Theodore Alexander Weber

A beautiful, 19th century Kang chest in solid wood with mitered tenon and mortise construction. Four mirrored screen doors and 2 full depth drawers. Middle ...

A beautiful oil on canvas painting of a Parisian street scene. This painting perfectly depicts life in the "City of Lights" with its restaurants, busy streets, cafes and wonderful ar...

Oil on canvas, orientalist scene, signed Louis Saphier. This lovely painting was executed around 1920. Louis Saphier was active and lived in both New Yor...

BG GALLERIES SUMMER SALE Gio Ponti long cabinet of six drawers standing on four integrated legs and topped silvered reverse painted glass and surmounted by a large rectangular mirror and a floating glass shelf cut in Ponti's distinctive diamond form. Drawer faces have knife blade edges. Made in 1957 from ash wood and glass. Original brass keys. Perfect for bedroom or entrance hall. "Certificate of Authenticity" from the Gio Ponti Archives. Mobile da camera o da ingresso con cassetti e grande...

Antique-mirrored three-drawer chest with Lucite handles, glass top and wood Cabriole legs, c. 1940s. Purchased from Venfield, New York City.

A finely decorated French mirrored chest of drawers, etched throughout in great detail, with an ebonised base. Each drawer with hand blown floral handles and each panel of glass with...

Stunning chest of drawers in rattan and mirror with 4 drawers. Typical of the seventies, high quality of craftsmanship, entirely hand made. Excellent condition.

Oil on canvas depicting a highly detailed French harbor scene with barren trees criss-crossing over the structures below, the serene waters filled with vessels and piers, perhaps a b...

A versatile Hollywood glam tall mirrored cabinet produced by Ello Furniture circa 1970's. It features stacked mirror doors in art deco form, chro...

Michel Pigneres, chest of drawers, brass, chrome-plated steel, mirrored glass, France, 1970s This exquisite cabinet is beautifully designed featuring a nice structure of sharp lines...

The print 'Jones Island' is something of a self portrait. In the image, an artist stands before and easel, depicting the docks and buildings on the coast. The title indicates that this is Jones Island in Milwaukee, the peninsula along Lake Michigan that today is home to largely industrial buildings. The buildings and figures in the print suggest that this might be a view of the last of the Kashubian or German immigrant settlements on the peninsula before they were evicted in the 1940s to make way for the development of the harbor. The artist in the image thus acts as a documentarian of these peoples. The careful line-work of the woodblock engraving adds a sense of expressionism to the scene, leaving the figures and buildings looking distraught and dirty, though the image nonetheless falls into the Social Realist category that dominated American artists during the Great Depression. This print was published in 1936 as part of the Wisconsin Artists' Calendar for the year 1937, which included 52 original, hand-made prints – one for each week of the year. 6 x 5 inches, image 10 x 7.13 inches, sheet 13.43 x 12.43 inches, frame Signed "GS" in the print block,upper left Entitled "Jones Island" lower left (covered by matting) Inscribed "Wood Engraving" lower center (covered by matting) Artist name "Gerrit V. Sinclair" lower right (covered by matting) Framed to conservation standards using 100 percent rag matting and museum glass, all housed in a silver gilded moulding. Gerrit Sinclair studied at the Art Institute of Chicago from 1910 - 1915, under Vanderpoel, Norton, and Walcott. In World War I, he served in the Army Ambulance Corps and later recorded his experiences in a series of oil paintings. He taught in Minneapolis before arriving in Milwaukee in 1920 to become a member of the original faculty of the Layton School of Art. He was also a member of the Wisconsin Painters & Sculptors. Sinclair's paintings and drawings were executed in a lyrical, representational style, usually expressing a mood rather than a narrative. His paintings reveal a great sensitivity for color and atmosphere. His subject matter focused on cityscapes, industrial valleys, and working-class neighborhoods, captured from eye-level. A decade before the popularity of Regionalism, Sinclair's strong interest in the community was reflected not only in his paintings, but also in his encouragement to students to return to their communities as artists and teachers. Joseph Friebert...

Commode in white cream mirrored glass. Chest of drawers mirrored. Credenza Two drawers with brake, silent closing. Depth of the drawers: 13.78 in. Wi...