Tracey Emin Art

Tracey Emin Every part of me's bleeding Offset lithograph poster, 1999 Published by: Lehmann Maupin Gallery, 39 Greene Street, SoHo, NYC Boldly signed and dated 2025 in silver sharpi...

Edition of 100 Lithographic print in 2 colours on Somerset 300 gsm paper 90 x 68 cm (35.4 x 26.7 in) Signed, numbered and dated by the artist.

Tracey Emin It - didnt stop - I didnt stop, 2019, from the exhibition TRACEY EMIN/EDVARD MUNCH: THE LONELINESS OF THE SOUL (hand signed), 2021 Offset lithograph promotional card (han...

Tracey Emin Every Bodies Been There (signed twice), 1998 Lithograph on paper Underneath that existing plate signature, Tracey Emin has, exceptionally hand signed and dated the work f...

Tracey Emin My Heart is with you Always, 2015 Offset lithograph on silk-finished paper Signed by the artist, on recto 70 x 50 cm Edition of 500 Published by Emin International Trac...

Lithograph printed in colours, 2015, signed in pencil, dated, numbered edition of 78/300 there were also 30 artist's proofs, on wove paper, printed and published by Counter Editions,...

Polymer gravure etching, 2016, signed in pencil, dated, titled, edition of 100, published by Emin International, London, on Somerset wove paper (unframed) sheet: 45 by 53cm.; 17¾ by ...

2022 Lithograph on Somerset Velvet Warm White 400gsm paper 94 x 74 cm Edition of 50 Signed, numbered, dated and titled by Tracey Emin Published by Counter Studio, Margate Tracey Emi...

2015 Patinated bronze 37.5 x 42.3 x 2.6 cm The edition number, date, Tracey Emin's initials and foundry mark stamped on the reverse The edition previously exhibited at Galleria Lorca...

Published by the Royal Academy

Tracey Emin I Could Feel You, 2015 Archival quality giclée print on Purcell Ultrasmooth Fine Art Paper 300 GSM 9 1/2 × 12 inches Plate signed Unframed Rare archival quality, giclée reproduction of Tracey Emin's original gouache I Could Feel You, which is in the permanent modern art collection of the Tate. This was printed back in 2015 in an undisclosed limited edition, and is now long sold out. More details about the original 2014 work are on the Tate Gallery's website as follows: Emin, whose work is often candidly autobiographical, scrutinises her relationship with her own body, using drawing...

Tracey Emin Kiss Me Kiss Me Towel, 2014 with Official plate signed COA Brand new: unframed and comes folded (framed images for inspiration only) Limited Edition silkscreen on oversiz...

racey Emin, in full Tracey Karima Emin, (born July 3, 1963, Croyden, Greater London, England), British artist noted for using a wide range of media—including drawing, video, and installation art, as well as sculpture and painting—and her own life as the subject of her art. Her works were confessional, provocative, and transgressive, often portraying sexual acts and reproductive organs. Critics were seldom lukewarm in their response to her. Like Damien Hirst and Sarah Lucas, she was considered one of the YBAs (Young British Artists; also known as the BritArtists) who came to prominence in the 1990s. Emin and her twin brother, Paul, were born to an unwed mother. Their father, who was married to someone other than their mother, was a Turkish Cypriot. Emin grew up in the seaside resort town of Margate. She dropped out of school at age 13 and moved to London at 15. Two years later she attended Medway College of Design (now part of the University for the Creative Arts), Rochester, where she studied fashion. She was accepted without a secondary-school certificate at nearby Maidstone College of Art (also now part of UCA) and earned a fine-arts degree in 1986. Thereafter she obtained a master’s degree in painting (1989) from the Royal College of Art in London. In 1993, in the former London borough of Bethnal Green, Emin and fellow artist Lucas opened a store where they sold their own handmade items. One of Emin’s earliest exhibitions took place in 1993–94 at the influential White Cube gallery on Duke Street (1993–2002). That show, ironically titled “My Major Retrospective,” gave a hint of things to come. It displayed personally significant artifacts from Emin’s life, such as a hospital bracelet and personal correspondence, in addition to a quilt on which she had stitched the names of family members and notes to them. In 1994 Emin undertook a U.S. tour of performance art for which, sitting in her grandmother’s chair...

