Wharton Esherick Sculptures

An important stoneware sculpture by Tim Orr. Handwritten signature at the base. Circa 1970-1980. One pair is avaible.

IMPERIAL EAGLE Italian, 17th Century sculpture in carved and gilded wood, based on a base decorated with plant motifs and masks with two claw and ball-...

Important Gripoix Floral Arrangement, from the former YSL Showroom on West 57th St in New York City. One of an important trio that were used for decoration within the Lalanne designed iron showcases...

An important ceramic sculpture by Tim Orr. Signed under the base, circa 1970.

A mid 19th Century folk art trade sign of demilune form, depicting a Native American chief holding a peace pipe and tomahawk wearing a headdress of white and red feathers, wearing a decorated tunic, supported by “s” scrolls, possibly a cover for a paddle boat wheel...

Tall vase in ceramic in the style of Fantoni. Signed N Narell Jaro Dated 1958.

An important stoneware sculpture by Tim Orr. Handwritten signature at the base " Tim Orr ". Circa 1970- 1980. One pair is available.

Sculpture. Unique piece hand made by the artist. The silk velvet fabric and the embroideries are made expressly for the artist, Carla Tolomeo.

IMPORTANT GERMAN PIETÀ FROM THE 14th CENTURY ORIGIN: GERMANY, REGION DE COLOGNE PERIOD: BEGINNING IF THE 14th CENTURY, ca. 1330 Height: 98 cm Length: 45 cm Depth: 33 cm Polychromed linden wood Good condition of conservation Provenance : particular Alsatian collection The theme of the Pietà or Vesperbild appears in Germany at the end of the 13th century, reflecting the mysticism of the late Middle Ages. Although the theme does not exist in the Gospels, it was often mentioned in contemporary devotional literature. Indeed, during the first half of the 14th century, mystical thought and devotional practices changed under the impulse of a number of religious, among them Heinrich Suso and St Bridget. In his writings, Suso placed important emphasis on contemplation and meditation in the footsteps of Christ's martyrdom. This will have great impact in the field of art, especially in Germany and later in France. The emphasis will from now on be on grief, death is shown in a straightforward way. The wounds of Christ are gaping and bloody. The suffering of Christ and the seven sorrows of the Virgin Mary are meditated upon. This piece demonstrates the interest of the faithful in these representations where pathos reigns. The virgin is represented seated in a frontal position. The bust is very elongated. She is wearing a red dress with a simple neckline and a blue mantel...

Beautifully made Rosewood Jewelry Box. 2 Triangular Lids open to reveal a velvet lined interior. Carved handle makes it easy to access interio...

Eccentric and rare bronze sculpture by Italian master Nado Canuti from the 1950s. The sculpture is called: Untitled. Made entirely of bronze with a glass base. The sculpture is a per...

Very important “Nwantamtay” dance African mask, consisting of three sections: The upper in plain rectangular shape surmounted by a crescent shape moon, the middle with beautiful geometric triangles in black bitumen and white kaolin, surrounding a red cruciform in the centre of remarkable contrasting colors, and the lower part or face inscribed in a circular space that inspired numbered great artists like Joan Miro, Picasso and Henry Moore of a very strongly solar symbolism, with a projecting protuberance emanating from the forehead like a sculpted bird beak, that descents toward the mouth. Concentric eyes harmonize with the circular mouth, both with of elegant proportions. The whole mask exudes a supreme harmony and perfect balance rarely seen in this pieces. The back-side presents nice ware that attested the ancient origin and traces of animistic ceremonies as the use of animal blood residues. The painting of brown bitumen or cola, the natural colorants in red and ocher tones and the white kaolin are original and do not show any repainted or restored areas, giving a freshness rarely seen in old pieces. This exceptional mask Bwa, of the Hound`e Region in Burkina-Fasso, was used it the transit ceremonies and funerals manifesting the presence of “Do”, name given to their God sons, protectors and powerful spirits. The round face also represents an owl, the curving beak of the bird plants a seed into the sun, like a female sexual vulva being fecundated by the male organ; the eternal symbol of Ying and Yang, masculine and feminine, and the quest of life and death. This mask of Primitive facture can be compared to the one in the celebrated Verite Collection (this one being larger) sold in Paris at the Hotel Drouot, Saturday June 17, Lot 59, for 80,000 Euros and remarkably stands out from the Pierre and Tannia Matisse sold in Sotheby’s, New York in May 13, 2011. Another similar piece was published in: “Arman et l’art africain...