Tacita Dean Art

Swan-Like Embrace, Paris 2001, printed later, 2021 C-Print on paper 8 x 5 1/8 inches Signed on the back published by Pain Nan Goldin's "Swan-like Embrace, Paris, 2001" is a poignant...

Fela Kuti: A rare vintage collection of: 2 darkroom publicity photos circa ealry/mid 1980s. Each measuring 5x7 inches. 15+ 35mm transparencies of Fela performing live circa early/...

The Carlton Hotel (1955) - Limited Estate Stamped - Silver Gelatin Fibre Print (Photo By Slim Aarons/Getty Images Archive) A Cadillac with Florida plates parked outside the Carlto...

A stunning black and white photographic portrait of Imogen Cunningham (1883-1976) by California photographer, Robert Werling (b. 1946). Signed and dated by the artist on the mat, low...

Gelatin silver print 9 3/4 x 7 7/8 in 24.9 x 20.1 cm Printed by Radar Publikationen and Edition K.L.A.G. credit stamps verso. Photographers credit stamp verso. Print pulled from por...

Compelling 1970s black and white photograph of a contemplative woman leaning on a table into her crossed arms, beside a small teapot that casts a long sha...

Saul Leiter 2 Merce Cunningham Contact Sheets, 1954 Dated and inscribed by Carolyn Brown on verso Kodak safety film 10 x 8 inches Provenance Estate of Carolyn Brown, New York 2025. Saul Leiter (1923-2013) was born in Pittsburgh to a father who was a well-respected Talmudic scholar. His passion for the arts ignited during his late teenage years, and despite being urged to follow in his father's footsteps to become a Rabbi, he chose to forgo theological studies, moving to New York at the age of 23 to delve into painting. In the city, he formed a friendship with Abstract Expressionist painter Richard Pousette-Dart, who was exploring photography. This connection, along with a subsequent friendship with W. Eugene Smith, deepened his fascination with photography. Leiter's initial black and white images reveal a remarkable talent for the art form. By the 1950s, he also began to explore color, producing a substantial and noteworthy collection during the early stages of this medium. His uniquely muted color palette often imparts a painterly essence that distinguishes his work from that of others in his era. Leiter's inaugural showcase of color photography took place in the 1950s at the Artist's Club, a gathering spot for many Abstract Expressionists of that period. Edward Steichen included twenty-three of his black and white works in the influential 1953 exhibition "Always the Young Stranger" at the Museum of Modern Art and also showcased twenty of Leiter's color photographs during the 1957 MoMA event "Experimental Photography in Color. " In the late 1950s, art director Henry Wolf featured Leiter's color fashion photography...

Untitled (Nr. 0442) Photography 36" x 44" Edition of 12 by Rowan Daly Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the Grid Off the Grid is the culmination of a s...

One of the most famous members of the Humanist photography in France. Signed lower right by the artist. Stamp of the artist's studio on the back.

Not one to shy away from human representation, Pia Clodi’s more portraiture-like works continually offer the sitter an air of anonymity, and as such the viewer has the opportunity to...

Experimental photographic work by Kim Frohsin, who is often associated with the Bay Area Figurative movement, began exhibiting in the San Francisco Bay Area in the early 1990s, and in 1993 was included with Nathan Olivera, Manuel Neri and Stephen De Staebler in an exhibit of "Four Figures from the Bay." With Wayne Thiebaud as the juror, she won the California Society of Printmakers' Award in 1996, and the following year exhibited at the de Young Museum in San Francisco in "Bay Area Art: The Morgan Flagg Collection." Frohsin is a multidisciplinary visual artist, who is at home with painting, drawing, monoprintIng, and mixed media. Her subjects include the female figure as well as mundane ''objects" and series — including ‘Cautionary Tales’ and ‘Portraits of Numbers’— that attract her attention, and which are most often autobiographical in nature. This mixed media work is created from deconstructed pinhole photographs...

One of the famous members of the Humanist photography in France. Signed lower right by the artist. Stamp of the artist's studio on the back.