Thornton Dial Art

In Thornton Dial's assemblage, masklike faces with staring eyes and open mouths emerge from a dense maze of layers streaked in red, white, blue, and black. Ropes painted brown snake ...

In Thornton Dial's assemblage, masklike faces with staring eyes and open mouths emerge from a dense maze of layers streaked in red, white, blue, and black. Ropes painted brown snake over the surface, twisting into bodies that stretch from one side of the painting to the other. Additional objects have been attached to the surface—a paint-covered metal grill at the top and a wire rack on the right edge, for example—which accentuate the artwork's sculptural appearance. The resulting lattice of colors, forms, and objects gives the impression that, if the artwork's strata were excavated, much more could be discovered. In many respects, "excavation" is an appropriate way to approach Top of the Line (Steel).By layering paint and objects that Dial collects from around his home in Bessemer, Alabama, a suburb of Birmingham, the artist creates a series of evocative relationships. Dial encourages viewers to look closely at the artwork, excavating meaning from the interplay of forms and even from the title, which has several interpretations. For example, "top of the line" refers both to a position in an assembly line...

Born in Emelle, Alabama in 1928, artistic giant Thornton Dial - who never learned to read or write - rose to the pinnacle of contemporary art history over a thirty year trajectory th...

In Thornton Dial's assemblage, masklike faces with staring eyes and open mouths emerge from a dense maze of layers streaked in red, white, blue, and black. Ropes painted brown snake over the surface, twisting into bodies that stretch from one side of the painting to the other. Additional objects have been attached to the surface—a paint-covered metal grill at the top and a wire rack on the right edge, for example—which accentuate the artwork's sculptural appearance. The resulting lattice of colors, forms, and objects gives the impression that, if the artwork's strata were excavated, much more could be discovered. In many respects, "excavation" is an appropriate way to approach Top of the Line (Steel).By layering paint and objects that Dial collects from around his home in Bessemer, Alabama, a suburb of Birmingham, the artist creates a series of evocative relationships. Dial encourages viewers to look closely at the artwork, excavating meaning from the interplay of forms and even from the title, which has several interpretations. For example, "top of the line" refers both to a position in an assembly line...

In Thornton Dial's assemblage, masklike faces with staring eyes and open mouths emerge from a dense maze of layers streaked in red, white, blue, and black. Ropes painted brown snake over the surface, twisting into bodies that stretch from one side of the painting to the other. Additional objects have been attached to the surface—a paint-covered metal grill at the top and a wire rack on the right edge, for example—which accentuate the artwork's sculptural appearance. The resulting lattice of colors, forms, and objects gives the impression that, if the artwork's strata were excavated, much more could be discovered. In many respects, "excavation" is an appropriate way to approach Top of the Line (Steel).By layering paint and objects that Dial collects from around his home in Bessemer, Alabama, a suburb of Birmingham, the artist creates a series of evocative relationships. Dial encourages viewers to look closely at the artwork, excavating meaning from the interplay of forms and even from the title, which has several interpretations. For example, "top of the line" refers both to a position in an assembly line...

Hand-signed "TD" in pencil lower right corner Provenance: William Arnett Atlanta, GA

This is a unique work Hand signed "TD" front lower left corner Titled and dated verso (on back)

Three dimensional construction Museum deaccession: McKissick Museum of Art Columbia University, SC Custom frame: 43" high x 83" wide

Initialed "TD" in pencil lower right front corner Contemporary gold leaf frame dimensions: 38" high x 48" wide Provenance: Skot Foreman Fine Art

Hand-signed with initials "TD" lower right corner Titled and dated on the back (verso) Provenance: Skot Foreman Fine Art

Unique Hand-signed with Initials "TD" lower right Provenance: Skot Foreman Fine Art

Oil pastel and graphite on archival paper Hand-signed with the artist's initials "TD" lower right Custom frame dimensions: 52" high x 39.25" wide Provenance: Skot Foreman Fine Art

Unique Charcoal, colored pencil and graphite on archival paper Initialed "TD" (Thornton Dial) lower left Custom framed dimensions: 47.5" high x 62" wide Provenance: Skot Foreman F...