Toma Yovanovich Paintings

Ms De Pinna was part of the Provincetown modernist art movement and was a student of legendary artist/teacher Hans Hoffman. Vivian (Foster) De Pinna was a su...

This contemporary expressive impressionist abstract floral painting, Roses and Two Apples, is a radiant work by French artist Natalya Mougenot, known for her emotionally intuitive an...

Bold floral abstract expressionist still life by Allie Bill Skelton (American, 1942-1986). Unsigned but was acquired with a collection of other Skelton pieces. Unframed. 30"H x 24"W. Allie William “Bill” Skelton (American, 1942-1986) was a painter and sculptor active in San Francisco who was involved in the gay art scene of the 1960s and 1970s. "Transition" Bronze sculpture, 1984, on permanent display at Grower's Square, Downtown, Walnut Creek...

A wonderful large abstract still life oil painting with figures by Brazilian artist Menelaw Sete (aka Sete Menelaw, b. 1964). Menelaw Sete is internationally known as “The Picasso of...

Colorful Modernist Still Life with Impasto Flowers by Ellis Hopkins (American, b. 1952). This bold still life features an array of flowers as its central focus. The painting is ren...

Acrylic and oil on paper. Unframed. Claude Tétot is a French abstract artist whose work expresses harmony in disharmony by exploring the enigmatic unity that can exist between seem...

Oil on canvas - Unframed This painting was motivated by restraint and resisting the urge to fill up the empty white space of the canvas. Werfel employs expressive, lyrical gestures...

Abstract Floral painting with geometric vase by Stephanie Marrott (American, 20th Century). Original acrylic on artists board. Signed lower right "Stephanie Workman Marrott" in pen. ...

A powerful abstract oil painting on canvas by Jean Soyer (23.6 x 23.6 inches). The artwork features dramatic sweeping strokes in vibrant orange and deep black, created using large br...

Aleksandr Rodin (1922-2001) Painter Born in a family of farmers. Wife Rasma Lace - art scholar. Studied at the Stalingrad School of Art, Saratov Art School, graduated from the Depar...

Flowers of life. Bilateral. Oil on cardboard, 73x65 cm Aleksandr Rodin (1922-2001) Painter Born in a family of farmers. Wife Rasma Lace - art scholar. Studied at the Stalingrad Sch...

Jim’s of Lambertville is proud to offer this artwork by: Vaclav Vytlacil (1892-1984) He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the School of the Art Institute of Chicago, returning to New York when he was 20. From 1913 to 1916, he enjoyed a scholarship from the Art Students League, and worked with John C. Johansen (a portraitist whose expressive style resembled that of John Singer Sargent), and Anders Zorn. He accepted a teaching position at the Minneapolis School of Art in 1916, remaining there until 1921. This enabled him to travel to Europe to study Cézanne’s paintings and works of the Old Masters. He traveled to Paris, Prague, Dresden, Berlin, and Munich seeking the works of Titian, Cranach, Rembrandt, Veronese, and Holbein, which gave him new perspective. Vytlacil studied at the Royal Academy of Art in Munich, settling there in 1921. Fellow students were Ernest Thurn and Worth Ryder, who introduced him to famous abstractionist Hans Hofmann. He worked with Hofmann from about 1922 to 1926, as a student and teaching assistant. During the summer of 1928, after returning to the United States, Vytlacil gave lectures at the University of California, Berkeley, on modern European art. Soon thereafter, he became a member of the Art Students League faculty. After one year, he returned to Europe and successfully persuaded Hofmann to teach at the League as well. He spent about six years in Europe, studying the works of Matisse, Picasso, and Dufy. In 1935, he returned to New York and became a co-founder of the American Abstract Artists group in 1936. He later had teaching posts at Queens College in New York; the College of Arts and Crafts in Oakland, California; Black Mountain College in North Carolina; and the Art Students League. His paintings exhibit a clear inclination toward modernism. His still lives and interiors from the 1920s indicate an understanding of the art of Cézanne. In the 1930s, his works displayed two very different kinds of art at the same time. His cityscapes and landscapes combine Cubist-inspired spatial concerns with an expressionistic approach to line and color. Vytlacil also used old wood, metal, cork, and string in constructions, influenced by his friend and former student, Rupert Turnbull. He eventually ceased creating constructions as he considered them too limiting. The spatial challenges of painting were still his preference. During the 1940s and 1950s, his works indicated a sense of spontaneity not felt in his earlier work. He married Elizabeth Foster in Florence, Italy, in 1927 and they lived and worked in Positano, Italy for extended periods of time. Later on, they divided their time between homes in Sparkill, New York and Chilmark, Massachusetts, where Vyt, as he was affectionately called, taught at the Martha's Vineyard Art...