the United States and, in 1915, visited the National Gallery of Art in Washington, DC, where she would have seen early works by important modernists including Picasso and Matisse. She started her teaching career in Chatham but, having received a job offer from the artist John Sloan Gordon, returned to Hamilton to teach at the Hamilton Art School in 1918. The two artists married in 1920. In 1922, Gordon and her husband took a study trip to France and, inspired by the fervent of Modernist ideas in Paris, expanded her own approaches to art, developing an increasingly soft, loose paint handling style. It was not until the 1930’s, after a few more trips to France and her discovery of Piet Mondrian’s work, that elements of abstraction began to appear in Gordon’s work. After the death of her husband in 1940, Gordon attended the Cranbrook Academy of Art and studied with Hans Hoffmann (1941-1945) whose influence and friendship pushed her to explore non-objective painting. After her training with Hofmann and in Cranbrook, Gordon began to exhibit regularly and with success in both Canada and the United States including at the Riverside Museum (New York, 1947), Creative Gallery (New York, 1952), in Ann Arbor (Michigan, 1952), Phillips Gallery (Detroit, 1952), the Flint Institute of Arts (Michigan, 1952), Mount Allison University (New Brunswick, 1952), the Galerie Agnes Lefort in Montréal and Art Gallery of Hamilton (retrospective, 1960). She was a member of the Contemporary Artists of Hamilton (honorary president in 1948), the Ontario Society of Artists, the Hamilton Women...

This colorful painting of plants and flowers in a backyard is from Francis Sills' 2017 series of Flora Paintings. The verdant shades of green are punctuated by the warmer tones of th...

Subject : Bouquet de Lilas (Title - FR) / In this unique work of oil painting, the artist, who is an adept of contemporary realism and fiction, enjoy painting Interiors spaces and st...

Aleksandr Rodin (1922-2001) Painter Born in a family of farmers. Wife Rasma Lace - art scholar. Studied at the Stalingrad School of Art, Saratov Art School, graduated from the Depar...

Encaustic and oil on canvas on wood

In this contemporary still life painting in oil on linen of flowers arranged in a vase, the ivory petals and green leaves in the bouquet of white lilies are beautifully complemented ...

Robin Hextrum's (US based) "Dahlias in Bloom" is an oil painting that depicts a blooming white dahlia bush on a black background. This piece measures 22.25 x 18 inches in its frame a...

This original vintage 1945 oil painting beautifully captures a serene interior still life scene, featuring a vase of flowers, a delicate tea cup, and flowing drapery. Created by reno...

Still life oil painting on linen of flowers in a dark blue vase from Francis Sills' 2017 series of Flora Paintings. The flowers, a pink rose and a white lily, contrast the verdant gr...

Image dimensions: 25.5cm x 30.5 Framed dimensions: 43cm x 47.9 Signed lower left. Webb has tremendous fun creating his Sweetpea paintings, playing with different colour palettes, techniques and styles. For him, they are bursts of emotion on the canvas, whether it be innocent laughter, cheekiness, passion or praise. Some may be more pensive or subdued, but each has joy in their heart and their fragrance lingers in the paint. Kenneth Webb...

This contemporary painting of plants on a porch in oil on linen is from Francis Sills' 2017 series of Flora Paintings. Verdant leafy palms in planters stand behind a wooden table wit...