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Teresa Smith Paintings

Canadian
Teresa Smith’s art is deeply rooted in a naturalist philosophy, blending the richness of oil painting with a meditative and contemplative approach. Growing up in rural eastern Canada, she developed a profound connection to the deep woods, an intimacy with nature that has shaped her artistic journey. Years of hiking through the old-growth forests of the Pacific Northwest, as well as her immersion in the plant world as a master gardener, have profoundly influenced her work. Teresa holds a degree in Contemplative Arts from Naropa University and is an active member of 'The Artist Trust,' 'The Healing Power of Arts and Artists,' and the 'Federation of Canadian Artists.' She exhibits her abstract landscapes in both the US and Canada, with her work being featured in various magazines, books, and articles. Her paintings are held in private and corporate collections worldwide, and she is represented by galleries and exhibitions in both the US and Canada. Living on a small island in the Salish Sea, Teresa shares her home with her horses and towering fir trees. Her studio overlooks the majestic Mount Baker, a vista that constantly inspires her connection to the natural world in her work.
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Artist: Teresa Smith
Circle of Light: Abstract Landscape Painting, Oil on Canvas, 2010s, New, 36x48
Circle of Light: Abstract Landscape Painting, Oil on Canvas, 2010s, New, 36x48

Circle of Light: Abstract Landscape Painting, Oil on Canvas, 2010s, New, 36x48

By Teresa Smith

Located in SEATTLE, WA

"Circle of Light" by Teresa Smith draws the viewer down a forest path toward a luminous center — golden yellow and warm white light radiating outward in an oval blaze, framed by the ...

Category

2010s Post-Impressionist Teresa Smith Paintings

Materials

Canvas, Oil

Woodland Temple: Abstract Landscape Painting, Oil on Canvas, 2010s, New, 48x36
Woodland Temple: Abstract Landscape Painting, Oil on Canvas, 2010s, New, 48x36

Woodland Temple: Abstract Landscape Painting, Oil on Canvas, 2010s, New, 48x36

By Teresa Smith

Located in SEATTLE, WA

"Woodland Temple" by Teresa Smith looks upward through a grove of ancient redwoods — their massive trunks rendered in deep, saturated orange-red rising from a dense, exuberant ground...

Category

2010s Post-Impressionist Teresa Smith Paintings

Materials

Canvas, Oil

Gray Rock with Red, Oil Painting
Gray Rock with Red, Oil Painting

Gray Rock with Red, Oil Painting

By Teresa Smith

Located in San Francisco, CA

Artist Comments
This painting is part of an ongoing series depicting the nature around Teresa Smith's home. Her main considerations as she works are color and shape. "A red u...

Category

21st Century and Contemporary Abstract Impressionist Teresa Smith Paintings

Materials

Oil

Tide Coming In, Oil Painting
Tide Coming In, Oil Painting

Tide Coming In, Oil Painting

By Teresa Smith

Located in San Francisco, CA

Artist Comments
A view of the tide coming in near the artist's home. "When the tide is out, there is a lot more beach and a lot less water," Teresa says. "A calm painting wit...

Category

21st Century and Contemporary Abstract Impressionist Teresa Smith Paintings

Materials

Oil

Wind and Sky: Abstract Landscape Oil Painting on Canvas, 2010s, New, 48x48
Wind and Sky: Abstract Landscape Oil Painting on Canvas, 2010s, New, 48x48

Wind and Sky: Abstract Landscape Oil Painting on Canvas, 2010s, New, 48x48

By Teresa Smith

Located in SEATTLE, WA

“Wind and Sky” by Teresa Smith is a vibrant, abstract oil painting that captures the sensation of looking up through a dense canopy, where interwoven branches and foliage dissolve in...

Category

2010s Post-Impressionist Teresa Smith Paintings

Materials

Canvas, Oil

Shoreline II, Painting, Oil on Canvas
Shoreline II, Painting, Oil on Canvas

Shoreline II, Painting, Oil on Canvas

By Teresa Smith

Located in Yardley, PA

A mosaic of light dances along the bay. Patches of alizarin, blue and green create patterns of color. This impressionistic oil painting began with an oily, drippy gold underpainting....