6.00 x 4.00 in (15.2 x 10.2 cm) Produced during Frieze 2021 week in London (for Air Mail) in a limited quantity (believed to be around 300). Sold in mint condition.

Tracey Emin, Billy and Traci in a Pub, 1984 Woodcut in dark blue on Japon paper, signed and inscribed 'lots love Traci xx' in pencil on the backboard, printed by the artist Test prin...

2014/2015 7 offset lithograph posters Each 70 x 50 cm Edition of 500 Each signed in pen by Tracey Emin Published by Emin International Unframed and in mint condition with the origina...

Tracey Emin No Time 4 Love drawing, 2017 Original ink drawing on a Royal Mail Art in the 20th Century 1st Day Cover Signed, titled and dated in pen on the front Frame included Signed...

2014 Colour offset lithograph on 250 gsm glossy wove paper 70 x 50 cm Edition of 500 Signed and dated in pen by Tracey Emin Published by Emin International Stored in its original tub...

Tracey Emin HRH (Her Royal Highness) Royal Britannia, 2012 Signed, dated and numbered 141/200 in graphite on the front Polymer gravure on Zerkall paper Published by Emin Internationa...

Tracey Emin I Love You/I Love Your Soul/I Love Your Smile, ca. 2010 100% Cotton Beach Towel 60 × 70 inches (folded it's 25 x 30 inches) Signed in plate, authorized printed...

I Promise To Love You, 2012 Tracey Emin Embroidery, on linen napkin Signed, dated and dedicated ‘With you in mind’ on the accompanying swing tag as issued The edition size is believed to be only 50 Multiple: 41 × 41 cm (16.1 × 16.1 in) This is one of four embroidered napkin...

Offset lithograph printed in colours unknown edition size signature stamp and comes with a COA from the publishers sheet: 20.0 x 25.0 cm
 32 x 27.4 cm (framed) Tracey Emin is a prom...

Tracey Emin Love is What You Want, 2015 250 gsm silk finish paper. Hand signed on the front by Tracey Emin in white grease pen/sharpie 27 1/2 × 19 7/10 inches Edition of 500 (unnumbe...

Space Monkey – We have Lift Off (signed) (2009), 2009 Signed lithograph 16 1/10 × 22 1/5 in 41 × 56.5 cm Edition of 300

2015 Offset lithographic poster 70 x 50 cm Edition of 500 Hand signed by Emin Published by Emin International Tracey Emin (born 1963) is best known for her intimate, authentic, auto...

Go Forward By Tracey Emin 2013 Signed, titled, dated, and numbered from an edition of 200 in pencil, published by Emin International Polymer gravure etching on wove paper 37 x 3...

Signed, titled, dated and numbered edition of 250 plus 42 artist's proofs. Published by White Cube, London in 2006. Unframed polymer-gravure etching, on Zerkall paper, with full mar...

Tracey Emin "Docket in My Hand" Bronze. Edition of 100. Produced in 2014. Stamped with the artists initials and numbered on base.

Tracey Emin - Emin/Munch The Loneliness of the Soul (Hand Signed by Tracey Emin), 2021 Offset lithograph poster announcement (Hand Signed by Tracey Emin) Boldly signed by Tracey Emin...

