Thomas Weeks Decorative Objects

Large English Style Cathedral Crown Escapement Fusee Striking Skeleton Clock Here is a very nice looking English style Cathedral form skeleton clock. It sits on a black base and pro...

Mahogany longcase by Thomas Morgan, Edinburgh Fine mahogany case standing on bracket feet with canted reeded corners. Long break arch trunk door, swan neck pediment, reeded pillar...

Very fine English early to mid-19th century Gothic clock of important scale having carved and gilt pediment and polychrome decorated case with trefoil tr...

An Exceptional Early English Fusee Carriage Clock Attributed to Thomas & James Ferguson Cole London, circa 1833–1838 An exceptional early English fusee carriage clock, attributable to Thomas Cole and his brother James Ferguson Cole, two of the most important and innovative English clockmakers of the nineteenth century. Although unsigned by the brothers themselves, this clock can be confidently attributed on stylistic, technical, and constructional grounds, as documented by John Hawkins in The Hawkins Pictorial Survey of Cole Clocks, Part I. This example represents a Phase I, Type I Cole carriage clock, placing it among the very earliest surviving carriage clocks produced by the Cole brothers. The design and engraving are characteristic of Thomas Cole, while the movement is the work of his elder brother James Ferguson Cole, whose bespoke mechanisms are widely regarded as technically superior and highly individual. The clock is fitted with an eight-day single-chain fusee movement with English lever escapement, the backplate numbered 2020. Hawkins illustrates an almost identical backplate on p. 400. Of particular importance is the distinctive reinforcing bridge to the mainspring, a hallmark of early James Ferguson Cole movements. This bridging system was designed to provide additional strength and depth to the mainspring in these miniature fusee clocks...

A refined and beautifully proportioned Edwardian mahogany mantel clock of elegant Gothic-arched form decorated with delicate satinwood inlay depicting bows, floral garlands and class...

Antique 19th century Georgian, key wind, double / twin fusee bracket clock with pull chime cord. Flame mahogany case with oxbow top and carved pinwheels and scrolls. Sides feature br...

This superb George III longcase clock is veneered throughout with patinated figured mahogany of excellent colour. The base, trunk with openin...

Victorian gilded striking carriage clock Victorian carriage clock in a fine gilded case standing on a raised base with dentil moulding and r...

George III Bell Top Bracket Clock Fine flame mahogany case with ormolu mounts and ormolu caryatids standing on bracket feet. Silvered dial with subsidiary dial for strike/silent,...

Late Victorian walnut break arch mantel clock standing on a raised plinth and resting on four outswept gilded paw feet and surmounted by four flame finials and a central finial. H...

A highly refined and elegant late Georgian mantel clock by the celebrated London maker Thomas Weeks (1743–1834), signed on the enamel dial “Semaine à Londres”. This sophisticated bil...

Art Nouveau mahogany mantel clock Art Nouveau balloon clock standing on a raised plinth and resting on four bun feet in a fine mahogany case with br...