Thomas Edwin Mostyn Figurative Paintings

A boy wades into the creek preparing to set his sailboat on a journey down the creek in this romantic narrative late Victorian oil painting. This painting tells a story, set in an id...

Elias Muukka (1853–1938) Finland Månsken vid stranden (Moonlight by the Shore), 1909 signed and dated 09 oil on canvas unframed 31 × 40.5 cm (12.2 × 15.9 in) framed 44 × 54 cm (17....

signed and dated Otto Sinding Karlsruhe 1873 lower right oil on relined canvas framed 59 × 101 cm (23.2 × 39.8 in) unframed 41 × 83.5 cm (16.1 × 32.9 in) Provenance: The collection ...

Provenance Private collection, St. Petersburg, Florida; Arthur and Holly Magill, Greenville, South Carolina, acquired from the above; Sotheby’s, New York, 30 November 2000, lot 11, s...

As an aesthetic movement, Abstract Art has had its time, at least in terms of being the dominant style of modernism. Fine art can be recognisable again, and Realism is once again rec...

Jacob Eduard Van Heemskerck Van Beest (1828-1894) “Avondgebed; Maleidische tripang visschers onder de hoge kust van Celebes” (Ev...

Orientalist painter (19th century) - View of an Arab city with caravan. 57 x 47 cm (unframed) - 71 x 62 cm (framed). Original oil on canvas, in a contemporary 19th-century carved a...

"Twilight Landscape with Windmill and Church" is a captivating work by Swedish artist Albert Larsson, painted in 1891 when Larsson was 22 years old. The painting captures a landscape steeped in the quietude of dusk, with a sky ablaze in hues of red and orange, signalling the end of the day. The silhouettes of trees are rendered with astonishing detail against the twilight sky, showcasing Larsson's early mastery of light and shadow. Dominating the pastoral scene is a traditional windmill, its blades stilled against the sky, alongside the spire of a church that pierces the horizon. These structures, together with the meticulously painted trees, are testaments to the human presence within the natural world, suggesting a harmony between the two. A notable feature is the small water-filled furrow in the field, which catches the fading light of the sky, creating a pathway of reflection leading the eye through the composition. This detail highlights Larsson's skill in using light to draw attention to elements within his paintings. Albert Larsson, born on November 4, 1869, in Malmö and passing on August 31, 1952, in Lund, was an artist deeply influenced by his education in Copenhagen at the Art Academy and later at Peder Severin Krøyer...

“Jamaican Girl by the Palm Tree, c. 1930” by Will Howe Foote (American, 1874-1965) A fantastic portrait of a young Jamaican woman set against a vibrant palm frond, painted by the re...

signed lower right oil on canvas unframed 37 × 50 cm (14.6 × 19.7 in) framed 51.5 × 63 cm (20.3 × 24.8 in) This painting depicts Kastellholmen as seen from Skeppsholmen, rendered un...

"Girl friends" original painting 100x80 cm. The artwork is painted with acrylic paints on linen canvas.

A boys face straight from the Renaissance down the centuries to the studio of Sax Berlin. Created in Medieval style this portrait could quite easily belong in the Uffizi collections ...