Tracey Emin Me + Paul We Are the Trolls, 1995 Monoprint on paper Signed, titled and dated in graphite pencil on the front Unique Frame included: bears original label from Jay Jopling, the founder of White Cube Gallery, Emin's longtime gallery Measurements: Framed (original vintage frame included) 15.5 inches vertical by 20.5 by .75 inches Work 11.5 inches vertical by 16.5 inches horizontal Provenance: The Collection of Douglas S. Cramer, USA Hubert S. Bush Collection USA (with label) Jay Jopling, London (with label) - Jay Jopling is the legendary founder of White Cube Gallery This early (1995) monoprint is part of Tracey Emin's "troll" series, depicting her younger self and her (now estranged) twin brother Paul as children with sometimes murderous thoughts. It was acquired from the collection of Douglas Cramer, (August 22, 1931 – June 4, 2021) a top American television producer who worked for Paramount Television and Spelling Television, producing series such as Mission: Impossible, The Brady Bunch, and Dynasty - who amassed one of the most distinguished collections of contemporary art in the United States. A 2011 Daily Mail article entitled "If you Think Tracey Emin is Wild, say Hello to her Terrible Twin" describes a different monotype, also from the troll series, that Tracey gave to her brother Paul, which he promptly and publicly sold on a TV show, much to her chagrin. The article reads: "Yet there is one person central to Tracey's life who has managed to stay largely shielded from the public eye: her twin brother Paul.. He leads a life that could hardly be more different to Tracey's. She is worth millions, is a household name, owns an estate in the South of France and has A-list friends such as Kate Moss, Orlando...

TRACEY EMIN The Kiss Was Beautiful, 2016 Digital print on 250 GSM Silk Finish Paper 27 1/2 × 19 3/5 inches Edition of 500 Boldly signed in white grease marker by Tracey Emin on the f...

Tracey Emin Tracey Emin: My Photo Album (Hand signed, inscribed and dated by Tracey Emin), 2013 Hardback monograph (hand signed, inscribed to Kevin and dated by Tracey Emin) Warmly signed, inscribed and dated by Tracey Emin on the title page 9 × 7 1/4 × 1 inches Warmly signed, inscribed to Kevin and dated by Tracey Emin on the title page Tracey signed this for the present owner at an official book signing in New York back in 2013, so provenance is direct. Publisher's blurb: My Photo Album is a journey through the life of British artist Tracey Emin using photographs from her personal collection. Edited from the albums she has kept from an early age, this visual autobiography contains some amazing images: Tracey sharing a pram as a baby with her twin Paul, her bus-pass photo aged 14, a ‘glamour’ shoot as a semi-naked art...

Artist: Tracey Emin Title: Curled Up Year: 2022 Medium: Screenprint on Rives BFK paper, deckled edges Edition: 100; signed, titled, dated and numbered in pencil Sheet: 23 3/5 × 30 i...

Tracey Emin It's A CRIME to Live with The Person You don't LOVE, 2121 Giclée print on Hahnemühle FineArt Pearl 285gsm paper, accompanied by official COA with hologram 16 1/2 × 11 2/5...

Tracey Emin - Be Faithful To Your Dreams, 1999 Limited edition embroidered cotton handkerchief with embroidered signature and accompanying card Rare vintage collectible for serious T...

Polymer Gravure on paper. Signed by the artist, dated, and numbered 87/100 in pencil lower margin. Titled in pencil, lower left. Published by White Cube Editions, London.

Published by the Royal Academy

Polymer gravure etching, 2013, signed in pencil, dated, titled, numbered 44/50, on wove paper. sheet: 19.7 by 29.5cm.; 7¾ by 11⅝in.

Woodcut print on 71gsm paper Edition 30 of 50 Signed, numbered, dated and titled Mint. Multiple creases and waving across the sheet, this is apparent across the edition and does not ...

Tracey Emin Beirut, 2006 Offset Lithograph printed in black 16 × 23 inches Edition 99/100 Pencil signed, dated and numbered on the front. Accompanied by a special card from Tracey Em...

Tracey Emin Hand Signed by Tracey Emin: Bazaar magazine homage to David Bowie, 2016 Glossy offset lithograph magazine (uniquely hand signed by Tracey Emin) Boldly signed in silver sh...

Tracey Emin My Bed (Hand signed by Tracey Emin), 2017 Photographic print (hand signed and dated in black marker) Boldly signed in black marker on the front This work is elegantly fra...