Category

2010s Impressionist Teresa Smith Paintings

Materials

Oil

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Original Mediterranean Mallorcan House and Garden Modernist Oil Painting Spain
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Located in Sitges, Barcelona

Original Mediterranean Mallorcan House and Garden Modernist Oil Painting Artist: Antoni Maria Sadurní i Albañà (1927–2014) Title: Casa Mallorquina Date: 1993 Medium: Oil on canvas Artwork dimensions: 54 × 65 cm / 21.26 × 25.59 in Framed dimensions: 84 × 95 cm / 33.07 × 37.40 in Signature: Signed lower right Frame: Framed Origin: Spain Subject: Mallorca, Mediterranean architecture and garden Provenance / Exhibition: Masters Art Galerie, Palma de Mallorca, 1993 Documentation: The painting is reproduced in the original catalogue of the artist’s 1993 exhibition at Masters Art Galerie, Palma de Mallorca. DESCRIPTION A particularly attractive Mediterranean landscape by Spanish painter Antoni Maria Sadurní i Albañà, depicting a traditional Mallorcan house surrounded by a lush flowering garden beneath an intense blue sky. Painted in 1993, the work is titled Casa Mallorquina and represents one of the subjects most closely associated with Sadurní’s mature production: the architecture, vegetation and brilliant light of the Mediterranean. The composition is built around the contrast between the luminous white walls of the house and the dense greens of the garden. Small accents of red, pink, orange and yellow animate the foreground, while the clear blue sky gives the scene an unmistakably Balearic atmosphere. Sadurní uses a confident and spontaneous brushstroke, alternating broad areas of colour with more energetic touches in the trees, flowers and vegetation. The restrained geometry of the architecture provides structure to the composition, while the garden introduces movement and texture. Of particular interest is the documented exhibition history of the painting. Casa Mallorquina was included in Antoni Sadurní’s exhibition at Masters Art Galerie in Palma de Mallorca in 1993 and is reproduced in the original exhibition catalogue, a copy of which accompanies the work and is visible in the photographs. This documented provenance adds considerable interest to an already highly decorative example of Spanish Mediterranean painting. ARTIST BIOGRAPHY Antoni Maria Sadurní i Albañà (Vic, 1927–2014) was a Catalan painter best known for his landscapes and Mediterranean scenes. He studied drawing in Vic and was influenced by artists connected with the celebrated Olot landscape tradition, developing his own increasingly personal interpretation of the Spanish and Catalan landscape. In 1947 he became part of Els 8, a group of young artists and intellectuals active in Vic who contributed to the renewal of Catalan cultural life during the post-war period. Throughout his career Sadurní concentrated especially on landscapes, villages, rural architecture and Mediterranean coastal subjects. Mallorca and the Balearic Islands provided particularly suitable material for his interest in strong sunlight, white architecture and intense Mediterranean colour. His mature paintings are characterised by assured brushwork, carefully balanced compositions and an ability to simplify architecture and landscape without losing their atmosphere or sense of place. ARTISTIC INSPIRATION Sadurní’s Mediterranean landscapes belong to the broader tradition of modern Spanish painting in which the visual experience of place is transformed through colour and direct brushwork. The luminous whites, clear blues and simplified architecture of Casa Mallorquina can be related to the Mediterranean sensibility found in painters such as Joaquín Sorolla and Joaquim Mir, while its freer construction through colour recalls aspects of Raoul Dufy and the Fauvist tradition. There is also an affinity with later Spanish landscape painters such as Benjamín Palencia and Godofredo Ortega Muñoz, particularly in Sadurní’s tendency to reduce the landscape to strong compositional masses while preserving its atmosphere. Rather than describing every botanical or architectural detail, Sadurní uses colour, light and abbreviated brushstrokes to convey the sensation of a Mediterranean garden in full sunlight. PROVENANCE AND DOCUMENTATION An especially important feature of this painting is its documented exhibition history. The reverse of the work retains documentation relating to Antoni Sadurní’s exhibition at Masters Art Galerie in Palma de Mallorca, held in 1993. The painting itself is reproduced in the original exhibition catalogue under the title Casa Mallorquina, Mallorca, confirming its title, date and participation in the exhibition. The survival of this contemporary documentation gives the work an unusually strong provenance for a Spanish landscape of this period. Spanish Modern Art, Mediterranean Painting, Mallorca Painting...

