Willi Moegle Wall Decorations

A classic and happy, Alexander Girard sceenprint on canvas panel ca' 1970's. Measures approx. 24"x24", mounted on stretcher.

Ancient Greek Vase and Border Patterns – Classical Ornament, Plate V Description: This elegant chromolithograph titled "GREC" (Greek), Plate V, presents a striking collection of orn...

Chambre Orientale La Cheminée Ottoman Interior Print Henry d'Allemagne A remarkable original antique print titled "Chambre Orientale – La Cheminée" (Oriental Room – The Fireplace), ...

Title: Naval Battle Off St. François (Campeche, Mexico), ca. 1780 This print, titled "Vue prespective de la Ville de St. François de campech dans L'Amerique Septentrionalle," depict...

Immaculate Conception, c.1900 German Devotional Chromolithograph This beautiful early 20th-century German chromolithograph depicts the Immaculate Conception, one of the most belove...

Antique print titled 'Persischer Mollah'. Original antique print of a Persian priest. This print originates from 'Die Volker des Erdballs (..)' by H. Berghaus. Artists and En...

A rare collection of ephemera designed by Frank Barr ca’ 1940’s. Advertising exhibitions by James Prestini etc…a total of 22 pieces.

A very nice set of 12 bowls with saucers. Very nicely decorated. They are marked on the base. Additional information: Material: Porcelain & Pottery Region of Origin: Japan Japan Dyn...

Engravings that were part of the extensive collection by Jean-François de Neufforge, from his publication "Recueil élémentaire d'architecture." This collection was a significant work...

St. Aloysius Gonzaga, c.1900 German Devotional Chromolithograph (Printed in Germany) This early 20th-century German chromolithograph presents a serene and contemplative portrait of St. Aloysius Gonzaga, one of the most revered saints of the Catholic Church and patron saint of youth and purity. Produced around 1900 by a major German devotional press, the print displays the refined craftsmanship and rich colouring typical of the period’s finest chromolithographic work. The composition shows the young saint in quiet adoration of the crucifix, his head tilted in prayerful devotion, surrounded by classic symbols of sanctity and purity: lilies, rosary beads, devotional books, and the deep red cloth of an altar. Unlike the more dramatic depictions from the same era, this version places Aloysius within a softly rendered church interior, with a framed image of the Virgin and Child visible behind him. His vestments are delicately modelled, with lace edging and soft shading achieved through multiple lithographic stones, each layer adding depth and texture to the fabric. The gentle gradation of colour in the background and the luminous golden halo around the saint reveal the technical mastery of German chromolithographers working circa 1900–1915. The lower margin includes multilingual captions—“Hl. Aloysius von Gonzaga. St. Luigi di Gonzaga. St. Louis de Gonzague. St. Luis Gonzaga. St. Aloysius of Gonzaga.”—reflecting the widespread international distribution of German devotional prints. The imprimatur line, “Imprimi permittitur. Ordinariatus episcopalis Limburgensis,” confirms official Church approval for its publication. The imprint “Printed in Germany” situates the work in one of the major German centres of religious chromolithography, likely Munich or Cologne, where high-quality devotional images were produced for Catholic communities across Europe and the Americas. This print is unquestionably an original chromolithograph. The velvety colour fields, stippled pigment textures, soft transitions, crisp typesetting, and characteristic matte paper all confirm authentic stone-based printing rather than modern offset or digital reproduction. Prints of St. Aloysius from this period were commonly displayed in Catholic schools, parishes, and youth chapels, making high-quality surviving examples increasingly desirable for both devotional use and collectors of sacred art. Conditon Report: Very good condition. The colours remain bright and true, with light and even toning at the outer margins and minor handling marks typical of age. No tears, losses, creases, or repairs. The plate text and imprimatur remain sharp and fully legible. Tips for Framing: Ideal for framing in a dark walnut or gilded frame to complement the warm reds and golds of the composition. A cream or ivory mat helps emphasize the saint’s pale vestments and the purity symbolized by the lilies. For a more modern presentation, a slim black frame with a wide mat creates elegant contrast while preserving the devotional atmosphere. Technique: Chromolithograph Maker: German Devotional Press, printed in Germany, c.1900 st aloysius gonzaga saint aloysius aloysius print catholic saint art devotional art religious art german chromolithograph printed in germany antique lithograph chromolithograph imprimi permittitur church imprimatur holy youth lilies of purity crucifix devotion altar scene early 20th century religious print german devotional art fine chromolitho religious ephemera antique christian art

A finely detailed panoramic ink print with gouache of the Goodyear factory in the early 20th century done by Woodbury & Co, of Worcester, Massachusetts. This company was known for th...

Greece and the Danube Basin Map c.1720 – Antique Engraving of the Balkans This remarkable early 18th-century map presents a sweeping view of southeastern Europe, centering on the co...