Tracey Emin Beautiful Girl II, 2011 Etching, with chine-collé on 300 GSM Somerset paper, with full margins Signed and numbered 52/100 on the front in graphite pencil; also titled by ...

Tracey Emin Museum of Contemporary Art Poster (Hand Signed) Offset Lithograph in Semi-Gloss Paper Signed boldly by Tracey Emin in white grease marker on the front 24 x 18 inches Unfr...

Cast plaster Edition 35 of 100 7 x 7.5 x 4.2 cm (2.8 x 3 x 1.7 in) Signed, dated and titled on the reverse New, as issued. Sold within the original packaging Emin International

Tracey Emin
 Singing Bird, 2007 Lithograph print as a temporary tattoo signed in the plate on the reverse. 4.00 x 3.00 in
 10.2 x 7.6 cm
 Edition of 1500
 The piece was never commer...

Tracey Emin Svart katt / Black cat (2008), from the exhibition TRACEY EMIN/EDVARD MUNCH: THE LONELINESS OF THE SOUL (hand signed), 2021 Offset lithograph promotional print on card st...

Just Waiting, 2022 Tracey Emin Lithograph in colours, on Somerset Velvet Warm White 400gsm Signed, dated, titled and numbered from the edition of 50 Sheet: 65 × 84 cm (25.6 × 33 in)

Tracey Emin (British, born 1963) This is Forever, 2024 Medium: Lithograph on wove paper Dimensions: 80 x 68 cm (32 x 27 in) Edition of 100: Hand-signed, numbered and dated

Cunnilingus By Tracey Emin 2013 Signed, titled, dated, and numbered from an edition of 100 in pencil, published by Emin International Etching on Somerset paper 33.5 x 37cm (fram...

These Feelings Were True - Tracey Emin, Contemporary, Young British Artiststs, Lithograph, Blue, Portrait, Limited Edition 2 colour lithographs on Somerset Velvet Warm White 400gsm (Poprtfolio of 8) Edition 25 of 50, the full Set is offered in matching edition numbers Signed, numbered, and dated by the artist In mint condition, as acquired from the publisher with the original cardboard portfolio Published by Counter Editions Please note: images are for illustrative purposes only, the edition number offered is 25 of 50 Tracey Emin's new set of 8 lithographs depicting herself are incredibly personal auto portraits and revelatory. Viewed almost as an intimate tiny sketchbook of herself, a visual diary. These editions are great examples of Emin's radical painting style which has been influenced by Expressionism. These works showcase universal feelings, raw and bittersweet emotions, which are Emin’s constant subject surrounded around the idea of love, loss, intimacy, and longing. In making herself the subject of her work, and concentrating intensely on figuration, Emin creates bridges with the rich art-historical tradition of the female figure and female nudes. She shows strong emotive force in these pictures, as seen for example in the work of male painters Munch and Schiele, which Emin admires and studied throughout her artistic oeuvre. Emin has said that “when I saw that these portraits did not look like me, I then realized I was actually drawing how I felt inside my head. An expression of myself in different moments, and this idea doing a few of them would be very honest and will be really free… the idea is how I am feeling.” When referencing her previous portraiture practice, Emin said “I would put my face in the work and then I would black it out, it is too much for me to have me in the work, and now it is so weird, I am thinking that it is time for me to start having an entrance to my work. Because I have a good reason to do it. I should be celebrating me as a person and things that make me, me.” TRACEY EMIN A prominent member of the Young British Artists (YBAs), Tracey Emin´s production encompasses different mediums including film, painting, neon, embroidery, drawing, writing, installation and sculpture. Her work is intensely personal, revealing intimate details of her life with honesty and humour. "There should be something revelatory about art. It should be totally creative and open doors for new thoughts and experiences."—Tracey Emin Tracey Emin uses all aspects of her life in her art, turning her autobiography into broader statements about sex, love, death, freedom, and everyday life. This audacious and confessional approach earned her a nomination for the Turner Prize in 1999. The artist received notable acclaim, among others, for her installation My Bed, featuring her unmade bed surrounded...