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Previously Available Items
Essence: Abstract Landscape Painting, Oil on Canvas, 2010s, New, 48x48
Essence: Abstract Landscape Painting, Oil on Canvas, 2010s, New, 48x48

Essence: Abstract Landscape Painting, Oil on Canvas, 2010s, New, 48x48

By Teresa Smith

Located in SEATTLE, WA

"Essence" by Teresa Smith is among her most immersive works — a square canvas in which the forest floor and canopy dissolve into each other through a swirling field of orange, gold, ...

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Woodland Portal: Abstract Landscape Painting on Canvas, 2010s, New, 80x81
Woodland Portal: Abstract Landscape Painting on Canvas, 2010s, New, 80x81

Woodland Portal: Abstract Landscape Painting on Canvas, 2010s, New, 80x81

By Teresa Smith

Located in SEATTLE, WA

“Woodland Portal” by Teresa Smith is a richly textured, abstract landscape painting that evokes a glowing woodland scene, where slender tree trunks and looping branches are rendered ...

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2010s Post-Impressionist Teresa Smith Paintings

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Snow Day, Oil Painting
Snow Day, Oil Painting

Teresa SmithSnow Day, Oil Painting, 2021

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H 20 in W 16 in D 1.5 in

Snow Day, Oil Painting

By Teresa Smith

Located in San Francisco, CA

Artist Comments
"I remember growing up in Quebec, and the coming of snow meant a snow day," says artist Teresa Smith. "No school, a holiday. Festive, ...

Category

21st Century and Contemporary Abstract Expressionist Teresa Smith Paintings

Materials

Oil

Turn Point, Oil Painting
Turn Point, Oil Painting

Turn Point, Oil Painting

By Teresa Smith

Located in San Francisco, CA

Artist Comments
Artist Teresa Smith painted this glowing coastal scene in celebration of the coming spring. "A warm breeze and bird song filled the air while salty-smelling k...

Category

21st Century and Contemporary Abstract Expressionist Teresa Smith Paintings

Materials

Oil

Wilderness, Painting, Oil on Canvas
Wilderness, Painting, Oil on Canvas

Wilderness, Painting, Oil on Canvas

By Teresa Smith

Located in Yardley, PA

A wilderness hike. Transparent washes mutate into thick expressive impasto. Close up this painting is loose and painterly. Thick expressive brushstrokes create a linking of hundreds ...

Category

21st Century and Contemporary Contemporary Teresa Smith Paintings

Materials

Oil

Large Post-Impressionist Floral Still Life, 'Sunflower II'
Large Post-Impressionist Floral Still Life, 'Sunflower II'

Large Post-Impressionist Floral Still Life, 'Sunflower II'

