Tim Orr Figurative Sculptures

An exceptional and rare piece by Tim Orr. Provenance : His own garden ( we conserve the exterior patina ) Made in 1970s In three parts. Not signed

A scarce fine quality neoclassical Empire style vasiform gilt bronze ormolu church religious relic altar monstrance reliquary. Exquisitely hand-crafted in Continental Europe in the second half of the 19th century, most likely French Napoleon III Period (1852-1870), having a fanned cross crest, above winged angel mask, central oval display...

Using the vernacular of the vessel, I use earthenware clay to create intimate spaces. Each form employs a language that reveals its intentions. My interest lies in the slight shifts ...

Biomorphic ceramic sculpture by Tim Orr, Frane c 1970. Mottled earth tones glaze. Piece unique. Born in England, Tim Orr is a sculptor, painter and ceramist. He moved to Biot, Franc...

A large sculptural ceramic vessel by British potter Alan Wallwork (1931 to 2016). The vessel has a grooved crescent form in neutral brown tones, with...

Keith Simpson rather instinctively made ceramic cacti for the show. They were a last minute thought that evolved out of a daydream. Keith was musing about the possibility of moving t...

A porcelain sculpture with black glaze decoration by Tim Orr. Perfect original conditions. Signed under the base, circa 1970.

An elegant porcelain sculpture represented a woman body with mat black glaze decoration by Tim and Jacqueline Orr. Signed at the base "Tim Orr". circa 1970-1980.

An elegant ceramic sculpture by Tim Orr. Signed under the base, circa 1970.

This dynamic coil form object is hand created and fired. The artist achieves the beautiful yellow amber matte surface by sandblasting the sculpture after removing it from the kiln. Jerilyn Virden Amber Recoil Handbuilt earthenware, hollow construction, glazed & sandblasted 12.50 H x 14.50 W x 15.50 D in 31.75 H x 36.83 W x 39.37 D cm Jerilyn Virden Selected Exhibitions 2012 SOFA NY, Ann Nathan Gallery, New York, NY 2011 SOFA Chicago, Ann Nathan Gallery, Chicago, IL 2009 Simply Formal, Arizona State University Museum of Anthropology, Tempe, AZ. Abstraction, Santa Fe Clay, Santa Fe, NM. Smithsonian Craft Show, Washington, DC. Penland: Great Artists, Great Teachers, Habatat Gallery, Tysons Corner, VA. 2009 Yunomi invitational, Akar, Iowa City, IA. 2008 Possibilities: Rising Stars of Contemporary Craft, Mint Museum of Craft + Design, Charlotte, NC. 38th Annual Ceramics Show, Crossman Gallery, U of Wisconsin-Whitewater, Whitewater, WI. SOFA New York, SOFA Chicago, and Palm Beach³, Ann Nathan Gallery. Red, Santa Fe Clay, Santa Fe, NM. New, Penland Gallery, Penland, NC. Fellowship Exhibition, Rocky Mount Arts Center, Rocky Mount, NC. 2007 SOFA New York, Chicago, and Palm Beach 3, Ann Nathan Gallery Core Sample, James Patrick Gallery, Wiscasset, ME. By Six, Santa Fe Clay, Santa Fe, NC. Cup of Tea, Penland Gallery, Penland, NC. 90 Teapots (More or Less), Xen Gallery, St. Louis, MO. Perspectives on Containment, TRAC Gallery, Burnsville, NC. Coming Up Down South, Blue Spiral 1...

Jacqueline and Tim Orr 20th century design white ceramic porcelain vase Signed under the base Circa 1970 Original perfect condition Height ...

organic form sculptural glazed ceramic lamp by Arpad Rosti. Dark blue-green and grey in color. Best known for his remarkably inventive lamps, trays and vessels designed in organic, free form shapes, Arpad Rosti was a highly versatile artist, equally at home in both the ceramics and enameling fields. While most of his work was done in either clay or metal, in the late 1940s he also ventured into furniture design when he produced a group of tables in treated wood, mosaic, copper, and glass. His one-of-a-kind furniture was exhibited in 1949 at the Chinese Gallery in New York and written up in the New York Times. As further evidence of his wide-ranging talents, in 1972 he was commissioned to produce a stained glass window for a residence in North Caldwell, New Jersey which New York Times critic Joan Cook described as “a miracle of color and light.” Born in Subotica, Yugoslavia in 1909, Rosti studied architecture at the School of Industrial Arts in Budapest. In 1940, he moved with his wife Ilona to the United States and settled in New York where he became a naturalized citizen in 1945. In 1947 his work was featured in an exhibition organized by the Craftsmen’s Equity and presented at the Barbizon-Plaza Galleries in New York. The organization, of which he was President, aimed to “put craft on a business basis without sacrificing the individuality inherent in handmade articles.” Throughout the 1950s Rosti’s work was regularly chosen for the prestigious National Ceramic Exhibitions at the Syracuse Museum of Fine Arts (now known as the Everson Museum). It was included in seven of these exhibitions between 1946 and 1958 and in 1947 Rosti’s work was singled out by the New York Times critic Edward Alden...