Colour lithograph on Somerset velvet warm white 400gsm paper Edition 37 of 50 Signed, numbered , dated and titled on the front Mint

Tracey Emin Saying Goodbye, 2018 Polymer gravure on Somerset 300gsm Pencil signed, titled, dated, and numbered 71/100 by Tracey Emin on the front Frame Included: Elegantly floated an...

Tracey Emin Tate Gallery poster, 2004 Offset lithograph 27 1/2 × 19 1/2 inches unframed This offset lithograph poster was published by the Tate Gal...

Tracey Emin’s Another Beautiful Morning captures a fleeting moment of intimacy, rendered with the artist’s characteristic rawness and immediacy. The composition, marked by expressive...

Published by the Royal Academy

The Beginning of Me - Emin, Contemporary, YBAs, Lithograph, Blue, Portrait 3 Colour screenprint on cotton fabric Edition of 175 52 x 46 cm (20.5 x 18 in) S...

Tracey Emin BBC 4 textile (HAND SIGNED and dated by Tracey Emin), 2002 Limited edition screenprint on linen (uniquely signed and dated 2017 in pencil) Pencil signed and dated 2017 on...

Extremely rare when hand signed; the regular limited edition was not signed. Tracey Emin Docket and His Bird Collection plate (uniquely hand signed and inscribed by Tracey Emin), 20...

Tracey Emin One Thousand Drawings By Tracey Emin (Hand signed and inscribed for Nadine), 2009 Hardback monograph with dust jacket (ink signed and inscribed by Tracey Emin) Hand signed, dated and inscribed to Nadine by Tracey Emin 7 × 10 × 2 1/2 inches This is the First Edition of the hardback monograph with dust jacket "One Thousand Drawings" by Tracey Emin - featuring reproductions of 1000 of her drawings. It was hand signed, dated and inscribed in ink to the current owner - our gallery director - at the 2011 Marc Jacobs pop up bookstore in Manhattan. (see attached article for details) Inscription reads: For Nadine Love Tracey Emin 2011 NY X Publisher's Blurb: Tracey Emin has stirred controversy as well as acclaim since she rose to fame as the most highly publicized of the infamous Young British Artists. Though denounced by conservative critics at the outset, Emin’s work has attracted serious critical attention since the early 1990s for being consistently engaging, original, and startlingly direct. Her work has succeeded over the years in many media—from films to appliqués, embroideries, and installations—but it is in her works on paper that the honesty and frankness that have come to characterize her work are most fully realized. Edited by the artist herself from an archive of work stretching back before the beginnings of her career in the late 1980s, A Thousand Drawings is at once a collection of Emin’s works on paper, an exposé of her life as an artist, and a collectible artifact in itself. Many of these works on paper shed light on well-known multimedia pieces, previously studied in Works 1963–2006, published by Rizzoli in 2006. Stripped of the distractions of form and context, her bare and enigmatic drawings are presented on bible-thin paper in a uniquely beautiful slipcased volume, with an introduction by the artist. From considered self-portraits to pen-and-ink drawings and informal studies on lined notebook paper, this remarkable collection is as much a catalogue of Emin’s preoccupations as it is a monument to her raw and evocative talents as an artist. Review “Emin-an artist who is not afraid to wear her heart on her sleeve, or, indeed too embroider it on a blanket-personally chose the pictures for this book, and the delicate sketches are at once a glimpse of the profundity she’s capable of, and a reminder of vulnerability.” ~Nylon Magazine About the Author Tracey Emin was born in London in 1963. Nominated for the Turner Prize in 1999 and chosen to represent Britain at the 52nd Venice Biennale in 2007, Emin is also a member of the Royal Academy of Arts. The author of several books, including Strangeland, her memoir, she contributes regularly to The Independent newspaper and lives and works in London. Publisher ‏ : ‎ Rizzoli; First Edition (July 28, 2009) Language ‏ : ‎ English Hardcover ‏ : ‎ 2016 pages Provenance: Personally inscribed to the present owner (our gallery director) at Bookmarc, NY, a pop up art...