Willi Moegle Prints

A classic and happy, Alexander Girard sceenprint on canvas panel ca' 1970's. Measures approx. 24"x24", mounted on stretcher.

Antique print titled 'Persischer Mollah'. Original antique print of a Persian priest. This print originates from 'Die Volker des Erdballs (..)' by H. Berghaus. Artists and En...

Immaculate Conception, c.1900 German Devotional Chromolithograph This beautiful early 20th-century German chromolithograph depicts the Immaculate Conception, one of the most belove...

Title: Naval Battle Off St. François (Campeche, Mexico), ca. 1780 This print, titled "Vue prespective de la Ville de St. François de campech dans L'Amerique Septentrionalle," depict...

Ancient Greek Vase and Border Patterns – Classical Ornament, Plate V Description: This elegant chromolithograph titled "GREC" (Greek), Plate V, presents a striking collection of orn...

Engravings that were part of the extensive collection by Jean-François de Neufforge, from his publication "Recueil élémentaire d'architecture." This collection was a significant work...

Antique print titled 'Espece de Crocodile, nomme Alligator Celui ci est Jeune qui fut tire vivant a Londres au mois d'Octobre 1739’. (Species of Crocodile, called Alligator. This you...

Antique print titled 'Ein Maure aus Algier'. Original antique print of a Moor from Algiers. This print originates from 'Die Volker des Erdballs (..)' by H. Berghaus. Artists ...

St. Aloysius Gonzaga, c.1900 German Devotional Chromolithograph (Printed in Germany) This early 20th-century German chromolithograph presents a serene and contemplative portrait of St. Aloysius Gonzaga, one of the most revered saints of the Catholic Church and patron saint of youth and purity. Produced around 1900 by a major German devotional press, the print displays the refined craftsmanship and rich colouring typical of the period’s finest chromolithographic work. The composition shows the young saint in quiet adoration of the crucifix, his head tilted in prayerful devotion, surrounded by classic symbols of sanctity and purity: lilies, rosary beads, devotional books, and the deep red cloth of an altar. Unlike the more dramatic depictions from the same era, this version places Aloysius within a softly rendered church interior, with a framed image of the Virgin and Child visible behind him. His vestments are delicately modelled, with lace edging and soft shading achieved through multiple lithographic stones, each layer adding depth and texture to the fabric. The gentle gradation of colour in the background and the luminous golden halo around the saint reveal the technical mastery of German chromolithographers working circa 1900–1915. The lower margin includes multilingual captions—“Hl. Aloysius von Gonzaga. St. Luigi di Gonzaga. St. Louis de Gonzague. St. Luis Gonzaga. St. Aloysius of Gonzaga.”—reflecting the widespread international distribution of German devotional prints. The imprimatur line, “Imprimi permittitur. Ordinariatus episcopalis Limburgensis,” confirms official Church approval for its publication. The imprint “Printed in Germany” situates the work in one of the major German centres of religious chromolithography, likely Munich or Cologne, where high-quality devotional images were produced for Catholic communities across Europe and the Americas. This print is unquestionably an original chromolithograph. The velvety colour fields, stippled pigment textures, soft transitions, crisp typesetting, and characteristic matte paper all confirm authentic stone-based printing rather than modern offset or digital reproduction. Prints of St. Aloysius from this period were commonly displayed in Catholic schools, parishes, and youth chapels, making high-quality surviving examples increasingly desirable for both devotional use and collectors of sacred art. Conditon Report: Very good condition. The colours remain bright and true, with light and even toning at the outer margins and minor handling marks typical of age. No tears, losses, creases, or repairs. The plate text and imprimatur remain sharp and fully legible. Tips for Framing: Ideal for framing in a dark walnut or gilded frame to complement the warm reds and golds of the composition. A cream or ivory mat helps emphasize the saint’s pale vestments and the purity symbolized by the lilies. For a more modern presentation, a slim black frame with a wide mat creates elegant contrast while preserving the devotional atmosphere. Technique: Chromolithograph Maker: German Devotional Press, printed in Germany, c.1900 st aloysius gonzaga saint aloysius aloysius print catholic saint art devotional art religious art german chromolithograph printed in germany antique lithograph chromolithograph imprimi permittitur church imprimatur holy youth lilies of purity crucifix devotion altar scene early 20th century religious print german devotional art fine chromolitho religious ephemera antique christian art

17th Century Decorative Panels – Baroque and Pastoral Motifs, Plate LXXXIII This exuberant chromolithograph, Plate LXXXIII from *L'Ornement Polychrome*, features a vivid selection o...

Antique print titled 'Plan Horisontal du Temple de Schoe-Madou'. Plan of a Burmese temple. This print originates from 'Relation de l'Ambassade Anglaise, envoyée en 1795 dans le Royau...

Gold – Renaissance Alchemy Interior Engraving after Tourrier This atmospheric 19th-century steel engraving titled Gold presents an evocative Renaissance-inspired interior scene cent...