Viggo Boesen Slipper Chairs

Initially introduced back in 1938, Little Petra won instant praise at the Copenhagen Cabinetmakers Guild Exhibition, subsequently winning awards at exhibits in New York and Berlin. I...

Initially introduced back in 1938, Little Petra won instant praise at the Copenhagen Cabinetmakers Guild Exhibition, subsequently winning awards at exhibits in New York and Berlin. It’s one of just a few designs by architect Viggo Boesen, who became associated with Denmark’s signature design aesthetic in the 1930s called funkis style. Little Petra is surprisingly petite, able to fit into all kinds of spaces, interiors and environments. Low to the ground...

Initially introduced back in 1938, Little Petra won instant praise at the Copenhagen Cabinetmakers Guild Exhibition, subsequently winning awards at exhibits in New York and Berlin. It’s one of just a few designs by architect Viggo Boesen, who became associated with Denmark’s signature design aesthetic in the 1930s called funkis style...

Initially introduced back in 1938, Little Petra won instant praise at the Copenhagen Cabinetmakers Guild Exhibition, subsequently winning awards at exhibits in New York and Berlin. I...

Initially introduced back in 1938, Little Petra won instant praise at the Copenhagen Cabinetmakers Guild Exhibition, subsequently winning awards at exhibits in New York and Berlin. It’s one of just a few designs by architect Viggo Boesen, who became associated with Denmark’s signature design aesthetic in the 1930s called funkis style. Little Petra is surprisingly petite, able to fit into all kinds of spaces, interiors and environments. Low to the ground, open and embracing, it embodies the essence of a lounge chair, allowing for all kinds of seating positions in any cosy setting imaginable. Designer Viggo Boesen A pioneer of his time, Viggo Boesen (1907 – 1985) made grand gestures in the world of Danish design and architecture, bringing a new perspective to the forefront of the collective imagination throughout the 1930s. His work reflected a new Scandinavian ‘Funkis’ style, a Nordic take on Art Deco, which was popular during the time and brought with it an array of surprising forms and silhouettes. For the Pouf, it's soft and nurturing, an ideal companion. With sheepskin and rounded legs in oiled walnut, it lends an organic warmth to any interior. Pair with the Little Petra for an elegant lounge seating arrangement. Material: sheep skin 17 mm sahara, oiled walnut Dimensions: Little Petra VB1 lounge chair...

The Limited Edition Little Petra chair features beauti­fully crafted solid brass feet and oiled walnut legs, expertly chosen by our in-house design ...

Initially introduced back in 1938, Little Petra won instant praise at the Copenhagen Cabinetmakers Guild Exhibition, subsequently winning awards at exhibits in New York and Berlin. It’s one of just a few designs by architect Viggo Boesen, who became associated with Denmark’s signature design aesthetic in the 1930s called funkis style...

Jens Risom for Walter Knoll, pair of 'Vostra' chairs with ottoman, beech, canvas, brass, United States, design 1941, production 1950s An elegant lounge chair with ottoman featuring ...

Initially introduced back in 1938, Little Petra won instant praise at the Copenhagen Cabinetmakers Guild Exhibition, subsequently winning awards at exhibits in New York and Berlin.It’s one of just a few designs by architect Viggo Boesen, who became associated with Denmark’s signature design aesthetic in the 1930s called funkis style...

Westnofa Scandinavian rosewood lounge chair & ottoman by Ingmar Relling A Mid-Century Modern lounge chair and ottoman made in Nor...

Introducing Wulff, a lounge chair whose upholstered form pays tribute to the hand-crafted designs of the 1930s. Wulff promises superior craftsmanship and outstanding comfort with luxuriantly soft upholstery that covers its seat and backrest. Intended as a lounge chair for the living room...

Initially introduced back in 1938, Little Petra won instant praise at the Copenhagen Cabinetmakers Guild Exhibition, subsequently winning awards at exhibits in New York and Berlin. It’s one of just a few designs by architect Viggo Boesen, who became associated with Denmark’s signature design aesthetic in the 1930s called funkis style...