Vieillard Manufacture Furniture

This is a beautiful early plate in a printed blue and white chinoiserie pattern and made of a type of earthenware pottery called pearlware, in the very early 19th century, by one of ...

Large French majolica oyster platter with handle Orchies, circa 1900.

This striking set comprises twelve majolica oyster plates and one large matching serving platter, beautifully crafted in the style of Longchamp, France. Each plate features a vivid g...

Few 19th-century French faience services embody the elegance, artistic refinement and poetic spirit of the Japonisme movement as beautifully as Jules Vieillard Bordeaux’s celebrated “Nella” pattern. More than a dinner service, this remarkable ensemble is a hand-painted work of art, where every piece celebrates nature through an extraordinary variety of exotic birds, flowering branches, butterflies and delicate insects. No two plates are exactly alike, making each place setting a unique composition while preserving the perfect harmony of the whole. Founded in Bordeaux in 1845, the Jules Vieillard manufactory became one of France’s most prestigious ceramic producers. By the 1870s it employed nearly 1,300 craftsmen, ranking among the country’s leading faience manufacturers. Its artistic creations were celebrated at the great international exhibitions of the nineteenth century, including the Gold Medal awarded at the Paris Universal Exposition of 1878, a distinction that firmly established the international reputation of the Bordeaux factory. Created during this golden period, the “Nella” pattern is now regarded as one of the manufactory’s finest and rarest achievements. Inspired by the discovery of Japanese art in Europe during the second half of the nineteenth century, it perfectly reflects the new decorative language that transformed European ceramics. Every piece was individually moulded in fine faience, fired, then meticulously hand-painted by master decorators using coloured enamels before receiving its final transparent glaze and being fired once again. This demanding process ensured exceptional brilliance while allowing each painter complete artistic freedom. Rather than reproducing a single repetitive design, every plate was intentionally decorated with its own individual composition. Kingfishers, parrots and other exotic birds rest upon blossoming branches of prunus, peonies, irises and wild roses. Butterflies, dragonflies and tiny ladybirds animate the white ground with remarkable delicacy, creating the impression of a living garden. The asymmetrical compositions, generous areas of untouched white and graceful movement throughout the decoration perfectly express the refined aesthetic of French Japonisme. Complete “Nella” services have become extraordinarily scarce. Intended for everyday use within distinguished households, most examples were gradually dispersed or damaged over nearly one hundred and fifty years. Today, large coherent ensembles with their original serving pieces seldom appear on the international market. According to family history, this exceptional service remained for generations in an elegant maison de maître on the French Riviera before entering the antiques market. Unlike most surviving examples, which are composed predominantly of plates, this magnificent ensemble retains an unusually rich selection of original serving pieces together with its complete coffee service, making it equally desirable for collectors, designers and prestigious private residences. Composition — 83 Pieces * 27 Dinner Plates – Ø 25 cm (9.84 in) * 14 Soup Plates – Ø 25.5 cm (10.04 in) * 16 Dessert Plates – Ø 22.5 cm (8.86 in) * 1 Covered Soup Tureen * 2 Covered Vegetable Tureens * 1 Covered Serving Dish * 2 Large Oval Serving Platters * 1 Large Fish Platter * 1 Shell-Shaped Compotier * 2 Covered Sauce Boats with Attached Stands * 1 Covered Mustard Pot * 1 Coffee Pot * 1 Covered Sugar Bowl * 1 Milk Jug * 10 Coffee Cups * 11 Coffee Saucers Every piece bears the JVB factory mark beneath, while the principal serving pieces are additionally marked “Nella”, confirming the authenticity of this prestigious model. The overall condition is exceptional considering its age of approximately 150 years. The enamels retain remarkable freshness and brilliance, while the glaze remains beautifully preserved. Minor imperfections are limited to a few discreet hairlines, one deep serving dish displaying slight age-related darkening, one coffee saucer with noticeable staining and the expected traces of careful domestic use accumulated over generations. These small imperfections are entirely consistent with the age of the service and do not detract from its extraordinary visual impact. More than simply an antique dinner service...

L. Bamberger and Co. is a New Jersey founded company which made blue willow in the 19Thc . This blue willow set is in amazing condition and is sold in ...

Majolica 9 shells platter signed Longchamp, circa 1890. Reference / Page 142 "Collecting Oysters Plates" of J. B. Snyder.

A lovely antique late 18th-century to early 19th-century French faience plate with beautiful hand painted flowers and a scalloped rim. It would look fabulous displayed on a wall or s...

English ironstone platter circa 1890. Chinoiserie or Imari style, decorated with flowers.

A late 19th century Nevers French faience pate, hand painted with the image of French patriot Jeanne Charbonnier surrounded by leaves and berries. The im...

The image shows a piece of Imari ware, a style of Japanese porcelain produced in Arita and exported from the port of Imari. This type of porcelain is known for its vibrant colors, ty...

English ironstone platter circa 1890. Chinoiserie or Imari style, decorated with flowers.

A late 19th century Nevers French faience pate, hand painted with flowers and the words " Mirabeau Mort Le 10 Avril 1791" at the center, they translate t...

A lovely large 10" antique 19th Century Chinese plate with a hand painted fire breathing dragon and decorative border in cobalt blue and wh...

Creating a wonderful display for Oysters or sea food this French Majolica oyster plate in lustrous deep colouring, but the well thought of maker Sarreguemines, circa 1890. Six scallo...

Late 19th century French Majolica asparagus plate made by Salins, circa 1880. The asparagus is lain on a bed of leaves and appears to be in a basket w...