Vito Acconci Art

From Poemas Para Mirar portfolio. Hand signed and numbered by Rebeyrolle and author/poet Carlos Franqui . Printed by Maeght and Mourlot, Paris. Published by Editart D. Blanco, Ginebr...

This print is part of my private collection. They were published in a numbered unsigned edition of 1000, and a signed edition of 200, printed by Serifraphie Fernand Leger, Paris and ...

This print was made for the American Abstract Artists Portfolio, 1937. All the images were lithographs made on zinc plates. Usually they were signed in the image -- on the plate, as this one is. As a group they explored abstraction in the 1930s, while maintaining their individual styles. The plan was to make an edition of 500 portfolios although it seems highly unlikely that this was accomplished. Ibram Lassaw (1913-2003) was primarily known for his sculpture. Born in Egypt to a Russian family...

John Altoon (American, 1925-1969) From the 'About Women' Series. Color lithograph 1965/66, Hand signed and editioned in pencil with the chop mark of Gemini G.E.L. publishers John Altoon (1925 - 1969), an American artist, was born in Los Angeles to immigrant Armenian parents. From 1947–1949 he attended the Otis Art Institute, from 1947 to 1950 he also attended the Art Center College of Design in Los Angeles, and in 1950 the Chouinard Art Institute. Altoon was a prominent figure in the LA art scene in the 1950s and 1960s. Exhibitions of his work have been held at the Museum of Contemporary Art San Diego, Whitney Museum of American Art, New York, Corcoran Gallery, Washington D.C, Fine Arts Museums of San Francisco, The Baxter Museum, Pasadena, and The Los Angeles County Museum of Art (LACMA). Altoon's work was influenced by the Abstract Expressionism Movement although he is best known for his figurative drawings of the 1960s, with as Leah Ollman describes "a vocabulary of vaguely figurative, botanical and biological forms that he pursued until his death." He was part of the "Ferus group" of artists so called for their association to the Ferus Gallery that operated in Los Angeles in 1957–1966. Some of the other artists included in this group are Edward Kienholz, Larry Bell, Robert Irwin, Billy Al Bengston. He was featured in the Cool School documentary, a film about Altoon and other Ferus Gallery artists such as Walter Hopps and Ed Kienholz...

This print was made for the American Abstract Artists Portfolio, 1937. All the images were lithographs made on zinc plates. Usually they were signed or initialed in the image -- on t...

Alvar Sunol Pencil Signed Lithograph C.1970s Three women around a table Dimensions 21.5" wide x 12.5" high The frame measures 32.75" wide x...

"Torso" by Rufino Tamayo is a Figurative Abstraction Mixographia limited edition measuring 34X26 in. The piece is mounted onto a piece of black board and floated between two pieces o...

Artist: Alexandra Nechita Title: My Journey - Blue Portfolio Artworks: Healing Efforts, Big Hearts Are Never Too Big Year: 1998 Lithographs on Arches Archival Paper    Size; 35½'' x...

Contrasting the words the LIGHT & the DARK, this is an original signed piece bound to provoke an interesting conversation. On the back it is listed that it came from the Joseph H...

Artist: Larry Rivers (1923-2002) Title: Those who Fire, Those Who Run (Boston Massacre) Year: 1970 Medium: Silkscreen and collage on wove paper Edition...

John Altoon (1925-1969) UNTITLED, 1966, color lithograph, hand signed in pencil and inscribed trail proof II, sheet 29 ¾ x 41 ¼, printed by Gemini G.E.L., with their blind stamp low...

Alexandra Nechita Can this be real From the my journey collection - 1999 Print - Lithograph on Arches Archival Paper   35½'' x 23¾'' inches Edition: Signed in pencil, dated and marked 139/199 Embossed with Mourlot Paris Stamp "I am so blessed to have a younger brother named Maximillian. Can this be real? I feel so infinitely happy, so full of life, so complete to have Maximillian. Loving to open up a chest full of race cars and trucks or kicking a ball the way boys do, was something unknown to me.""Having my pony tail pulled so much was another surprise of having a little brother. Even wild adventures like building pyramids out of live snails was nothing compared to trying to hold our garden spiders...