Tony Bennett Paintings

This painting named "Sunkissed sunflowers in a terracotta vase " celebrates my love for these beautiful joyful summer flowers. Van Gogh and my admiration for his art, inspired me ...

This painting named "Lost in the beauty of pink dahlias" celebrates my love for these beautiful elegant delicate flowers growing in terracotta pots. Van Gogh and my admiration for h...

Village is an original drawing in China ink on paper realized by an Anonymous artist of the XX century. The State of preservation is very good wit...

Delicate and detailed drawing of a harvester in the field by an unknown artist. A team of horses is pulling a large harvester, controlled by four people riding on the machine. To the...

Moulin Rouge is an original drawing in China ink on paper realized by an unknown artist of the XX century. The State of preservation is very goo...

Collection of three large watercolours two of which are framed. With 15 other ink drawings by the fabulous Irish Artist Ismaena R Warren, a prolific book illustrator. All made in Mad...

White Whispers - This original artwork on watercolour paper captures an expressive arrangement of delicate white flowers in a vase. Layering of acrylic and oil pastel with intuitive ...

Initialed in cartouche bottom center Provenance: Robert L. B. Tobin Foundation Matted but Unframed

Title: Mid Century Expressionist Tree Study Blue Ink Drawing Medium: Blue ink on textured paper, unframed Size: 11.75 x 8.75 inches (height x width) ...

Rodrigo Spinel finds in drawing a way to explore the relevance of detail in the construction of images, objects and spaces. The repetition of tiny elements, such as the line in a dra...

In BOOM BUST REPEAT17, Peña creates a silhouette of house and fills it with sharpe-edged shapes that contain gradients and saturated hues of red, green, and violet. He balances these colors with muted tones of orange and yellow . The viewer can create a house that is yet to be built in between the gaps here. In "Boom, Bust, Repeat", Peña remarks on a house and landscape that has yet to take place. The painting is created with watercolor and acrylic paint on paper. In the foreground we see Sintra board or flattened PVC that has been CNC routed. In the "soil" beneath the house are small circular lines that have been hand drawn with India ink. The Sintra board has been cut to reveal arrows in the negative space pointing upwards as to hint at a boom in the market. Peña’s works range from painting to multimedia installations that question the ever-changing psychological landscape of America; asking the viewer to re-examine their perceptions of the “American Dream” and the affects that pursuit has on our environment and national psyche. The realization that both the idealistic pursuit of happiness and the relevance of painting in a technologically driven world informs his practice. With each composition the labor begins with digital composites of a fragmented American landscape in peril —where tension lies in the contrasts between past and present, analog and digital, representation and abstraction, and stability and instability. In his most recent series the American home (stability) and fragmented and shifting landscape (instability) are veiled by a digitally produced mat. Traditionally a mat is, by definition, a flat, thin piece of paper based material included within the picture frame and serves as additional decoration when framing artwork. He activates this commonly overlooked material by using a non-traditional material, Sintra (flattened sheet of PVC), that has a negative digitally drawn image cut-out. This cut-out might, at first glance, look hand cut however, a more astute viewer would realize the precision is mechanical. The mat has been transformed from inactive decoration to digitally produced veil that represents the technologically anxious precision we surround ourselves with. Nick Peña...

"Cactus", by Christina Haglid, is a painstakingly detailed watercolor of a Saguaro Cactus on panel. Each needle from the cactus is evident in this small scale painting. The background gives the idea that is a scene from a solarium with its blurred window panes. The piece is floated within a white wood frame and measures 4.75h x 3.75w inches. Christina Haglid Cactus watercolor and gouache on panel 4h x 3w in 10.16h x 7.62w cm Tiny Sanctuaries There has always been an intersection between the process of writing and the act of painting in my work. It has somehow been my guide. In the last four years, during the making of this work, that connection intensified as I started writing short stories and flash fiction while taking online classes. I find the process of writing and painting so different in almost every way, but there is something freeing and generative in writing which helps my painting process. Or perhaps it's a reminder of what painting is for me - something intuitive that needs to be trusted. And what they do have in common is a desire to encapsulate and distill a single moment, a story, about the complexity of our emotions and experiences. At the heart of my work is the recurring depiction of perseverance, strength of will, and a subtle optimism. Symbolically through the objects, precarious situations depict a moment of possible difficulty, often involving the influence of nature. A paper crane left in the snow. A boat nearly filled to the brim, but not submerged and able to drain its own contents carefully. A slide alone at night...