Thomas Michael Alleman

Thomas Alleman’s urban landscapes convey the pulsating energy and sensual excitement of city life. With an eye for the visual rhythms and geometry of buildings, highways and parks, h...

Thomas Alleman’s urban landscapes convey the pulsating energy and sensual excitement of city life. With an eye for the visual rhythms and geometry of buildings, highways and parks, h...

This listing is for the unframed photograph. This editioned print is #17/25 . The Robin Rice Gallery proudly announces SUMMERTIME Salon 2019, an annual photography exhibit featurin...

Black and White, Paris, France, Landmark, Europe, Architecture, Urban, City, notre dame, b&w, black & white, vignette, still life, photography, art, art photography, nude Listing is ...

This listing is for the unframed photograph. The Robin Rice Gallery proudly announces SUMMERTIME Salon 2019, an annual photography exhibit featuring gallery artists as well as a fe...

Any commuting New Yorker's worst nightmare- an overturned umbrella. A scene that many people would walk by unaware, Alleman captures the true misfortune and despair portrayed in a si...

Black and White, Urban, American, Los Angeles, hollywood, street sign, street, highway, black & white, b&w, vignette, high contrast, car, driving, motion Listing is for UNFRAMED pri...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 15. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: Since the inception of Sunshine & Noir in 2001, Alleman has shot extensively in Los Angeles, New York, San Francisco and other American cities. In his latest iteration Alleman takes a detour beyond the frenetic landscapes of urban America into Paris - playfully guiding the viewer through a simultaneously familiar and foreign geography. In the exhibition, square and panoramic landscapes and iconic landmarks stretch across the gallery, where Alleman creates intrigue by re-expressing instantly recognizable subjects. Images with blurred, vignetted edges epitomize his surrealist style, haunting throughout the series. His artful mastery at capturing movement is seen in the invitational image, San Fernando Valley, LA, where a van is swallowed by a mass of twisted bicycles. The blurred clouds above give the illusion that the broken down vehicle is actually racing down the highway. This interesting paradox of a decrepit van seemingly in lively motion reflects Alleman’s trademark style - quirky, humorous, and often nostalgic. His love for the ironic and misplaced becomes further evident in the panoramic California Theater Marquee...