Thomas Chippendale Side Chairs

Late 19th century very unique English side chair in solid oak with carved back in floral motif. Two long vertical open slats (one to each side of the back) add to the unique design o...

Pair of circa 1815 English Regency period side chairs attributed to renowned cabinetmakers Morel & Hughes having parcel-gilt and gilt-metal mounted rosewood 'klismos-form' frames; th...

We are delighted to this very rare pair of Thomas Chippendale era circa 1760 Library chairs with period embroidered upholstery These are a very rare and highly collectible pair of Library chairs, they were made in the Chippendale era and closely after his designs, the fret work carving, ornate legs, all very finely executed by a master craftsman The upholstery is all original embroidery, the colours are very much of the period and not seen on later reproduction pieces. These are an exceptional example and would be highly prized in any collection The chairs have been lightly restored to include some work to the carvings, the timber has been sympathetically French polished to ensure none of the original charm and patina has been lost A period pair of Chippendales by the great man himself (which these could be) would retail for the high hundreds of thousands, however alas Chippendales are only originals if they come with iron clad provenance, a difficult thing to keep hold of for nearly 250 years. One of the chairs has a plaque to the base for Charles Tozer of 25 Brook street London, Mr Tozer was a very well respected Antiques dealer in the early 20th to mid 20th century that specialised in 18th century furniture Dimensions: Height 97cm Width 64cm Depth 65cm Please note all measurements are taken at the widest point Thomas Chippendale (1718–1779) was born in Otley in the West Riding of Yorkshire, England in June 1718. He became a cabinet-maker in London, designing furniture in the mid-Georgian, English Rococo, and Neoclassical styles. In 1754 he published a book of his designs, titled The Gentleman and Cabinet Maker's Director, upon which success he became renowned. The designs are regarded as representing the current British fashion for furniture of that period and are now reproduced globally. He was buried 16 November 1779, according to the records of St Martin-in-the-Fields, in the cemetery since built upon by the National Gallery. Chippendale furniture is much valued; a padouk cabinet that was offered for auction during 2008 sold for £2,729,250. Life "A Design for a State Bed" from the Director, 1762. Chippendale was born the only child of John Chippendale (1690–1768), joiner, and his first wife Mary (née Drake) (1693–1729). He received an elementary education at Prince Henry's Grammar School. The Chippendale family had long been involved with the wood working trades and so he probably received his basic training from his father, though it is believed that he was also trained by Richard Wood in York, before he relocated to London. Wood later ordered eight copies of the Director. On 19 May 1748 he married Catherine Redshaw at St George's Chapel, Mayfair and they had five sons and four daughters. During 1749 Chippendale rented a modest house in Conduit Court, near Covent Garden. In 1752 he relocated to Somerset Court, off the Strand. In 1754 Chippendale relocated to 60–62 St Martin's Lane in London, where for the next 60 years the family business operated, until 1813 when his son, Thomas Chippendale (Junior), was evicted for bankruptcy. During 1754 he also began a partnership with James Rannie, a wealthy Scottish merchant, who put money into the business at the same time as Chippendale produced the first edition of the Director. Rannie and his bookkeeper, Thomas Haig, probably cared for the finances of the business. His wife, Catherine, died during 1772. After James Rannie died in 1766, Thomas Haig seems to have borrowed £2,000 from Rannie's widow, which he used to become Chippendale's partner. One of Rannie's executors, Henry Ferguson...

Pair of English mahogany serpentine back lolling chairs with squared tampered splayed legs and connecting stretchers. Chairs are upholstered in white muslin, Late 18th Century.

A pair of English Chinese Chippendale style iron side chairs from the mid 20th century with intricate backs, grey color, faux bamboo structure and new linen upholstery. Created in England during the Midcentury period, each of this pair of side chairs features a grey colored faux bamboo iron structure inspired by the Chinese Chippendale style. The slightly curving backs, made of a careful arrangement of geometric shapes, are flowing into the hind legs in a graceful manner. A rectangular seat, newly recovered with a neutral toned linen fabric, is resting above four splaying legs connected to one another through an H-Form cross stretcher strengthening the ensemble beautifully. With their Chinese Chippendale lines, sturdy iron material and exotic faux-bamboo influence, this pair of English side chairs...

Circa 1870 Pair 19thC English Mahogany Bobbin chairs for Upholstery A pair of exceptional examples. Measures: W41 x D37 x H84 cm.  

A pair of very well made corner blocked Side chairs in Chippendale style with deep stained hardwood frames. The backs with scrolled top and delicately carved and pierced Harp form ba...

Pair of English mahogany Regency side chairs with scrolled carved splat backs, decorative reeding, and terminating on turned bulbous ringed legs. Early 19th Century. Chairs are uphol...

A fine pair of Chippendale period mahogany side chairs having attractive carved decoration to well-figured pierced splat backs above unusual bowed seats raised on square chamfere...

American Charleston mahogany side chair with carved molded edges, flanking fan corners, centered splat back with Prince of Wales plumes, swags, and terminating on the original tapere...

A simply superb pair of carved George III mahogany chairs, C.1770.   

This armchair is of fine quality and will not disappoint!.