Wharton Esherick Sculptures

IMPERIAL EAGLE Italian, 17th Century sculpture in carved and gilded wood, based on a base decorated with plant motifs and masks with two claw and ball-...

Important Gripoix Floral Arrangement, from the former YSL Showroom on West 57th St in New York City. One of an important trio that were used for decoration within the Lalanne designed iron showcases...

An exceptionally large and rare French Art Deco original bronze sculpture circa 1927 by a well known artist Georges Lavaroff (1895-1991) It's quite uncommon to find this very large size and notably featuring the silver and parcel gilt finish. The artwork features a majestic female nude, adorned with a stylized cloak in alternating stripes of gold and silver, which showcases a pyramid shape. The Egyptian goddess is depicted as an undraped figure with arms outstretched above her head, holding a crescent moon. She wears a north star headdress that adds to her regal appearance. The cloak is embellished with stars and a comet, and the female figure rests on a bed of stylized clouds. The sculpture is presented on its original black and gold marble base. All of these attributes add to the uniqueness and value of the artwork, making it even more remarkable and sought after by collectors and art enthusiasts. Water bottle shown for scale. Documentation : Les bronzes Art Deco de Georges Lavaroff, sculpteur Russe a Paris 1930 Kastelyn et Mazzucotelli. Georges Lavaroff was born in Sibera in 1895. He studied medicine and painting. After the revolution of 1917 he moved to Moscow and became a member of the Russian artists association where he began to exhibit his work and take part in shows as a member of the Association of artists of Revolutionary Russia. He then worked in France from 1927 until 1935. This period was the richest point of his profession where he produced his most famous works of Art Deco figures...

An important ceramic sculpture by Tim Orr. Signed under the base, circa 1970.

An important pair of Meissen Porcelain Groups depicting "Alexander The Great Concurring India". Modeled with Alexander the great's three warriors/soldiers riding on caparisoned eleph...

Tall vase in ceramic in the style of Fantoni. Signed N Narell Jaro Dated 1958.

Very important “Nwantamtay” dance African mask, consisting of three sections: The upper in plain rectangular shape surmounted by a crescent shape moon, the middle with beautiful geometric triangles in black bitumen and white kaolin, surrounding a red cruciform in the centre of remarkable contrasting colors, and the lower part or face inscribed in a circular space that inspired numbered great artists like Joan Miro, Picasso and Henry Moore of a very strongly solar symbolism, with a projecting protuberance emanating from the forehead like a sculpted bird beak, that descents toward the mouth. Concentric eyes harmonize with the circular mouth, both with of elegant proportions. The whole mask exudes a supreme harmony and perfect balance rarely seen in this pieces. The back-side presents nice ware that attested the ancient origin and traces of animistic ceremonies as the use of animal blood residues. The painting of brown bitumen or cola, the natural colorants in red and ocher tones and the white kaolin are original and do not show any repainted or restored areas, giving a freshness rarely seen in old pieces. This exceptional mask Bwa, of the Hound`e Region in Burkina-Fasso, was used it the transit ceremonies and funerals manifesting the presence of “Do”, name given to their God sons, protectors and powerful spirits. The round face also represents an owl, the curving beak of the bird plants a seed into the sun, like a female sexual vulva being fecundated by the male organ; the eternal symbol of Ying and Yang, masculine and feminine, and the quest of life and death. This mask of Primitive facture can be compared to the one in the celebrated Verite Collection (this one being larger) sold in Paris at the Hotel Drouot, Saturday June 17, Lot 59, for 80,000 Euros and remarkably stands out from the Pierre and Tannia Matisse sold in Sotheby’s, New York in May 13, 2011. Another similar piece was published in: “Arman et l’art africain...

Important 15th century polychrome wood virgin and child Origin: Southern Germany Period: Late 15th Century, Ca. 1480-1490 Height : 125 cm Polychrome limewood Good condition Provenance : Private collection, Alsace, France. As soon as 1430, sculpture starts a major and deep stylistic evolution than will unfold over a century, until around 1530. We call it the International Gothic. This production is particularly interested in a quest for realism. This important Virgin and Child wears a long red dress with a round gilded neckline. A delicate golden belt...

Important pair of ceramic sculptures by Tim Orr in Brissac, France, circa 1970. Excellent original conditions. Signature under the...

A hollow finely carved wood macaque figure dressed as a human with short green hair, a blue jacket and yellow slacks. He stands and holds a walking stick in his left hand and crosses...

Black marble of Belgium and bronze sculpture. Carlo Nicoli Workshop, Carrara. Unique piece. Date of creation: 1985. Japanese artist. ...

Large modern irregular shaped ceramic black vase with a ribbon-like decoration in gold, silver and red called "sho (hovering)" by Kato Reikichi (1953, Japan) from Seto, Aichi Provinc...

Important terracotta bust of Madame du Barry resting on a Rouge de Languedoc marble base, beautiful patination, inscribed on back: "Feceit 1777." Ma...

A magnificent example of gold-fused, enameled and etched glass, "Here Am I" was created by Edris Eckhardt, one of America's most important women artists in the 1930s, 40s, 50s and 60...

Transform your space into a sanctuary of palaeontological expression with this exceptional natural artefact, formed millions of years ago when a cataclysm reshaped vast Araucaria woo...