By Teresa Smith

Located in Santa Cruz, CA

Signed lower right, 'T.K.S' and painted 2019; additionally signed and titled verso. A large and vibrant study of sunflower blossoms contrasted against a background of fragmented lilac and indigo (The following is the artists's self-description of her work and process.) Teresa Smith received her B.A. in Visual Arts at Naropa University. Informed by spiritual practice and a naturalist philosophy, her art combines the richness of oil paint as a visceral material with contemplative practice, producing paintings on ecology with nature as icon. Influenced by Turner, O’Keeffe, Cezanne, and The Canadian Group of Seven, Smith paints the soul in nature. An appreciation for aesthetics and the deep woods provide seeds for the work revealing color combinations, line, and form. Bold colors and lyrical brushstrokes, scratches and drips of oil paint mutate creating a language of vital sensuality. Teresa’s oil paintings are about the mystery beneath the surface, the layer woven between worlds. The romance and richness of beauty, earth, salt air, wild roses, cedar and tide. My Process I paint landscapes. I live on a rural island surrounded by wild creatures, huge trees, ocean, mountains and open spaces. I ride a black Arabian mare through the old growth forest trailed by an Irish wolfhound named Griffin. As we move through the woods and vistas, I notice colors as they contrast with one another. I notice color, shapes, line and form that I would never have conjured on my own. I especially pay attention to the abstract spaces and patterns. We pause under ancient cedar and listen to water falling. Feeling into the spirit of the place. The forest, especially the ancient ones are rich with a presence. In the studio I stretch canvas and linen. I do this because I want the finest of quality and workmanship but also to honor and form relationship with surface. I use oil paint because of its buttery quality and vibrancy of color. I love the smell and the feel under my brush. I love that it is the medium of my lineage of painters. I love its softness and that it is archival and in my opinion the highest quality medium I can use. I love that I can create soft edges and blend beautiful passages. I use lavender essence or soybean oil to clean my brushes and make mediums of lavender, alkyd and walnut oil for making glazes. I worked in watercolors for many years and as with that medium see the benefit of glazing. That is using layers of paint and alkyd mixtures to create luminosity and light that makes a work “glow.” I work on several paintings at one time allowing them to dry between layers. It takes weeks, months or longer to finish a painting but in the end the work and time pay off. I am a contemplative painter. My time in the woods is separate from the studio but the influence is present. I paint from the heart. What comes up as first thought is what I put down. The thought that happens before it is analyzed and translated. I don’t usually have any idea of a direction when I start a painting. I begin with a thin drippy wash in a warm color like Indian yellow, ochre or transparent orange. I let the layer dry, then the next day create some chaos. Without any pre contrived ideas throw, squish, drip, scrub or scrape some paint on the canvas. The more chaotic the better. At this point I begin making order of the chaos one brushstroke at a time. This is where knowledge of color, composition, design and painterly quality come in. I begin to embellish and refine the shapes that were formed during the first couple of washes. Color is probably my most important consideration. I now focus on what color is a perfect combination to one that is down already. I contrast texture – thin wash next to impasto, for example. I work the shapes as if they are puzzle pieces, I use thin glazes to add luminosity and create colors that are unique and luscious. If things begin to seem too contrived I will grab a palette knife and arbitrarily add thick layers of paint. I will take a sharp instrument like a palette knife and cut through the layers revealing the colors underneath. There is really no beginning and no end. The work goes on for days, weeks or months. The closer to done a painting gets the slower I go. I stop when the painting feels resolved and seems to have a life of its own. EDUCATION 2012 Bachelor of Arts, Naropa University, Boulder CO...

Category

2010s Post-Impressionist Teresa Smith Paintings

Materials

Canvas, Oil

Sunflowers
Sunflowers

Teresa SmithSunflowers, 2017

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H 30 in W 40 in D 0.75 in

Sunflowers

By Teresa Smith

Located in Santa Cruz, CA

Signed lower right, 'Teresa Smith' and painted 2017. A large and vibrant study of sunflower blossoms contrasted against a background of midnight blue. (The following is the artists...

Category

2010s Teresa Smith Paintings

Materials

Canvas, Oil

Jackle's Lagoon
Jackle's Lagoon

Teresa SmithJackle's Lagoon, 2017

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H 24 in W 20 in D 0.75 in

Jackle's Lagoon

By Teresa Smith

Located in Santa Cruz, CA

Signed lower right, 'Teresa Smith' and painted 2017. (The following is the artists's self-description of her work and process.) Jackle's Lagoon The lagoon is quiet today. All feels...

Category

2010s Teresa Smith Paintings

Materials

Canvas, Oil

Arbutus no. 4
Arbutus no. 4

Teresa SmithArbutus no. 4, 2017

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H 40 in W 30 in D 1.25 in

Arbutus no. 4

By Teresa Smith

Located in Santa Cruz, CA

Signed lower right, "T.Smith", additionally signed on side stretcher-bar, "Teresa Smith" and painted 2017. A semi-abstracted oil landscape study of an Arbutus sa...

Category

2010s Abstract Teresa Smith Paintings

Materials

Canvas, Oil

Teresa Smith paintings for sale on 1stDibs.

Find a wide variety of authentic Teresa Smith paintings available for sale on 1stDibs. If you’re browsing the collection of paintings to introduce a pop of color in a neutral corner of your living room or bedroom, you can find work that includes elements of blue, pink and other colors. You can also browse by medium to find art by Teresa Smith in oil paint, paint, canvas and more. Much of the original work by this artist or collective was created during the 21st century and contemporary and is mostly associated with the abstract style. Not every interior allows for large Teresa Smith paintings, so small editions measuring 7 inches across are available. Customers who are interested in this artist might also find the work of Claudia Verciani, David Forks, and Suzanne Massion. Teresa Smith paintings prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $300 and tops out at $4,800, while the average work can sell for $2,900.