Topform Furniture

A rare set of six beautifully crafted oak and rush mid-century modern period brutalist dining chairs attributed to Guillerme et Chambron. The renowned French mid-century interior des...

Set of Four Brutalist Oak Dining Chairs, Belgium, 1960s This authentic set of four solid oak dining chairs perfectly embodies the expressiv...

Danish Brutalist Oak Dining Chairs by Henning Kjærnulf, 1960s. Set of 6. Set of six Scandinavian Mid-Century Modern sculptural dining chairs in solid light Nordic oak by Danish arch...

Danish Brutalist Oak Dining Chairs by Henning Kjærnulf, 1960s. Set of 6. Set of six Danish Mid-Century Modern dining chairs designed by Danish architect Henning Kjærnulf and manufac...

Danish Brutalist Oak Dining Chairs by Henning Kjærnulf, 1970s. Set of 6. Set of six Scandinavian Mid-Century Modern dining room chairs attributed to Henning Kjærnulf and made in Den...

Set of six dining chairs A striking set of six Dutch dining chairs from the 1970s, embodying a bold Brutalist aesthetic with a nod to the architectural influence of Afra and Tobia S...

Wrapped entirely in richly textured striped upholstery, this vintage sofa carries a low, architectural silhouette with a clean, blocky profile. The weave moves through oatmeal, tobac...

FREE LOCAL DELIVERY WITHIN NEW YORK CITY Curved sofa from the late 20th century, featuring an organic, bean-like shape. The backrest slopes asymmetrically to provide better support ...

The Torbecchia series was designed by Giovanni Michelucci for Poltronova and dates to approximately 1964. The name Torbecchia refers to the locality of Torbecchia, near Pistoia, whi...

Launch in first class comfort with this spaceship like pair of 1990s ivory white bouclé Post Modern swivel chairs by Preview. Gorgeous sculptural silhouette. Uber luxurious modern lo...

A hallmark of Danish cabinetry from the golden decade of Scandinavian design, this Model 18 credenza was designed by Gunni Omann for Omann Jun Møbelfabrik, the Ølholm-based workshop his father Andreas founded in 1933. Rendered in warm, book-matched teak, the piece embodies the quiet discipline that defined Gunni Omann's mature output: taut proportions, restrained ornament, and construction detailing left honestly visible rather than concealed. The front elevation balances a bank of four drawers against a pair of wide sliding doors, each opening onto its own cabinet with an adjustable interior shelf. The top drawer is felt-lined and divided, offering a dedicated compartment well suited to flatware or small keepsakes. Drawer fronts are fitted with the sculpted, integrated pulls characteristic of the model, while the doors are hung with the model's signature blade-style pulls, their slim vertical profile echoing the credenza's tapered legs and reinforcing the design's overall restraint. Drawer boxes are dovetailed in a lighter beech, a construction choice typical of Omann Jun's better production runs and a useful marker of authenticity for the model. The case is finished on the back, allowing the credenza to stand freely away from a wall or anchor the center of a room without compromise — a detail not always found on case pieces of this era, and a meaningful plus for anyone using it as a room divider or floating console. The case rises on tapered, gently splayed solid teak legs, lending the long form a sense of lift rather than mass. Model number stamped to the base, consistent with original Omann Jun labeling practice. A versatile scale for a sideboard, console, or media credenza, equally suited to a dining room, entry hall, or living space in need of a long, quietly confident anchor piece. **Dimensions** Height: 31 5/8 in / 80.3 cm Width: 78 5/8 in / 199.7 cm Depth: 18 3/4 in / 47.6 cm **Condition** Presented in very good vintage condition with wear consistent with age. The case retains excellent presence overall; the base shows no notable flaws. Drawers operate smoothly, with one showing a small surface dent. A faint horizontal dent is present on one sliding door, visible only under raking light; the opposite door has a professionally repaired handle. The right side shows a minor edge imperfection and a small area of discoloration at the top. The top surface carries light scattered dents and scratches typical of a well-used credenza...

This iconic stunning rosewood credenza from the Componivel series was designed by Jorge Zalszupin (1922-2020) and manufactured by his own company, L'Atelier, in the 1960s. It's inst...

Vintage Danish Rosewood Sideboard by Gunni Omann for Omann Jun's Møbelfabrik, 1960s. Large and spacious rosewood/palisander high board model no. 19 designed by Gunni Omann for Omann ...

A rare three-seat sofa designed by Marzio Cecchi in the 1970s. The sculptural form is defined by distinctive ribbed leather arms, which frame the piece with a strong architectural rh...

Produced by Troeds Bjärnum of Sweden during the firm's most celebrated decade, this teak credenza exemplifies the restrained precision that defined Swedish modernism at its peak. The...